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ABSENT MELODY AND ‘THE WOMAN IN WHITE’

Music & letters, 2000-11, Vol.81 (4), p.532-550

Losseff, Nicky

2000

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Projective identification, musical interpretation and the self

Music performance research, 2011-01, Vol.4, p.49-59

Losseff, Nicky

2011

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Creative Teaching for Creative Learning in Higher Music Education

1st edition., 2016

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Casting Beams of Darkness into Bartók’s Cantata Profana

Twentieth-century music, 2006-09, Vol.3 (2), p.221-254

LOSSEFF, NICKY

2006

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A Performer’s Guide to Medieval Music. edited by Ross W. Duffin, Bloomington and Indianapolis: Indiana University Press, 2000

European Journal of Musicology, 2003-06, Vol.6

Losseff, Nicky

2003

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Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science and Gender in the Leisured Home. Phyllis Weliver

Music & Letters, 2002-02, Vol.83 (1), p.137-139

Losseff, Nicky

2002

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Cathy's homecoming and the Other world: Kate Bush's ‘Wuthering Heights’

Popular music, 1999-05, Vol.18 (2), p.227-240

Losseff, Nicky

1999

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Curiosity, apathy, creativity and deference in the musical subject–object relationship

Creative Teaching for Creative Learning in Higher Music Education, 2016, p.168-185

1, 2016

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Music in Other Words: Victorian Conversations, and: The Idea of Music in Victorian Fiction (review)

Music Library Association. Notes, 2006-06, Vol.62 (4), p.968-973

Dopp, Bonnie Jo

2006

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Review: Le Magnus liber organi de Notre-Dame de Paris. Vol. 1, Les Quadrupla et Tripla de Paris by Edward H. Roesner

Journal of the American Musicological Society, 1997-04, Vol.50 (1), p.181-191

Losseff, Nicky

1997

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Le Magnus liber organi de Notre-Dame de Paris. Vol. 1, Les Quadrupla et Tripla de Paris . Edward H. Roesner

Journal of the American Musicological Society, 1997-04, Vol.50 (1), p.181-191

Losseff, Nicky

1997

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Anonymous 4, an ensemble apart

Early music, 1996-02, Vol.XXIV (1), p.176-a-176

Losseff, Nicky

1996

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The Lily and the Lamb: chant and polyphony from medieval England

Early music, 1996-02, Vol.24 (1), p.176

Losseff, Nicky

1996

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"The Lily and the Lamb: chant and polyphony from medieval England," Anonymous 4

Early music, 1996-02, Vol.24 (1), p.176

Losseff, Nicky

1996

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Worcester Fragments: English Sacred Music of the Late Middle Ages

Early music, 1994-02, Vol.22 (1), p.154

Losseff, Nicky

1994

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Silence, Music, Silent Music. Ed. by Nicky Losseff and Jenny Doctor

Music & letters, 2009, Vol.90 (2), p.317-320

Waltham-Smith, Naomi

2009

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Book Reviews: "The Best Concords: Polyphonic Music in Thirteenth-Century Britain," by Nicky Losseff

Notes - Quarterly Journal of the Music Library Association, 1995, Vol.52 (1), p.82-84

Gillingham, Bryan

1995

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"The Best Concords: Polyphonic Music in Thirteenth-Century Britain", by Nicky Losseff (Book Review)

Notes, 1995, Vol.52 (1), p.82

Gillingham, Bryan

1995

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Reviews of books -- The Best Concords: Polyphonic Music in Thirteenth-Century Britain by Nicky Losseff

Music & Letters, 1995, Vol.76 (4), p.636

Summers, William J

1995

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Thirteenth century -- The Best Concords: Polyphonic Music in Thirteenth-Century Britain by Nicky Losseff

Music Library Association. Notes, 1995, Vol.52 (1), p.82

Gillingham, Bryan

1995

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BOOK REVIEW: Edited by Sophie Fuller and Nicky Losseff. THE IDEA OF MUSIC IN VICTORIAN FICTION . Aldershot and Burlington: Ashgate, 2004

Victorian Studies, 2005, Vol.48 (1), p.175-177

Parsons, Donna S.

2005

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Book Reviews: Enlightenment, Romanticism, Modernism: "Music in Other Words: Victorian Conversations," by Ruth A. Solie; "The Idea of Music in Victorian Fiction," Edited by Sophie Fuller and Nicky Losseff

Notes - Quarterly Journal of the Music Library Association, 2006, Vol.62 (4), p.968-973

Dopp, Bonnie Jo

2006

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The Piano Concertos and Sonata for Two Pianos and Percussion

The Cambridge Companion to Bartók, 2001, p.118-132

Losseff, Nicky

2001

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Music in the Flesh

Early Music, 2002, Vol.30 (2), p.287-288

Losseff, Nicky

2002

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Book Reviews: "Musical Women in England, 1870-1914: 'Encroaching on All Man's Privileges,'" by Paula Gillett

Notes - Quarterly Journal of the Music Library Association, 2001, Vol.57 (4), p.905-907

Losseff, Nicky

2001

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ABSENT MELODY AND ‘THE WOMAN IN WHITE’

Projective identification, musical interpretation and the self

Creative Teaching for Creative Learning in Higher Music Education

Casting Beams of Darkness into Bartók’s Cantata Profana

A Performer’s Guide to Medieval Music. edited by Ross W. Duffin, Bloomington and Indianapolis: Indiana University Press, 2000

Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science and Gender in the Leisured Home. Phyllis Weliver

Cathy's homecoming and the Other world: Kate Bush's ‘Wuthering Heights’

Curiosity, apathy, creativity and deference in the musical subject–object relationship

Music in Other Words: Victorian Conversations, and: The Idea of Music in Victorian Fiction (review)

Review: Le Magnus liber organi de Notre-Dame de Paris. Vol. 1, Les Quadrupla et Tripla de Paris by Edward H. Roesner

Le Magnus liber organi de Notre-Dame de Paris. Vol. 1, Les Quadrupla et Tripla de Paris . Edward H. Roesner

Anonymous 4, an ensemble apart

The Lily and the Lamb: chant and polyphony from medieval England

"The Lily and the Lamb: chant and polyphony from medieval England," Anonymous 4

Worcester Fragments: English Sacred Music of the Late Middle Ages

Silence, Music, Silent Music. Ed. by Nicky Losseff and Jenny Doctor

Book Reviews: "The Best Concords: Polyphonic Music in Thirteenth-Century Britain," by Nicky Losseff

"The Best Concords: Polyphonic Music in Thirteenth-Century Britain", by Nicky Losseff (Book Review)

Reviews of books -- The Best Concords: Polyphonic Music in Thirteenth-Century Britain by Nicky Losseff

Thirteenth century -- The Best Concords: Polyphonic Music in Thirteenth-Century Britain by Nicky Losseff

BOOK REVIEW: Edited by Sophie Fuller and Nicky Losseff. THE IDEA OF MUSIC IN VICTORIAN FICTION . Aldershot and Burlington: Ashgate, 2004

Book Reviews: Enlightenment, Romanticism, Modernism: "Music in Other Words: Victorian Conversations," by Ruth A. Solie; "The Idea of Music in Victorian Fiction," Edited by Sophie Fuller and Nicky Losseff

The Piano Concertos and Sonata for Two Pianos and Percussion

Music in the Flesh

Book Reviews: "Musical Women in England, 1870-1914: 'Encroaching on All Man's Privileges,'" by Paula Gillett

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