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Review of Shakespeare's Macbeth (directed by Polly Findlay for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 9 April 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.67-68

Smith, Peter J.

2019

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Review of Shakespeare's The Winter's Tale (directed by Blanche McIntyre) at Shakespeare's Globe, 27 June 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.81-82

Chernaik, Warren

2019

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Review of Shakespeare's Othello (directed by Claire van Kampen) at Shakespeare's Globe, London, 25 July 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.86-87

Lowman, Diane

2019

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Review of Shakespeare and John Fletcher's The Two Noble Kinsmen (directed by Barrie Rutter) at Shakespeare's Globe, London, 28 May 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.73-76

Pellone, Elena

2019

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Kate Keepdown: Deb or Drab in Measure for Measure

ANQ (Lexington, Ky.), 2022-07, Vol.35 (3), p.204-208

Baker, Oliver Rowland

2022

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Review of Shakespeare's The Winter's Tale (directed by Declan Donnellan for Cheek by Jowl) at Theatr Clwyd, Mold, 25 March 2017

Shakespeare (London, England), 2017-10, Vol.13 (4), p.356-358

Roberts, P. B.

2017

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Gangster Macbeths and Their Diseased Minds: Is Mental Illness a Successful 'Tool' to Make Macbeth Adaptations Work?

Quarterly review of film and video, 2023-01, Vol.40 (1), p.56-78

2023

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'Words, Words, Words': Making Comics and Sense of the Three Texts of Hamlet

Journal of graphic novels & comics, 2023-01, Vol.14 (1), p.89-103

2023

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Review of Shakespeare's The Merry Wives of Windsor (directed by Fiona Laird for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 16 August 2018

Shakespeare (London, England), 2019-04, Vol.15 (2), p.192-194

Thom, Alexander

2019

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Review of Shakespeare's King Lear (directed by Muharrem Ozcan) at Oyun Atölyesi, Istanbul, 6 October 2018

Shakespeare (London, England), 2019-04, Vol.15 (2), p.198-199

Vanwesenbeeck, Ici

2019

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Review of Shakespeare's Troilus and Cressida (directed by Gregory Doran) at the Royal Shakespeare Theatre, Stratford upon Avon, 22 October 2018

Shakespeare (London, England), 2019-04, Vol.15 (2), p.195-197

Chernaik, Warren

2019

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Review of Shakespeare's Much Ado About Nothing (presented by/directed by the Company of Merely Theatre) at the Arts Centre, Aberystwyth University, 16 August 2018 (Evening Performance)

Shakespeare (London, England), 2019-04, Vol.15 (2), p.188-191

De Ornellas, Kevin

2019

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Review of Shakespeare's Julius Caesar (directed by Nicholas Hytner for the London Theatre Company) at the Bridge Theatre, London, 15 February 2018

Shakespeare (London, England), 2019-01, Vol.15 (1), p.62-66

Bans, Shani

2019

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The Bountiful Mines of the Indies: Gold and the Economy of the Global Ocean in Shakespeare's Plays

English studies, 2023-04, Vol.104 (3), p.417-441

Coral, Jordi

2023

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Tired with a Peacock's Tail: All Eyes on the Upstart Crow

English studies, 2020-04, Vol.101 (3), p.284-311

Bull, Peter

2020

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'He hath given his empire': Coloniality and British Contemporary Shakespeare Performance Practice

Contemporary theatre review, 2022-07, Vol.32 (3/4), p.362

2022

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Designing Shakespeare: Tibor Reich and the 1964 Shakespeare Quatercentenary

Cultural and social history, 2024-03, Vol.21 (2), p.249-268

Enis, Cathryn

2024

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"They are all but stomachs, and we are all but food": Women and Food in Shakespeare's Antony and Cleopatra and Othello

ANQ (Lexington, Ky.), 2022-07, Vol.35 (3), p.221-222

Hamamra, Bilal Tawfiq

2022

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The Color of a Good Horse: The "Roan" in Henry IV Part 1 and Henry V

ANQ (Lexington, Ky.), 2022-04, Vol.35 (2), p.116-120

Gilbertson, Kelly-Anne

2022

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The Shakespeare Sermon (1879-1900): Shakespeare the Poet and Shakespeare the Dramatist

English studies, 2023-02, Vol.104 (2), p.240-263

Cerezo, Marta

2023

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The Silence of Sound: An Acoustic Study of Shakespeare's Sonnet 129

ANQ (Lexington, Ky.), 2023-04, Vol.36 (2), p.183-189

Chang, Hawk

2023

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Function Word Adjacency Networks and Early Modern Plays

ANQ (Lexington, Ky.), 2020-08, Vol.33 (2-3), p.204-213

Barber, R.

