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Merging the Sonata and the Concerto: The Role of Virtuosic Passages in Determining Formal Closure in High-Classical Sonata Expositions

Music theory spectrum, 2022-09, Vol.44 (2), p.304-339

Aziz, Andrew

2022

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Commentary on "The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Expositions"

Empirical musicology review, 2021-01, Vol.16 (1), p.172-174

Duane, Ben

2021

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The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Exposition

Empirical musicology review, 2021-01, Vol.16 (1), p.134-144

2021

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Commentary on "The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Exposition"

Empirical musicology review, 2021-12, Vol.16 (1), p.172-174

Duane, Ben

2021

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Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form-Functional Theory

Music analysis, 2016-03, Vol.35 (1), p.44-74

HEPOKOSKI, JAMES A.

2016

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Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms

Journal of music theory, 2006-10, Vol.50 (2), p.143-179, Article 143

Smith, Peter H.

2006

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The Three-Key Trimodular Block and Its Classical Precedents: Sonata Expositions of Schubert and Brahms

Intégral (Rochester, N.Y.), 2009-01, Vol.23, p.65-119

Hunt, Graham

2009

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A PROCESSIVE MODEL OF THE SONATA EXPOSITION AND MOZART'S «HAFFNER» SYMPHONY

Revista de musicología, 1993-01, Vol.16 (6), p.3419-3438

Balthazar, Scott L.

1993

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The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition

Music theory spectrum, 1997, Vol.19 (2), p.115-154

1997

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The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition

Music theory spectrum, 1997-10, Vol.19 (2), p.115-154

1997

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The 'Continuous Exposition' and the Concept of Subordinate Theme

Music analysis, 2016-03, Vol.35 (1), p.4-43

2016

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Brahms' integration of traditional and progressive tendencies: A look at three sonata expositions

The Journal of musicological research, 1988-01, Vol.8 (1-2), p.141-168

Graybill, Roger

1988

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A Processive Model of the Sonata Exposition ans Mozart's Haffner Symphony

Revista de musicología, 1993-11, Vol.16 (6), p.3419-3438

Balthazar, Scott L

1993

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Brahms' integration of traditional and progessive tendencies: a look at three sonata expositions

The Journal of musicological research, 1988-01, Vol.8, p.141-141

Graybill, Roger

1988

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Braham's Integration of Traditional and Progressive Tendencies: A look at Three Sonata Expositions

The Journal of musicological research, 1988-01, Vol.8 (1-2), p.141-141

Graybill, Roger

1988

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Brahms' Integration of Traditional and Progressive Tendancies: A Look at Three Sonata Expositions

The Journal of musicological research, 1988-01, Vol.8 (1), p.141

Graybill, Roger

1988

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Information Theory Analyses of Four Sonata Expositions

Journal of music theory, 1966-04, Vol.10 (1), p.96-137

1966

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When Intra- and Interthematic Functions Collide: Conflation in Robert Schumann’s Orchestral Sonata Forms

Music theory spectrum, 2023-09

Poon, Matthew

2023

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Structure and Variable Formal Function in Schubert’s Three-Key Expositions

Music theory spectrum, 2022-04, Vol.44 (1), p.63-98

Grant, Aaron

2022

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Transitional Functions: The Emergence of the Anticipatory Transition in Nineteenth-Century Sonatas

Current musicology, 2023-07, Vol.111 (111), p.27-48

Matos-Tovar, Luis

2023

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About a Key: Tonal Reference in Beethoven’s Sonata-Form Works

The Journal of musicology (St. Joseph, Mich.), 2017-10, Vol.34 (4), p.515-558

SWINKIN, JEFFREY

2017

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Clementi’s “Progressive Sonatinas,” Op. 36: Sonata semplice or Mediating Genre between Minuet and Sonata Design?

Intersections (Toronto. 2006), 2010-12, Vol.31 (1), p.9-24

Jurkowski, Edward

2010

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Schumann’s Continuous Expositions and the Classical Tradition

Journal of music theory, 2014-04, Vol.58 (1), p.25-56

Smith, Peter H.

2014

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'No Title Required'. RAINIER: Suite for clarinet & piano; Five Pieces for Keyboard; Viola Sonata. HARRISON: No Title Required; Three Expositions; After Colonna. Andrew Sparling (cl). David Carhart (pno). Bridget Carey (va). Carola Neilinger (fl). Philippa Ibbotson (vn). Miriam Lowbury (vc). Metier MSV CD92056.; 'Invisible Cities'. PRITCHARD Spring; Piano Quintet: Barbara Allen; Nostos Ou Topos. Matrix; Der Zwerg; Kit; Der Glücklose Engel. Invisible Cities. Ian Pace (pno), Darragh Morgan (vn, ele

Tempo (London), 2003-04, Vol.57 (224), p.78

Rickards, Guy

2003

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‘No Title Required’. RAINIER: Suite for clarinet & piano; Five Pieces for Keyboard; Viola Sonata. HARRISON: No Title Required; Three Expositions; After Colonna. Andrew Sparling (cl). David Carhart (pno). Bridget Carey (va). Carola Neilinger (fl). Philippa Ibbotson (vn). Miriam Lowbury (vc). Metier MSV CD92056. ‘Invisible Cities’. PRITCHARD Spring; Piano Quintet: Barbara Allen; Nostos Ou Topos. Matrix; Der Zwerg; Kit; Der Glücklose Engel. Invisible Cities. Ian Pace (pno), Darragh Morgan (vn, elec

Tempo, 2003-04, Vol.57 (224), p.78-81

Rickards, Guy

2003

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Merging the Sonata and the Concerto: The Role of Virtuosic Passages in Determining Formal Closure in High-Classical Sonata Expositions

Commentary on "The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Expositions"

The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Exposition

Commentary on "The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Exposition"

Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form-Functional Theory

Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms

The Three-Key Trimodular Block and Its Classical Precedents: Sonata Expositions of Schubert and Brahms

A PROCESSIVE MODEL OF THE SONATA EXPOSITION AND MOZART'S «HAFFNER» SYMPHONY

The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition

The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition

The 'Continuous Exposition' and the Concept of Subordinate Theme

Brahms' integration of traditional and progressive tendencies: A look at three sonata expositions

A Processive Model of the Sonata Exposition ans Mozart's Haffner Symphony

Brahms' integration of traditional and progessive tendencies: a look at three sonata expositions

Braham's Integration of Traditional and Progressive Tendencies: A look at Three Sonata Expositions

Brahms' Integration of Traditional and Progressive Tendancies: A Look at Three Sonata Expositions

Information Theory Analyses of Four Sonata Expositions

When Intra- and Interthematic Functions Collide: Conflation in Robert Schumann’s Orchestral Sonata Forms

Structure and Variable Formal Function in Schubert’s Three-Key Expositions

Transitional Functions: The Emergence of the Anticipatory Transition in Nineteenth-Century Sonatas

About a Key: Tonal Reference in Beethoven’s Sonata-Form Works

Clementi’s “Progressive Sonatinas,” Op. 36: Sonata semplice or Mediating Genre between Minuet and Sonata Design?

Schumann’s Continuous Expositions and the Classical Tradition

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