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Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity

1, 2021

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Cultivated by Hand: Amateur Musicians in the Early American Republic by Glenda Goodman (review)

Journal of the early Republic, 2021, Vol.41 (3), p.477-480

Cusick, Suzanne G

2021

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Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror”

Transposition, 2014-06 (4)

Cusick, Suzanne G.

2014

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“You are in a place that is out of the world. . .”: Music in the Detention Camps of the “Global War on Terror”

Journal of the Society for American Music, 2008-02, Vol.2 (1), p.1-26

CUSICK, SUZANNE G.

2008

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Response: "This Song Is For You"

Journal of the American Musicological Society, 2013-09, Vol.66 (3), p.861

Cusick, Suzanne G

2013

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Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance

Journal of the American Musicological Society, 2018-03, Vol.71 (1), p.213-253

2018

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Vous êtes dans un lieu hors du monde... » : la musique dans les centres de détention de la « guerre contre la terreur

Transposition, 2014-06 (4)

Cusick, Suzanne G.

2014

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Colloquy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance

Journal of the American Musicological Society, 2018-04, Vol.71 (1), p.213-253

2018

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Acoustemologies in Contact

2021

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Listening to the Dead: Toward 21st-century Music Histories

Musica docta, 2016-12, Vol.6 (1), p.51-56

Suzanne G. Cusick

2016

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La música como tortura / La música como arma

Trans (Online), 2006-12 (10)

Cusick, Suzanne G

2006

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Review: Desire and Pleasure in Seventeenth-Century Music by Susan McClary

Journal of the American Musicological Society, 2013-08, Vol.66 (2), p.556-561

Cusick, Suzanne G.

2013

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Music and Sexuality

Journal of the American Musicological Society, 2013-12, Vol.66 (3), p.825-872

2013

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Feminist Theory, Music Theory, and the Mind/Body Problem

Perspectives of new music, 1994-01, Vol.32 (1), p.8-27

Cusick, Suzanne G.

1994

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Across an Invisible Line: A Conversation about Music and Torture

Grey room, 2011, Vol.42 (42), p.6-21

2011

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'There Was Not One Lady Who Failed to Shed a Tear': Arianna's Lament and the Construction of Modern Womanhood

Early music, 1994-02, Vol.22 (1), p.21-43

Cusick, Suzanne G.

1994

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Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy

Journal of the American Musicological Society, 1993-04, Vol.46 (1), p.1-25

Cusick, Suzanne G.

1993

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Desire and Pleasure in Seventeenth-Century Music

Journal of the American Musicological Society, 2013, Vol.66 (2), p.556-561

Cusick, Suzanne G

2013

Volltextzugriff (PDF)

8. ‘La stiava dolente in suono di canto’

Cusick, Suzanne G

2021

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“Thinking from Women's Lives”: Francesca Caccini after 1627

The Musical quarterly, 1993-10, Vol.77 (3), p.484-507

Cusick, Suzanne G.

1993

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Music as torture / Music as weapon

Trans (Online), 2006 (10)

Suzanne G. Cusick

2006

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Monteverdi studies and ‘new’ musicologies

The Cambridge Companion to Monteverdi, 2007, p.249-260

Cusick, Suzanne G.

2007

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Introduction

2021

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Black Atlantic Acoustemologies and the Maritime Archive

Acoustemologies in Contact, 2020

2020

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Cultivated by Hand: Amateur Musicians in the Early American Republic

Journal of the Early Republic, 2021, Vol.41 (3), p.477-480

Cusick, Suzanne G.

2021

Volltextzugriff (PDF)

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Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity

Cultivated by Hand: Amateur Musicians in the Early American Republic by Glenda Goodman (review)

Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror”

“You are in a place that is out of the world. . .”: Music in the Detention Camps of the “Global War on Terror”

Response: "This Song Is For You"

Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance

Vous êtes dans un lieu hors du monde... » : la musique dans les centres de détention de la « guerre contre la terreur

Colloquy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance

Acoustemologies in Contact

Listening to the Dead: Toward 21st-century Music Histories

La música como tortura / La música como arma

Review: Desire and Pleasure in Seventeenth-Century Music by Susan McClary

Music and Sexuality

Feminist Theory, Music Theory, and the Mind/Body Problem

Across an Invisible Line: A Conversation about Music and Torture

'There Was Not One Lady Who Failed to Shed a Tear': Arianna's Lament and the Construction of Modern Womanhood

Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy

Desire and Pleasure in Seventeenth-Century Music

8. ‘La stiava dolente in suono di canto’

“Thinking from Women's Lives”: Francesca Caccini after 1627

Music as torture / Music as weapon

Monteverdi studies and ‘new’ musicologies

Introduction

Black Atlantic Acoustemologies and the Maritime Archive

Cultivated by Hand: Amateur Musicians in the Early American Republic

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