2020

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Kyd, Shakespeare, and Arden of Faversham: Rerunning a Two-Horse Race

ANQ (Lexington, Ky.), 2023-07, Vol.36 (3), p.347-350

Freebury-Jones, Darren

2023

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Shakespearean Intertextuality in Mahmoud Darwish: The Otherness of the Proper Name in Darwish and Rita and Shakespeare's Romeo and Juliet

English studies, 2023-04, Vol.104 (3), p.401-416

2023

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Representing the poetic styles of Hamlet in equivalent Chinese: Perng Ching-Hsi's literary translation of Shakespeare

Translator (Manchester, England), 2024-04, Vol.30 (2), p.265-280

Wu, Min-Hua

2024

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Review of Shakespeare's Macbeth (directed by Polly Findlay for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 9 April 2018

Review of Shakespeare's The Winter's Tale (directed by Blanche McIntyre) at Shakespeare's Globe, 27 June 2018

Review of Shakespeare's Othello (directed by Claire van Kampen) at Shakespeare's Globe, London, 25 July 2018

Review of Shakespeare and John Fletcher's The Two Noble Kinsmen (directed by Barrie Rutter) at Shakespeare's Globe, London, 28 May 2018

Kate Keepdown: Deb or Drab in Measure for Measure

Review of Shakespeare's The Winter's Tale (directed by Declan Donnellan for Cheek by Jowl) at Theatr Clwyd, Mold, 25 March 2017

Gangster Macbeths and Their Diseased Minds: Is Mental Illness a Successful 'Tool' to Make Macbeth Adaptations Work?

'Words, Words, Words': Making Comics and Sense of the Three Texts of Hamlet

Review of Shakespeare's The Merry Wives of Windsor (directed by Fiona Laird for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 16 August 2018

Review of Shakespeare's King Lear (directed by Muharrem Ozcan) at Oyun Atölyesi, Istanbul, 6 October 2018

Review of Shakespeare's Troilus and Cressida (directed by Gregory Doran) at the Royal Shakespeare Theatre, Stratford upon Avon, 22 October 2018

Review of Shakespeare's Much Ado About Nothing (presented by/directed by the Company of Merely Theatre) at the Arts Centre, Aberystwyth University, 16 August 2018 (Evening Performance)

Review of Shakespeare's Julius Caesar (directed by Nicholas Hytner for the London Theatre Company) at the Bridge Theatre, London, 15 February 2018

The Bountiful Mines of the Indies: Gold and the Economy of the Global Ocean in Shakespeare's Plays

Tired with a Peacock's Tail: All Eyes on the Upstart Crow

'He hath given his empire': Coloniality and British Contemporary Shakespeare Performance Practice

Designing Shakespeare: Tibor Reich and the 1964 Shakespeare Quatercentenary

"They are all but stomachs, and we are all but food": Women and Food in Shakespeare's Antony and Cleopatra and Othello

The Color of a Good Horse: The "Roan" in Henry IV Part 1 and Henry V

The Shakespeare Sermon (1879-1900): Shakespeare the Poet and Shakespeare the Dramatist

The Silence of Sound: An Acoustic Study of Shakespeare's Sonnet 129

Function Word Adjacency Networks and Early Modern Plays

Kyd, Shakespeare, and Arden of Faversham: Rerunning a Two-Horse Race

Shakespearean Intertextuality in Mahmoud Darwish: The Otherness of the Proper Name in Darwish and Rita and Shakespeare's Romeo and Juliet

Representing the poetic styles of Hamlet in equivalent Chinese: Perng Ching-Hsi's literary translation of Shakespeare

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