UB Paderborn / Katalog / Suche / in CDI

Teaching Fairy Tales Old and New: Revisiting Andersen via Emma Donoghue

Changing English, 2024-01, Vol.31 (1), p.83-93

Chang, Hawk

2024

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(Re)directing Literature to Justice: Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas”

Partial answers, 2023-06, Vol.21 (2), p.241-256

Chang, Hawk

2023

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Gender Politics in Question: A Comparative Study of Edna O'Brien and Li Ang

Critique - Bolingbroke Society, 2022-08, Vol.63 (4), p.401-413

Chang, Hawk

2022

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Between Reality and Fantasy: Home in Ransom Riggs's Miss Peregrine's Home for Peculiar Children

English studies, 2022-01, Vol.103 (1), p.78-93

Chang, Hawk

2022

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What the COVID-19 Pandemic has Taught Me about Teaching Literature in Hong Kong

Changing English, 2021-07, Vol.28 (3), p.262-270

Chang, Hawk

2021

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Where Are the Women?: An Ecofeminist Reading of William Golding’s Lord of the Flies

CLCWeb : Comparative literature and culture, 2021-09, Vol.23 (3)

Chang, Hawk

2021

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"A Busy, Sprawling, Crowded, and Dirty River Port": Chinua Achebe's Green Thinking in "The Sacrificial Egg"

ANQ (Lexington, Ky.), 2024-04, Vol.37 (2), p.296-299

Chang, Hawk

2024

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Women, Coming-of-Age and Secrets in Jamaica Kincaid’s Annie John

Children's literature in education, 2023-03, Vol.54 (1), p.1-16

Chang, Hawk

2023

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Sexuality and Irish Identity in Patrick McCabe's Breakfast on Pluto

Critique - Bolingbroke Society, 2023-03, Vol.ahead-of-print (ahead-of-print), p.1-11

Chang, Hawk

2023

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Things Teachers Can Learn from Roald Dahl's Matilda: Education in Children's Literature

ANQ (Lexington, Ky.), 2023-05, Vol.ahead-of-print (ahead-of-print), p.1-7

Chang, Hawk

2023

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The Silence of Sound: An Acoustic Study of Shakespeare's Sonnet 129

ANQ (Lexington, Ky.), 2023-04, Vol.36 (2), p.183-189

Chang, Hawk

2023

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"He's a Machine-made So.": Rethinking Humanlike Robots in Issac Asimov's I, Robot

ANQ (Lexington, Ky.), 2023-01, Vol.36 (1), p.103-107

Chang, Hawk

2023

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'Cast a Cold Eye': Life and Death in W. B. Yeats's Poetry

Journal of language, literature and culture (Australasian Universities Language and Literature Association), 2019-05, Vol.66 (2), p.91-102

Chang, Hawk

2019

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Identity and Ambivalence in Xu Xi's History's Fiction

Journal of comparative literature & aesthetics, 2018-01, Vol.41 (1/2), p.70-235

Chang, Hawk

2018

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Identity and Ambivalence in Xu Xi's History's Fiction

Journal of comparative literature & aesthetics, 2018-01, Vol.41-2 (1), p.70

Chang, Hawk

2018

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Irish women: a different voice in Iris Murdoch’s Something Special

Neohelicon (Budapest), 2016-06, Vol.43 (1), p.201-211

Chang, Hawk

2016

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Women, Power, Knowledge in W.B. Yeat's "Leda and the SwaN"

Journal of comparative literature & aesthetics, 2017-03, Vol.40 (1), p.59-66

Chang, Tsung Chi

2017

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Rethinking Multiculturalism in New Dubliners: An Outsider's Perspective

Journal of comparative literature & aesthetics, 2015, Vol.38 (1-2), p.69

Chang, Hawk

2015

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Traditions and Difference in Contemporary Irish Short Fiction: Ireland Then and Now

Chang, Tsung Chi (Hawk)

1st Edition 2020, 2020

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A Window on One's Identity: Cultural Identity In Chinua Achebe's "The Sacrificial Egg"

The Explicator, 2021-11, Vol.79 (4), p.151-154

Chang, Hawk

2021

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Sense and Sexuality: Revisiting Lady Gregory via Colm Tóibín

Traditions and Difference in Contemporary Irish Short Fiction, 2020, Vol.8, p.13-29

Chang, Tsung Chi (Hawk)

2020

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Repetition with Difference: Nostalgia in Edna O’Brien’s “Shovel Kings”

Traditions and Difference in Contemporary Irish Short Fiction, 2020, Vol.8, p.31-41

Chang, Tsung Chi (Hawk)

2020

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“A Mute Clamor for Release”: Rewriting Andersen in Emma Donoghue’s “The Tale of the Bird”

Traditions and Difference in Contemporary Irish Short Fiction, 2020, Vol.8, p.43-50

Chang, Tsung Chi (Hawk)

2020

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“Do You Think I’m Your Slave?”: Gender and Immigration in Donal Ryan’s “Eveline”

Traditions and Difference in Contemporary Irish Short Fiction, 2020, Vol.8, p.63-73

Chang, Tsung Chi (Hawk)

2020

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Re-configuring Irishness: Tradition and Multicultural Identity Politics in Gish Jen’s “Who Is Irish?”

Traditions and Difference in Contemporary Irish Short Fiction, 2020, Vol.8, p.51-61

Chang, Tsung Chi (Hawk)

2020

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Teaching Fairy Tales Old and New: Revisiting Andersen via Emma Donoghue

(Re)directing Literature to Justice: Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas”

Gender Politics in Question: A Comparative Study of Edna O'Brien and Li Ang

Between Reality and Fantasy: Home in Ransom Riggs's Miss Peregrine's Home for Peculiar Children

What the COVID-19 Pandemic has Taught Me about Teaching Literature in Hong Kong

Where Are the Women?: An Ecofeminist Reading of William Golding’s Lord of the Flies

"A Busy, Sprawling, Crowded, and Dirty River Port": Chinua Achebe's Green Thinking in "The Sacrificial Egg"

Women, Coming-of-Age and Secrets in Jamaica Kincaid’s Annie John

Sexuality and Irish Identity in Patrick McCabe's Breakfast on Pluto

Things Teachers Can Learn from Roald Dahl's Matilda: Education in Children's Literature

The Silence of Sound: An Acoustic Study of Shakespeare's Sonnet 129

"He's a Machine-made So.": Rethinking Humanlike Robots in Issac Asimov's I, Robot

'Cast a Cold Eye': Life and Death in W. B. Yeats's Poetry

Identity and Ambivalence in Xu Xi's History's Fiction

Identity and Ambivalence in Xu Xi's History's Fiction

Irish women: a different voice in Iris Murdoch’s Something Special

Women, Power, Knowledge in W.B. Yeat's "Leda and the SwaN"

Rethinking Multiculturalism in New Dubliners: An Outsider's Perspective

Traditions and Difference in Contemporary Irish Short Fiction: Ireland Then and Now

A Window on One's Identity: Cultural Identity In Chinua Achebe's "The Sacrificial Egg"

Sense and Sexuality: Revisiting Lady Gregory via Colm Tóibín

Repetition with Difference: Nostalgia in Edna O’Brien’s “Shovel Kings”

“A Mute Clamor for Release”: Rewriting Andersen in Emma Donoghue’s “The Tale of the Bird”

“Do You Think I’m Your Slave?”: Gender and Immigration in Donal Ryan’s “Eveline”

Re-configuring Irishness: Tradition and Multicultural Identity Politics in Gish Jen’s “Who Is Irish?”

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