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Editor's Introduction

Journal of film and video, 2023-10, Vol.75 (3), p.3-3

Baron, Cynthia

2023

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Editor's Introduction

Journal of film and video, 2023-07, Vol.75 (2), p.3-3

Baron, Cynthia

2023

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Hermann Kretzschmar’s Forgotten Heirs: “Silent”-Film Music as Applied Hermeneutics

Music and the moving image, 2019-10, Vol.12 (3), p.1-24

Fuchs, Maria

2019

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Introduction to Special Issue

Journal of film and video, 2020-04, Vol.72 (1-2), p.3-4

2020

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About the Authors

Music and the moving image, 2020-04, Vol.13 (1), p.79-80

2020

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About the Authors

Music and the moving image, 2019-10, Vol.12 (3), p.62-63

2019

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About the Authors

Music and the moving image, 2019-07, Vol.12 (2), p.61-61

2019

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About the Authors

Music and the moving image, 2019-04, Vol.12 (1), p.69-70

2019

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The Paradox of Steve Coogan: Performing Class in British Film Acting

Journal of film and video, 2023-07, Vol.75 (2), p.18-29

Archer, Neil

2023

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About the Authors

Music and the moving image, 2018-10, Vol.11 (3), p.60-60

2018

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About the Authors

Music and the moving image, 2018-07, Vol.11 (2), p.67-67

2018

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Audiovisual Silence: A Lever for Narrative Change and Transition

Journal of film and video, 2023-01, Vol.75 (3), p.38-52

Segura, Daniel Torras i

2023

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Automotive Associations in Post–New Wave Films by Czech Directors

Journal of film and video, 2023-10, Vol.75 (3), p.4-21

Silverman, Tanya

2023

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About the Authors

Music and the moving image, 2018-04, Vol.11 (1), p.66-67

2018

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“White Girls, They Get You Every Time”: Get Out's Horror of Miscegenation and Its Conception of the Black Bro'mance

Journal of film and video, 2023-07, Vol.75 (2), p.4-17

Frank, Michèle S.

2023

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According to the Narrator, It Was a Dark and Stormy Night: Styles of Narration-as-Advocation in True-Crime Documentary Series

Journal of film and video, 2023-07, Vol.75 (2), p.45-62

Dosser, Max

2023

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“Why Don't You Go Down to Wall Street and Get Some Real Crooks?”: Capitalism and Masculinity in GoodFellas, Casino, and The Wolf of Wall Street

Journal of film and video, 2023-07, Vol.75 (2), p.30-44

Moloney, Ciara

2023

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About the Authors

Music and the moving image, 2017-10, Vol.10 (3), p.55-55

2017

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There's No Place Like Home(land) in American and Soviet Fantasy Cinema of 1939: The Wizard of Oz and Vasilisa the Beautiful

Journal of film and video, 2022-09, Vol.74 (3-4), p.48-63

Allison, Deborah

2022

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Documentary Film and the Flint Water Crisis: Incorporating the Sociological Imagination

Journal of film and video, 2023-01, Vol.75 (3), p.53-66

Taylor, Cedric

2023

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Facing the End of the World: Take Shelter as Horror Ecocinema

Journal of film and video, 2023-01, Vol.75 (3), p.22-37

Paszkiewicz, Katarzyna

2023

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About the Authors

Music and the moving image, 2017-07, Vol.10 (2), p.62-63

2017

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About the Authors

Music and the moving image, 2017-04, Vol.10 (1), p.54-54

2017

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Building a Timeline for LGBTQ+ Global Cinemas (1910–2019): Movie Production Trends from a Collaborative Internet Cinema Database

Journal of film and video, 2023-04, Vol.75 (1), p.46-61

2023

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Reconstructing the Uncertain Past: Cracked Docudramas That Question Their Own Authority

Journal of film and video, 2022-04, Vol.74 (1-2), p.96-112

Rush, Jeff

2022

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Editor's Introduction

Editor's Introduction

Hermann Kretzschmar’s Forgotten Heirs: “Silent”-Film Music as Applied Hermeneutics

Introduction to Special Issue

About the Authors

About the Authors

About the Authors

About the Authors

The Paradox of Steve Coogan: Performing Class in British Film Acting

About the Authors

About the Authors

Audiovisual Silence: A Lever for Narrative Change and Transition

Automotive Associations in Post–New Wave Films by Czech Directors

About the Authors

“White Girls, They Get You Every Time”: Get Out's Horror of Miscegenation and Its Conception of the Black Bro'mance

According to the Narrator, It Was a Dark and Stormy Night: Styles of Narration-as-Advocation in True-Crime Documentary Series

“Why Don't You Go Down to Wall Street and Get Some Real Crooks?”: Capitalism and Masculinity in GoodFellas, Casino, and The Wolf of Wall Street

About the Authors

There's No Place Like Home(land) in American and Soviet Fantasy Cinema of 1939: The Wizard of Oz and Vasilisa the Beautiful

Documentary Film and the Flint Water Crisis: Incorporating the Sociological Imagination

Facing the End of the World: Take Shelter as Horror Ecocinema

About the Authors

About the Authors

Building a Timeline for LGBTQ+ Global Cinemas (1910–2019): Movie Production Trends from a Collaborative Internet Cinema Database

Reconstructing the Uncertain Past: Cracked Docudramas That Question Their Own Authority

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