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Contemporary music review, 2007-04, Vol.26 (2), p.255-281
Ort / Verlag
Abingdon: Routledge
Erscheinungsjahr
2007
Link zum Volltext
Quelle
Taylor & Francis
Beschreibungen/Notizen
This article discusses the role of the solo performer today, and the importance to composers of writing with particular performers in mind, with whom they are able to interact during the composing process. The author examines important composer - performer partnerships of the 1960s and 1970s, then traces the evolution of his own work as a performer of contemporary music, at the same time looking at his own evolving focus in the creation and documentation of new and recent music for his own instrument, the trombone.