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M assimo F irpo and F abrizio B iferali . Immagini ed eresie nell’Italia del Cinquecento

The American historical review, 2018-12, Vol.123 (5), p.1758-1759

Lincoln, Evelyn

2018

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Finding Rome in Piranesi's Rome

Art in print (Chicago, IL), 2016-01, Vol.5 (5), p.18-19

Lincoln, Evelyn

2016

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Gospel Lessons: Arabic Printing at the Tipografia Medicea Orientale

Art in print (Chicago, IL), 2014-11, Vol.4 (4), p.4-10

Lincoln, Evelyn

2014

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Erminia Ardissino. and Elisabetta Selmi., eds. Visibile teologia: Il libro sacro figurato in Italia tra Cinquecento e Seicento. Temi e Testi 101. Rome: Edizioni di storia e letteratura, 2012. xxvi + 464 pp. €68. ISBN: 978–88–6372–409–7

Renaissance quarterly, 2013, Vol.66 (4), p.1422-1423

Lincoln, Evelyn

2013

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The Studio Inventory of Camillo Graffico, Engraver and Fountaineer

Print quarterly, 2012-09, Vol.29 (3), p.259-280

Lincoln, Evelyn

2012

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Publishing, Secrecy and Curiosity in a German Conclave Print

Art in print (Chicago, IL), 2012-11, Vol.2 (4), p.3-8

Lincoln, Evelyn

2012

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Evelyn Lincoln. Review of "Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493" by Lorenz Böninger

CAA.reviews (New York, N.Y.), 2022-02

Lincoln, Evelyn

2022

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Norberto Gramaccini and Hans Jakob Meier. Die Kunst der Interpretation: Italienische Reproduktionsgraphik 1485–1600. Munich: Deutscher Kunstverlag, 2009. 518 pp. index. append. illus. bibl. €98. ISBN: 978–3422–06872–8

Renaissance quarterly, 2010, Vol.63 (4), p.1387-1389

Lincoln, Evelyn

2010

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Larry A. Silver, ed. Grand Scale: Monumental Prints in the Age of Dürer and Titian. New Haven: Yale University Press, 2008. 176 pp. illus. bibl. $50. ISBN: 978–0–300–13879–5

Renaissance quarterly, 2009, Vol.62 (1), p.257-258

Lincoln, Evelyn

2009

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REVIEWS OF BOOKS: Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public - by Peter Parshall and Rainer Schock, with David S. Areford, Richard S. Field, and Peter Schmidt

Renaissance studies, 2007-11, Vol.21 (5), p.760

Lincoln, Evelyn

2007

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REVIEWS OF BOOKS: Book Use, Book Theory 1500-1700 by Bradin Cormack and Carla Mazzio

Renaissance studies, 2006-09, Vol.20 (4), p.612

Lincoln, Evelyn

2006

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Branca's 'Signature Piece'

Heliotropia, 2003, Vol.1 (1)

Lincoln, Evelyn

2003

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Models for Science and Craft: Isabella Parasole's Botanical and Lace Illustrations

Visual resources, 2001-01, Vol.17 (1), p.1-35

Lincoln, Evelyn

2001

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The Jew and the worms: Portraits and patronage in a sixteenth-century how-to manual

Word & image (London. 1985), 2003-01, Vol.19 (1-2), p.86-99

Lincoln, Evelyn

2003

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Curating the Renaissance body

Word & image (London. 1985), 2001-01, Vol.17 (1-2), p.42-61

Lincoln, Evelyn

2001

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Making a good impression: Diana Mantuana's printmaking career: Document View

Renaissance quarterly, 1997, Vol.50 (4), p.1101

Lincoln, Evelyn

1997

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Making a Good Impression: Diana Mantuana's Printmaking Career: Document View

Renaissance quarterly, 1997, Vol.50 (4), p.1101

Lincoln, Evelyn

1997

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Making a Good Impression: Diana Mantuana's Printmaking Career

Renaissance quarterly, 1997-12, Vol.50 (4), p.1101-1147

Lincoln, Evelyn

1997

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ProQuest

MANTEGNA'S CULTURE OF LINE

Art history, 1993-03, Vol.16 (1), p.33-59

Lincoln, Evelyn

1993

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ARTEMISIA GENTILESCHI, GERONIMA AND ISABELLA PARASOLE AND LAVINIA FONTANA

