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Epilogue: In the Kingdom of Whomever: Baldwin’s Method
Ist Teil von
Empty Houses, 2011, p.192-206
Ort / Verlag
Princeton: Princeton University Press
Erscheinungsjahr
2011
Link zum Volltext
Quelle
Alma/SFX Local Collection
Beschreibungen/Notizen
The claim that ends the previous chapter risks absurdity, or sentimentality: What justifies labeling utopian a demand not for the transformation of the social order but for a depathologizing of specifically sexual difference? This epilogue will not so much answer this question as demonstrate its structuring importance in the work of an author who stands in several important senses at the end of the tradition traced inEmpty Houses. James Baldwin is not only one of the more notable Anglophone twentieth-century novelists to attempt continually and with minimal success to enter the theater. He is also one of the major