Details

Autor(en) / Beteiligte

• Siret, Daniel,
• Piga, Barbara E. A.,
• Thibaud, Jean-Paul,

Titel

Experiential walks for urban design : revealing, representing, and activating the sensory environment

Ort / Verlag

Cham, Switzerland : Springer,

Erscheinungsjahr

[2021]

Link zum Volltext

• SpringerLink Books - AutoHoldings

Beschreibungen/Notizen

• Intro -- Introducing the Pluralistic Approach to Experiential Walks -- Chapter -- References -- Contents -- Editors and Contributors -- Part I Experiential Walk for Revealing the Sensory Dimensions of Public Spaces -- 1 'Echoes of Elves and Demons in the Riverbank' the Exploration of History and Folklore in Kythera Through Walking -- Abstract -- 1.1 Introduction -- 1.2 Walking Practices -- 1.3 Sense of Place -- 1.4 From Acoustic to Sensory Communities -- 1.5 Place and Storytelling -- 1.6 Storytelling in Kythera -- 1.7 The Sound of Kythera -- 1.8 Memory Walks -- 1.9 Silent Sensory Walks -- 1.10 Performative Walk -- 1.11 Walking in Kythera: A Conclusion -- References -- 2 Drawing Heritage: A Heuristic Approach to Ambiances Through an Urban Sketching Experience -- Abstract -- 2.1 Introduction -- 2.2 Ambiances, Heritage Preservation and Drawing -- 2.3 Walking Through an Urban Sketching Experience -- 2.4 Experience Drawing Heritage and Urban Ambiences -- Acknowledgements -- References -- 3 The Sonic Drifter: A Psychogeographic Approach to Understand a Re-emerging City -- Abstract -- 3.1 Introduction -- 3.2 Adaptive Perception -- 3.3 Tracing the Ambience -- 3.4 In the City -- 3.5 Site-Specific Listening -- 3.6 Sonic Drifting -- 3.7 Field Recording -- 3.8 Composing the Psychogeography -- 3.9 Concluding Remarks -- References -- 4 Scaffolding Walking Experiences Through Interactive Sound Design -- Abstract -- 4.1 Introduction -- 4.2 Sound as a Medium for the walker's Experience -- 4.3 Designing Interactive Sound for Different Walking Aspects -- 4.4 Synopsis -- 4.5 Supporting Immersion into the Walking Process -- 4.6 Modeling the Unfolding Walking Process -- 4.7 GangKlang Application -- 4.8 Conclusion -- 4.8.1 Designing for Everyday Life -- 4.8.2 Designing Meaningful Sonic Expressions -- References.
• 5 Combined Sound- and Lightwalks. A Novel, Mixed Method to Assess Sound and Artificial Light of the Urban Environment at Night -- Abstract -- 5.1 Introduction -- 5.2 A Combined Sound- and Lightwalk in Berlin -- 5.3 Results -- 5.4 Discussion and Conclusion -- Acknowledgements -- Appendix A -- References -- 6 Smell Walks -- Abstract -- 6.1 Introduction: What Is at Stake in the Study of Perceptual Qualities of Olfactory Environment? -- 6.2 Part I: Towards an Understanding of Perceptual Qualities of Olfactory Environment -- 6.2.1 An Unreliable Background: Smell Evaluation Challenges -- 6.2.2 In Vitro and In Vivo, Smell-Places Experiences -- 6.3 Odours Within Space Sciences and Disciplines -- 6.4 Part II: Smell Walks to Comprehend Environmental Olfactory Phenomena? -- 6.4.1 How to Do Smell Walks? -- 6.5 What to Do with the Data? -- 6.5.1 Smell Inventories and Categorizations -- 6.6 Interpretations of People Categorizations -- 6.7 'Smell Event' Categorizations -- 6.8 Conclusion -- References -- 7 Walking Together: Towards a Common Movement -- Abstract -- 7.1 Three Projects: A General Description -- 7.2 Establishing the Common, Towards a Common Movement -- 7.2.1 Towards a Definition of the Common -- 7.2.2 Commissioners' Perspectives -- 7.2.3 Artists' Perspectives -- 7.3 Conclusion -- References -- Online Resources -- Corpus -- Part II Experiential Walk for Representing and Communicating the Urban Experience -- 8 Experiential Media in Urban Design -- Abstract -- 8.1 Representing Experience of What Exists and of What Could Exist in the Future -- 8.2 Representing the Experience of Movement -- 8.3 Laboratories Dedicated to Reasoning with Change -- 8.4 Conclusions -- References -- 9 From "la Dérive" to Virtual Reality: Representing the Urban Walk Between Reality, Senses and Imagination -- Abstract -- 9.1 The Situationist Urban Stroll and Maps.