Print Quarterly, 2023, Vol.40 (1), p.62

Lincoln, Evelyn

2023

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Interactive and Sculptural Printmaking in the Renaissance. Suzanne Karr Schmidt. Brill's Studies in Intellectual History 270; Brill's Studies in Art, Art History, and Intellectual History 21. Leiden: Brill, 2018. xxviii + 440 pp. $195

Renaissance Quarterly, 2020, Vol.73 (1), p.251-253

Lincoln, Evelyn

2020

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ProQuest

The Devil's hem : allegorical reading in a sixteenth-century illustrated life of St. Benedict

Early modern visual allegory : embodying meaning, 2007, p.135-153

2007

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Interactive and Sculptural Printmaking in the Renaissance. Brill's Studies in Intellectual History 270; Brill's Studies in Art, Art History, and Intellectual History 21

Renaissance Quarterly, 2020, Vol.73 (1), p.251-253

Lincoln, Evelyn

2020

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Massimo Firpo and Fabrizio Biferali. Immagini ed eresie nell’Italia del Cinquecento

The American Historical Review, 2018, Vol.123 (5), p.1758-1759

Lincoln, Evelyn

2018

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Immagini ed eresie nell’Italia del Cinquecento. (Storia e Società.)

The American Historical Review, 2018, Vol.123 (5), p.1758-1759

Lincoln, Evelyn

2018

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M assimo F irpo and F abrizio B iferali . Immagini ed eresie nell’Italia del Cinquecento

Finding Rome in Piranesi's Rome

Gospel Lessons: Arabic Printing at the Tipografia Medicea Orientale

Erminia Ardissino. and Elisabetta Selmi., eds. Visibile teologia: Il libro sacro figurato in Italia tra Cinquecento e Seicento. Temi e Testi 101. Rome: Edizioni di storia e letteratura, 2012. xxvi + 464 pp. €68. ISBN: 978–88–6372–409–7

The Studio Inventory of Camillo Graffico, Engraver and Fountaineer

Publishing, Secrecy and Curiosity in a German Conclave Print

Evelyn Lincoln. Review of "Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493" by Lorenz Böninger

Norberto Gramaccini and Hans Jakob Meier. Die Kunst der Interpretation: Italienische Reproduktionsgraphik 1485–1600. Munich: Deutscher Kunstverlag, 2009. 518 pp. index. append. illus. bibl. €98. ISBN: 978–3422–06872–8

Larry A. Silver, ed. Grand Scale: Monumental Prints in the Age of Dürer and Titian. New Haven: Yale University Press, 2008. 176 pp. illus. bibl. $50. ISBN: 978–0–300–13879–5

REVIEWS OF BOOKS: Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public - by Peter Parshall and Rainer Schock, with David S. Areford, Richard S. Field, and Peter Schmidt

REVIEWS OF BOOKS: Book Use, Book Theory 1500-1700 by Bradin Cormack and Carla Mazzio

Branca's 'Signature Piece'

Models for Science and Craft: Isabella Parasole's Botanical and Lace Illustrations

The Jew and the worms: Portraits and patronage in a sixteenth-century how-to manual

Curating the Renaissance body

Making a good impression: Diana Mantuana's printmaking career: Document View

Making a Good Impression: Diana Mantuana's Printmaking Career: Document View

Making a Good Impression: Diana Mantuana's Printmaking Career

MANTEGNA'S CULTURE OF LINE

ARTEMISIA GENTILESCHI, GERONIMA AND ISABELLA PARASOLE AND LAVINIA FONTANA

Interactive and Sculptural Printmaking in the Renaissance. Suzanne Karr Schmidt. Brill's Studies in Intellectual History 270; Brill's Studies in Art, Art History, and Intellectual History 21. Leiden: Brill, 2018. xxviii + 440 pp. $195

The Devil's hem : allegorical reading in a sixteenth-century illustrated life of St. Benedict

Interactive and Sculptural Printmaking in the Renaissance. Brill's Studies in Intellectual History 270; Brill's Studies in Art, Art History, and Intellectual History 21

Massimo Firpo and Fabrizio Biferali. Immagini ed eresie nell’Italia del Cinquecento

Immagini ed eresie nell’Italia del Cinquecento. (Storia e Società.)

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