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Administered Identities and Linguistic Assimilation: The Politics of Immigrant English in Anzia Yezierska's Hungry Hearts

American literature, 1997-09, Vol.69 (3), p.595-619

Konzett, Delia Caparoso

1997

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Adolescent Literature of Witness: Testimonies from the American Margins

Transformations (Wayne, N.J.), 2006-04, Vol.17 (1), p.85-97

Nicosia, Laura

2006

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Affective Narratives: Harlem and the Lower East Side

Journal of American studies, 2010-11, Vol.44 (4), p.777-793

ROTTENBERG, CATHERINE

2010

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African, Native, and Jewish American Literature and the Reshaping of Modernism (review)

Legacy, 2010, Vol.27 (1), p.227-228

Jablon, Rachel Leah

2010

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African, Native, and Jewish American Literature and the Reshaping of Modernism

Studies in the Novel, 2009, Vol.41 (3), p.387-390

ROSSI, JENNIFER C.

2009

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Against the Unspeakable: Complicity, the Holocaust, and Slavery in America, and: Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature (review)

Callaloo, 2011, Vol.34 (1), p.219-224

Harrison-Kahan, Lori

2011

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"All Words, Words, about Words": Linguistic Journey and Transformation in Anzia Yezierska's "The Bread Givers"

Studies in American Jewish literature (1981), 2002-01, Vol.21, p.12-23

ANOLIK, RUTH BIENSTOCK

2002

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Anzia Yezierska and the Marketing of the Jewish Immigrant in 1920s Hollywood

Journal of narrative theory, 2000-10, Vol.30 (3), p.287-312

Botshon, Lisa

2000

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"Anzia Yezierska, Get Out of Your Own Way": Selfhood and Otherness in the Autobiographical Fiction of Anzia Yezierska

Studies in American Jewish literature (1981), 1983-01, Vol.3 (3), p.40-50

Kamel, Rose

1983

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Anzia Yezierska: "Her words dance with a thousand colors"

Studies in American Jewish literature (1981), 1983-01, Vol.3 (3), p.62-67

Sachs, Susan Hersh

1983

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Anzia Yezierska, Immigrant Authority, and the Uses of Affect

Tulsa studies in women's literature, 2000-04, Vol.19 (1), p.81-104

Pavletich, JoAnn

2000

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ANZIA YEZIERSKA: THE SWEATSHOP CINDERELLA AND THE INVENTED LIFE

Studies in American Jewish literature (1981), 1998-01, Vol.17, p.137-141

Fishbein, Leslie

1998

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Art, Gender, and the Jewish Tradition in Yezierska's "Red Ribbon on a White Horse" and Potok's "My Name Is Asher Lev"

Studies in American Jewish literature (1981), 1988-04, Vol.7 (1), p.55-66

REGENBAUM, SHELLY

1988

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To Be Suddenly White: Literary Realism and Racial Passing

African American Review, 2007, Vol.41 (4), p.814-816

Hinton, KaaVonia

2007

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Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's "Arrogant Beggar"

African American review, 2007-03, Vol.41 (1), p.87-98

Rottenberg, Catherine

2007

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The Benefits of Using Anzia Yezierska's Immigrant Narratives in the Developmental Writing Classroom

Teaching American literature, 2010, Vol.3 (3-4), p.1

Bannett, Nina

2010

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Between Revolution and Reform: Anzia Yezierska's Labor Politics

Modernism/modernity (Baltimore, Md.), 2011-04, Vol.18 (2), p.405-423

Edmunds, Susan

2011

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Between the Orient and the Ghetto: A Modern Immigrant Woman in Anzia Yezierska's Salome of the Tenements

Frontiers (Boulder), 2006-06, Vol.27 (2), p.136-161

Coklin, Ljiljana

2006

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Book Review: Fashion and Fiction: Self-Transformation in Twentieth-Century American Literature

Journal of American Studies, 2017, Vol.51 (4), p.1297-1298

PLOCK, VIKE

2017

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Connections and Collisions: Identities in Contemporary Jewish-American Women's Writing

American Jewish History, 2007, Vol.93 (1), p.105-107

Zierler, Wendy

2007

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CULTURE MAKERS: URBAN PERFORMANCE AND LITERATURE IN THE 1920s

Theatre Journal, 2010, Vol.62 (2), p.320-321

TABOR, NICOLE

2010

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Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Legacy (Amherst, Mass.), 1999-01, Vol.16 (1), p.82-92

Ungar, Cara-Lynn

1999

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DRESSING, PASSING, AND AMERICANIZING: ANZIA YEZIERSKA'S SARTORIAL FICTIONS

Studies in American Jewish literature (1981), 1997-01, Vol.16, p.34-45

Goldsmith, Meredith

1997

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"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

Modern fiction studies, 2005-07, Vol.51 (2), p.416-436

Harrison-Kahan, Lori

2005

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Eat Your Heart Out: The Fiction of Anzia Yezierska

Studies in American Jewish literature (1981), 1983-01, Vol.3 (3), p.51-61

Golub, Ellen

1983

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Administered Identities and Linguistic Assimilation: The Politics of Immigrant English in Anzia Yezierska's Hungry Hearts

Adolescent Literature of Witness: Testimonies from the American Margins

Affective Narratives: Harlem and the Lower East Side

African, Native, and Jewish American Literature and the Reshaping of Modernism (review)

African, Native, and Jewish American Literature and the Reshaping of Modernism

Against the Unspeakable: Complicity, the Holocaust, and Slavery in America, and: Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature (review)

"All Words, Words, about Words": Linguistic Journey and Transformation in Anzia Yezierska's "The Bread Givers"

Anzia Yezierska and the Marketing of the Jewish Immigrant in 1920s Hollywood

"Anzia Yezierska, Get Out of Your Own Way": Selfhood and Otherness in the Autobiographical Fiction of Anzia Yezierska

Anzia Yezierska: "Her words dance with a thousand colors"

Anzia Yezierska, Immigrant Authority, and the Uses of Affect

ANZIA YEZIERSKA: THE SWEATSHOP CINDERELLA AND THE INVENTED LIFE

Art, Gender, and the Jewish Tradition in Yezierska's "Red Ribbon on a White Horse" and Potok's "My Name Is Asher Lev"

To Be Suddenly White: Literary Realism and Racial Passing

Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's "Arrogant Beggar"

The Benefits of Using Anzia Yezierska's Immigrant Narratives in the Developmental Writing Classroom

Between Revolution and Reform: Anzia Yezierska's Labor Politics

Between the Orient and the Ghetto: A Modern Immigrant Woman in Anzia Yezierska's Salome of the Tenements

Book Review: Fashion and Fiction: Self-Transformation in Twentieth-Century American Literature

Connections and Collisions: Identities in Contemporary Jewish-American Women's Writing

CULTURE MAKERS: URBAN PERFORMANCE AND LITERATURE IN THE 1920s

Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

DRESSING, PASSING, AND AMERICANIZING: ANZIA YEZIERSKA'S SARTORIAL FICTIONS

"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

Eat Your Heart Out: The Fiction of Anzia Yezierska

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