• 9.2 Serial Visions "in Motion" in the Context of Urban Studies -- 9.3 Realistic Photo Images, Renders, Walkthroughs for Urban Simulation -- 9.4 Conclusions -- References -- 10 Sensitive Wanderings in the City: Exploring the Spatial Empathy in Urban Contexts -- Abstract -- 10.1 Introduction -- 10.2 Sensitive Space and Empathic Experience -- 10.3 Body and Experience of Sensitive Wanderings -- 10.4 Walking as a Method -- 10.5 The Three Moments of Walking -- 10.6 Conclusions -- References -- 11 Experiential-Walk: Experiencing and Representing the City for Urban Design Purposes -- Abstract -- 11.1 Introduction: What You Perceive Is What You Get -- 11.2 Method: Experiential-Walk for Urban Design and Sensory Awareness -- 11.3 Case Studies Application -- 11.4 Street-Scape: Via Celoria, a Road from the Early Nineteenth Century -- 11.5 Block-Scape: Garibaldi-Repubblica, the New High-Rise Porta Nuova District -- 11.6 Block-Scape: Public Spaces in Milan -- 11.7 Comments on Results -- 11.8 Conclusions and Further Developments -- References -- 12 Capturing Chromatic Effects in Urban Environment -- Abstract -- 12.1 Perceiving Colour in Motion with the Concept of Sensory Effect -- 12.2 Presentation of the Site and Proposed Walk -- 12.3 Survey Protocol -- 12.4 Analysis of Recorded Speeches and Pictures Throughout the Itinerary -- 12.5 Proposition of a Chromatic Effects Repertoire in Urban Environment -- 12.6 Summary and Perspectives -- References -- 13 Ambiance Partition: An Interdisciplinary Reading, Measurement, and Notation of in Situ Experiences -- Abstract -- 13.1 Introduction -- 13.2 Methods -- 13.2.1 The Partition as a Performance -- 13.2.2 The Partition as a Representation -- 13.3 Results: The Ambiance Partition as a Common Synthesis -- 13.4 Conclusion: Towards an interpretation of the Ambiance Partition -- Acknowledgements -- References.
• Part III Experiential Walk for Informing Urban Design and Favoring Citizens' Engagement -- 14 Interior-Exterior Ambiances: Environmental Transitions in the Recollection of an Urban Stroll -- Abstract -- 14.1 Introduction -- 14.2 Physical Context -- 14.3 Tools and Methods -- 14.4 Results -- 14.4.1 Interior-Exterior Transition -- 14.4.2 Vertical Transition -- 14.4.3 An Interior-Exterior Space -- 14.5 Conclusion -- Acknowledgements -- References -- 15 Towards Using Space Syntax for Soundwalk Set Up -- Abstract -- 15.1 Introduction -- 15.2 Research Background -- 15.3 Methodology -- 15.3.1 The Syntactical Analysis -- 15.3.2 Field Data Collection -- 15.3.3 Soundscape Assessment Using the Virtual Soundwalk -- 15.4 Results -- 15.5 Discussion -- 15.5.1 Limitations of This Study -- 15.5.2 Possible Indications of the Study -- 15.6 Concluding Remarks -- Acknowledgements -- References -- 16 Urban Flâneur: A Site-Responsive Walking Methodology for Fashion Design -- Abstract -- 16.1 Contextual Review -- 16.2 Method -- 16.3 Case Study: Victoria Harbour -- 16.4 Fashion and the City -- 16.5 Fashion Reimagines the City -- 16.6 Discussion -- Acknowledgements -- References -- 17 A Walking Methodology as the Participatory Tool for a University Master Plan Design -- Abstract -- 17.1 Introduction -- 17.2 Forms and Uses of Walking Methods -- 17.3 "Commented Walks" Through a University Campus -- 17.4 Conclusions -- References -- 18 Experiential Walks for Challenging Planning Education: The Case of Laboratorio del Cammino -- Abstract -- 18.1 Introduction -- 18.2 The Walk as a Tool for Exploring and Investigating Territories -- 18.3 ViaSalaria and Sicilia Coast to Coast: Two Territorial Walks for Investigating Man-Place Interdependencies -- 18.4 The Contribution of Laboratorio del Cammino to Planning Education -- 18.5 Conclusion -- References.
• 19 Way-Tales: An Archaeological Topophonics for Emerging Tourist Spaces -- Abstract -- 19.1 Research Aims Set Within a Contextualising Literature Review -- 19.2 Design of the Methodology -- 19.3 Findings and Data -- 19.4 Analysis of Themes -- 19.4.1 Happy Here -- 19.4.2 Sous Les Pavés Le Bocage -- 19.4.3 Plateau -- 19.5 Conclusion and Implications -- Acknowledgements -- References.
• Description based on print version record.