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Between the Orient and the Ghetto: A Modern Immigrant Woman in Anzia Yezierska's Salome of the Tenements

Frontiers (Boulder), 2006-06, Vol.27 (2), p.136-161

Coklin, Ljiljana

2006

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Lies Her Mother Told Us: Louise Levitas Henriksen's Critique of Anzia Yezierska's Autobiography

Shofar (West Lafayette, Ind.), 2008-04, Vol.26 (3), p.33-47

Komy, Hannah Adelman

2008

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Fashion as a Means of Overcoming Liminality: The Construction of an American Woman's "Self" in Anzia Yezierska's Bread Givers and Margaret Dilloway's How to Be an American Housewife

Americana (Hollywood, Calif.), 2017-04, Vol.16 (1)

Todd, Diane M

2017

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"All Words, Words, about Words": Linguistic Journey and Transformation in Anzia Yezierska's "The Bread Givers"

Studies in American Jewish literature (1981), 2002-01, Vol.21, p.12-23

ANOLIK, RUTH BIENSTOCK

2002

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Adolescent Literature of Witness: Testimonies from the American Margins

Transformations (Wayne, N.J.), 2006-04, Vol.17 (1), p.85-97

Nicosia, Laura

2006

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Women Empowerment in the Realms of Institutionalized Religion and Patriarchy: El Saadawi’s Firdaus and Yezierska’s Sara as Examples

International journal of applied linguistics & English literature, 2016, Vol.5 (5), p.1

Shehabat, Abdullah K

2016

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The rebirth of Anzia Yezierska

Judaism, 1993-09, Vol.42 (4), p.414

Zierler, Wendy

1993

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Living in Dirt: Reclaiming the Discourse of Hygiene in the Works of Anzia Yezierska

Studies in American Jewish literature (1981), 2003-01, Vol.22, p.19-35

BERGER, RONIT

2003

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Sweatshop Cinderella

Nashim, 2012-03 (23), p.196

Cohen, Hagit

2012

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Gender Trouble in The Long Day

Americana (Hollywood, Calif.), 2015-04, Vol.14 (1)

Strong, Melissa J

2015

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The Rabbi's Daughter in and out of the Kitchen: Feminist Literary Negotiations

Nashim : a journal of Jewish women's studies & gender issues, 2002-10, Vol.5 (5), p.83-104

Zierler, Wendy

2002

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FROM HOLLYWOOD TO HESTER STREET: GHETTO FILM, MELODRAMA, AND THE IMAGE OF THE ASSIMILATED JEW IN HUNGRY HEARTS

Journal of film and video, 1998-12, Vol.50 (4), p.18-33

KONZETT, DELIA CAPAROSO

1998

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The Making and Re-making of Jewish-American Literary History

Shofar (West Lafayette, Ind.), 2009-12, Vol.27 (2), p.69-101

Zierler, Wendy

2009

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Eat Your Heart Out: The Fiction of Anzia Yezierska

Studies in American Jewish literature (1981), 1983-01, Vol.3 (3), p.51-61

Golub, Ellen

1983

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Living on Writer's Block: Henry Roth and American Literature

Shofar, 2008-04, Vol.26 (3), p.21-32

Kellman, Steven G.

2008

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THERE’S NO SPACE LIKE HOME: The Representation of Jewish American Life in Abraham Cahan, Anzia Yezierska, Philip Roth, and Cynthia Ozick

The Columbia History of Jews and Judaism in America, 2008, p.433

2008

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SNAPSHOTS OF TWENTIETH-CENTURY WRITERS MARY ANTIN, ZORA NEAL HURSTON, ZITKALA-SA, AND ANZIA YEZIERSKA

The Centennial review, 1997-10, Vol.41 (3), p.547-552

Dominguez, Susan

1997

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Historic development in immigrant novels: the Jewish conflict in Anzia Yezierska's bread givers and Herman Wouk's Majorie Morningstar

Nordisk judaistik, 1992-01, Vol.13 (1), p.23-26

Bélinki, Karmela

1992

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Salome of the Tenements, the American Dream and Class Performativity

American studies (Lawrence), 2004-04, Vol.45 (1), p.65-83

Rottenberg, Catherine

2004

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"Un viaje sin retorno": Expanding Definitions of Diasporic Experience in Azriel Bibliowicz's "El rumor del astracán"

Revista hispánica moderna, 2002-12, Vol.55 (2), p.467-480

Goldberg, Paul L.

