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Kansas City Repertory Theatre director Jessica Thebus used spare yet versatile design elements, staged the act of writing to locate Jacobs's voice within and as the basis of the performance, and juxtaposed energetic ensemble scenes with quietly arresting monologues to emphasize the communal struggles and individual isolation of slavery in this dramatic representation of Jacobs's story. Since much of Kelley's performance took place in hiding, writing helped forward the action and defined the hiding space's physical, emotional, and psychological characteristics.