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Details

Autor(en) / Beteiligte
Titel
Rock Over the Edge : Transformations in Popular Music Culture
Ort / Verlag
Durham : Duke University Press
Erscheinungsjahr
[2002]
Link zum Volltext
Link zu anderen Inhalten
Beschreibungen/Notizen
  • This collection brings new voices and new perspectives to the study of popular—and particularly rock—music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en español,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain.Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom.Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music.Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J. Sheinbaum, Gayle Wald, Warren Zanes
Sprache
Englisch
Identifikatoren
ISBN: 9780822383376
DOI: 10.1515/9780822383376
Titel-ID: 990369896930206441
Format
1 online resource (399 p.); 8 b&w photos, 2 tables, 1 figure
Schlagworte
Rock music / History and criticism, MUSIC / Genres & Styles / Rock