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Tanya Kevorkian. Music and Urban Life in Baroque Germany Charlottesville: University of Virginia Press, 2022. Pp. xii+352

Austrian history yearbook, 2024-05, p.1-3

Yearsley, David

2024

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GEORG PHILIPP TELEMANN (1681–1767) SIX MORAL CANTATAS, TVWV 20:29–34 Julianne Baird (soprano) / Steven Zohn (baroque flute) / Eve Miller (baroque cello) / Leon Schelhase (harpsichord) Centaur 3591, 2017; one disc, 65 minutes

Eighteenth-century music, 2020-03, Vol.17 (1), p.130-132

YEARSLEY, DAVID

2020

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POETS, MOTHERS, AND PERFORMERS: CONSIDERING WOMEN'S IMPACT ON THE MUSIC OF JOHANN SEBASTIAN BACH YALE INSTITUTE OF SACRED MUSIC 16–18 OCTOBER 2009

Eighteenth-century music, 2010-09, Vol.7 (2), p.326-329

YEARSLEY, DAVID

2010

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In Buxtehude’s footsteps

Early music, 2007-08, Vol.35 (3), p.339-354

Yearsley, David

2007

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Hoopskirts, Coffee, and the Changing Musical Prospects of the Bach Women

Women & music (Washington, D.C.), 2013, Vol.17 (1), p.27-58

Yearsley, David

2013

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Previous Laparotomy Scar Preventing Abdominal Injury from Gunshot Wound

Delaware medical journal, 2017-03, Vol.89 (3), p.86

2017

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POETS, MOTHERS, AND PERFORMERS: CONSIDERING WOMEN'S IMPACT ON THE MUSIC OF JOHANN SEBASTIAN BACH YALE INSTITUTE OF SACRED MUSIC 16–18 OCTOBER 2009

Eighteenth-century music, 2010-09, Vol.7 (2), p.326-329

YEARSLEY, DAVID

2010

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Princes of Peace and War and their Most Humble, Most Obedient Court Composer

Konturen (Eugene, Or.), 2008-12, Vol.1 (1)

Yearsley, David

2008

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TOWARDS AN ALLEGORICAL INTERPRETATION OF BUXTEHUDE'S FUNERARY COUNTERPOINTS

Music & letters, 1999-05, Vol.80 (2), p.183-206

YEARSLEY, D.

1999

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DEATH EVERYDAY: THE ANNA MAGDALENA BACH BOOK OF 1725 AND THE ART OF DYING

Eighteenth-century music, 2005-09, Vol.2 (2), p.231-249

YEARSLEY, DAVID

2005

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Fugal rejuvenation: Joseph Kerman, The Art of Fugue (Berkeley: University of California Press, 2005), $24.95/ 15.95

Early music, 2006-08, Vol.34 (3), p.489-492

Yearsley, D.

2006

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The Awkward Idiom: Hand-Crossing and the European Keyboard Scene around 1730

Early music, 2002-05, Vol.30 (2), p.225-235

Yearsley, David

2002

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Review: Johann Sebastian Bach: The Learned Musician, by Christoph Wolff

Journal of the American Musicological Society, 2001-08, Vol.54 (2), p.374-382

Yearsley, David

2001

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chorale prelude

The Oxford Companion to Music, 2011

David Yearsley

1 rev., 2011

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organ chorale

The Oxford Companion to Music, 2011

David Yearsley

1 rev., 2011

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The awkward idiom: Hand-crossing and the European keyboard scene around 1730

Early music, 2002-05, Vol.30 (2), p.224-235

Yearsley, David

2002

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Alchemy and Counterpoint in an Age of Reason

Journal of the American Musicological Society, 1998-07, Vol.51 (2), p.201-243

Yearsley, David

1998

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Alchemy and Counterpoint in an Age of Reason

Journal of the American Musicological Society, 1998-07, Vol.51 (2), p.201-243

Yearsley, David

1998

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Fugal rejuvenation

Early Music, 2006, Vol.34 (3), p.489-492

Yearsley, David

2006

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Theories of Fugue from the Age of Josquin to the Age of Bach

Music Library Association. Notes, 2001, Vol.58 (2), p.332-334

Yearsley, David

2001

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The concerto in northern Europe to c.1770

The Cambridge Companion to the Concerto, 2005, p.53-69

Yearsley, David

2005

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SIX MORAL CANTATAS, TVWV 20:29–34 Julianne Baird (soprano) / Steven Zohn (baroque flute) / Eve Miller (baroque cello) / Leon Schelhase (harpsichord) Centaur 3591, 2017 ; one disc, 65 minutes

Eighteenth-Century Music, 2020, Vol.17 (1), p.130-132

Yearsley, David

2020

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The organ music of J. S. Bach

The Cambridge Companion to the Organ, 1999, p.236-249

Yearsley, David

1999

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Bach to the roots

Early Music, 2015, Vol.43 (1), p.160-163

Yearsley, David

2015

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J. S. Bach's Concerted Ensemble Music: The Concerto

Music & Letters, 2009, Vol.90 (2), p.280-283

Yearsley, David

2009

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Tanya Kevorkian. Music and Urban Life in Baroque Germany Charlottesville: University of Virginia Press, 2022. Pp. xii+352

GEORG PHILIPP TELEMANN (1681–1767) SIX MORAL CANTATAS, TVWV 20:29–34 Julianne Baird (soprano) / Steven Zohn (baroque flute) / Eve Miller (baroque cello) / Leon Schelhase (harpsichord) Centaur 3591, 2017; one disc, 65 minutes

POETS, MOTHERS, AND PERFORMERS: CONSIDERING WOMEN'S IMPACT ON THE MUSIC OF JOHANN SEBASTIAN BACH YALE INSTITUTE OF SACRED MUSIC 16–18 OCTOBER 2009

In Buxtehude’s footsteps

Hoopskirts, Coffee, and the Changing Musical Prospects of the Bach Women

Previous Laparotomy Scar Preventing Abdominal Injury from Gunshot Wound

POETS, MOTHERS, AND PERFORMERS: CONSIDERING WOMEN'S IMPACT ON THE MUSIC OF JOHANN SEBASTIAN BACH YALE INSTITUTE OF SACRED MUSIC 16–18 OCTOBER 2009

Princes of Peace and War and their Most Humble, Most Obedient Court Composer

TOWARDS AN ALLEGORICAL INTERPRETATION OF BUXTEHUDE'S FUNERARY COUNTERPOINTS

DEATH EVERYDAY: THE ANNA MAGDALENA BACH BOOK OF 1725 AND THE ART OF DYING

Fugal rejuvenation: Joseph Kerman, The Art of Fugue (Berkeley: University of California Press, 2005), $24.95/ 15.95

The Awkward Idiom: Hand-Crossing and the European Keyboard Scene around 1730

Review: Johann Sebastian Bach: The Learned Musician, by Christoph Wolff

chorale prelude

organ chorale

The awkward idiom: Hand-crossing and the European keyboard scene around 1730

Alchemy and Counterpoint in an Age of Reason

Alchemy and Counterpoint in an Age of Reason

Fugal rejuvenation

Theories of Fugue from the Age of Josquin to the Age of Bach

The concerto in northern Europe to c.1770

SIX MORAL CANTATAS, TVWV 20:29–34 Julianne Baird (soprano) / Steven Zohn (baroque flute) / Eve Miller (baroque cello) / Leon Schelhase (harpsichord) Centaur 3591, 2017 ; one disc, 65 minutes

The organ music of J. S. Bach

Bach to the roots

J. S. Bach's Concerted Ensemble Music: The Concerto

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