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The Routledge Companion to Music and Human Rights

1, 2022

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Keeping in touch via cassette: tracing Dinka songs from cattle camp to transnational audio-letter

Journal of African cultural studies, 2013-06, Vol.25 (2), p.197-210

Impey, Angela

2013

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SONGS OF MOBILITY AND BELONGING

Interventions (London, England), 2013-06, Vol.15 (2), p.255-271

Impey, Angela

2013

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SONGS OF MOBILITY AND BELONGING: Gender, Spatiality and the Local in Southern Africa's Transfrontier Conservation Development

Interventions (London, England), 2013-06, Vol.15 (2), p.255-271

Impey, Angela

2013

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THE POETICS OF TRANSITIONAL JUSTICE IN DINKA SONGS IN SOUTH SUDAN

Revista UNISCI, 2013-10 (33), p.57

Impey, Angela

2013

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Keeping in touch via cassette: tracing Dinka songs from catfie camp to transnational audio-letter

Journal of African cultural studies, 2013-05, Vol.25 (2), p.197

Impey, Angela

2013

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African Jim: sound, politics, and pleasure in early 'black' South African cinema

Journal of African cultural studies, 2010-06, Vol.22 (1), p.57-73

2010

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Swaziland: Chants des Swazi / Swaziland: Songs of the Swazi. 2009. Archives internationales de musique populaire AIMP 94. Disques VDE-Gallo VDE CD-1283. Recorded by Mark Bradshaw and Roo Pigott. Annotated by Mark Bradshaw. 27 pp. of notes in French and English. French translation by Isabelle Schulte-Tenckhoff; SiSwati translation by Tsepiso Mthimkhulu. 2 colour, 4 b/w photographs. 1 compact disc, 16 tracks (64:04)

Yearbook for traditional music, 2010, Vol.42, p.217-218

Impey, Angela

2010

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Deep listening: towards an imaginative reframing of health and well-being practices in international development

Arts & health, 2013-08, Vol.5 (3), p.238-252

2013

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Global Soundtracks: Worlds of Film Music

Ethnomusicology Forum, 2009-06, Vol.18 (1), p.170-172

Impey, Angela

2009

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Sound, Memory and Dis/placement: Exploring Sound, Song and Performance as Oral History in the Southern African Borderlands

Oral history (Colchester), 2008-04, Vol.36 (1), p.33-44

Impey, Angela

2008

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Orality and the Poetics of Forgiveness in South Sudan

The Routledge Companion to Music and Human Rights, 2022, p.127-139

1, 2022

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African Jim: Sound, Politics, and Pleasure in Early "lack" South African Cinema

Journal of African cultural studies, 2010-06, Vol.22 (1), p.57-73

2010

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Pathways of song: Re-voicing women's landscapes in the Maputaland borderlands

Agenda (Durban), 2007-01, Vol.21 (73), p.102-116

Impey, Angela

2007

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Pathways of song: re-voicing women's landscapes in the Maputaland borderlands

Agenda (Durban), 2007-01, Vol.73, p.102-116

Impey, Angela

2007

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Musical Constructions of Place: Linking music to environmental action in the St Lucia wetlands

Southern African journal of environmental education, 2006-12, Vol.23

Angela Impey

2006

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Sounding place in the western Maputaland borderlands

Journal of the musical arts in Africa, 2006-01, Vol.3 (1), p.55-79

Impey, Angela

2006

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Swaziland: Chants des Swazi / Swaziland: Songs of the Swazi

Yearbook for Traditional Music, 2010-01, Vol.42, p.217-218

IMPEY, ANGELA

2010

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gumboot guitar: zulu street guitar music from south africa. 2003. International Music Collection of the British Library Sound Archive. Topic Records TSCD923. Recorded by Janet Topp Fargion and Albert Nene. Annotated by Janet Topp Fargion. 19 pages of notes in English (including song texts in local dialects). Song translations by Paulette Nhlapo. 4 colour, 10 B/W photographs, 1 map. 5-item bibliography, 1-item videography. 1 compact disc, 10 tracks (76:49)

Yearbook for traditional music, 2005, Vol.37, p.173-173

Impey, Angela

2005

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Introduction

The Routledge Companion to Music and Human Rights, 2022, p.1-10

1, 2022

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Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Participatory Action Research in Northern Kwazulu Natal

Yearbook for traditional music, 2002-01, Vol.34, p.9-24

Impey, Angela

2002

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SOUND, MEMORY AND DIS/PLACEMENT: EXPLORING SOUND, SONG AND PERFORMANCE AS ORAL HISTORY IN THE SOUTHERN AFRICAN BORDERLANDS

The Oral History Reader, 2016, p.615-630

2016

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Resurrecting the flesh? Reflections on women in kwaito

Agenda (Durban), 2001-01, Vol.16 (49), p.44-50

IMPEY, ANGELA

2001

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Resurrecting the Flesh? Reflections on Women in Kwaito

Agenda (Durban), 2001-01 (49), p.44-50

Impey, Angela

2001

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NIGHTSONG: POWER AND PRACTICE IN SOUTH AFRICA, by Veit Erlmann, Chicago, London: University of Chicago Press 1996

African music, 1999-11, Vol.7 (4), p.193-195

Impey, Angela

1999

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The Routledge Companion to Music and Human Rights

Keeping in touch via cassette: tracing Dinka songs from cattle camp to transnational audio-letter

SONGS OF MOBILITY AND BELONGING

SONGS OF MOBILITY AND BELONGING: Gender, Spatiality and the Local in Southern Africa's Transfrontier Conservation Development

THE POETICS OF TRANSITIONAL JUSTICE IN DINKA SONGS IN SOUTH SUDAN

Keeping in touch via cassette: tracing Dinka songs from catfie camp to transnational audio-letter

African Jim: sound, politics, and pleasure in early 'black' South African cinema

Deep listening: towards an imaginative reframing of health and well-being practices in international development

Global Soundtracks: Worlds of Film Music

Sound, Memory and Dis/placement: Exploring Sound, Song and Performance as Oral History in the Southern African Borderlands

Orality and the Poetics of Forgiveness in South Sudan

African Jim: Sound, Politics, and Pleasure in Early "lack" South African Cinema

Pathways of song: Re-voicing women's landscapes in the Maputaland borderlands

Pathways of song: re-voicing women's landscapes in the Maputaland borderlands

Musical Constructions of Place: Linking music to environmental action in the St Lucia wetlands

Sounding place in the western Maputaland borderlands

Swaziland: Chants des Swazi / Swaziland: Songs of the Swazi

Introduction

Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Participatory Action Research in Northern Kwazulu Natal

SOUND, MEMORY AND DIS/PLACEMENT: EXPLORING SOUND, SONG AND PERFORMANCE AS ORAL HISTORY IN THE SOUTHERN AFRICAN BORDERLANDS

Resurrecting the flesh? Reflections on women in kwaito

Resurrecting the Flesh? Reflections on Women in Kwaito

NIGHTSONG: POWER AND PRACTICE IN SOUTH AFRICA, by Veit Erlmann, Chicago, London: University of Chicago Press 1996

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