2002

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ProQuest

Self, Other, and Community: Jewish Women's Autobiography

Nashim : a journal of Jewish women's studies & gender issues, 2004-04, Vol.7 (7), p.116-127

Adelman, Tzvi Howard

2004

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You Say "Canapé," and I Say "Kreplach": Reading the Cultural Culinary Conflicts in Jewish American Writers

Studies in American Jewish literature (1981), 2002-01, Vol.21, p.94-107

LEM, ELLYN

2002

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Art, Gender, and the Jewish Tradition in Yezierska's "Red Ribbon on a White Horse" and Potok's "My Name Is Asher Lev"

Studies in American Jewish literature (1981), 1988-04, Vol.7 (1), p.55-66

REGENBAUM, SHELLY

1988

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Introduction

Radical teacher (Cambridge), 1995-04 (46), p.2

Coiner, Constance

1995

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Material Culture and Jewish Thought in America

AJS Review, 2011, Vol.35 (1), p.200-203

Imhoff, Sarah

2011

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Between the Orient and the Ghetto: A Modern Immigrant Woman in Anzia Yezierska's Salome of the Tenements

Lies Her Mother Told Us: Louise Levitas Henriksen's Critique of Anzia Yezierska's Autobiography

Fashion as a Means of Overcoming Liminality: The Construction of an American Woman's "Self" in Anzia Yezierska's Bread Givers and Margaret Dilloway's How to Be an American Housewife

"All Words, Words, about Words": Linguistic Journey and Transformation in Anzia Yezierska's "The Bread Givers"

Adolescent Literature of Witness: Testimonies from the American Margins

Women Empowerment in the Realms of Institutionalized Religion and Patriarchy: El Saadawi’s Firdaus and Yezierska’s Sara as Examples

The rebirth of Anzia Yezierska

Living in Dirt: Reclaiming the Discourse of Hygiene in the Works of Anzia Yezierska

Sweatshop Cinderella

Gender Trouble in The Long Day

The Rabbi's Daughter in and out of the Kitchen: Feminist Literary Negotiations

FROM HOLLYWOOD TO HESTER STREET: GHETTO FILM, MELODRAMA, AND THE IMAGE OF THE ASSIMILATED JEW IN HUNGRY HEARTS

The Making and Re-making of Jewish-American Literary History

Eat Your Heart Out: The Fiction of Anzia Yezierska

Living on Writer's Block: Henry Roth and American Literature

THERE’S NO SPACE LIKE HOME: The Representation of Jewish American Life in Abraham Cahan, Anzia Yezierska, Philip Roth, and Cynthia Ozick

SNAPSHOTS OF TWENTIETH-CENTURY WRITERS MARY ANTIN, ZORA NEAL HURSTON, ZITKALA-SA, AND ANZIA YEZIERSKA

Historic development in immigrant novels: the Jewish conflict in Anzia Yezierska's bread givers and Herman Wouk's Majorie Morningstar

Salome of the Tenements, the American Dream and Class Performativity

"Un viaje sin retorno": Expanding Definitions of Diasporic Experience in Azriel Bibliowicz's "El rumor del astracán"

Self, Other, and Community: Jewish Women's Autobiography

You Say "Canapé," and I Say "Kreplach": Reading the Cultural Culinary Conflicts in Jewish American Writers

Art, Gender, and the Jewish Tradition in Yezierska's "Red Ribbon on a White Horse" and Potok's "My Name Is Asher Lev"

Introduction

Material Culture and Jewish Thought in America

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