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Black Women Working Together: Jazz, Gender, and the Politics of Validation

Black music research journal, 2014-03, Vol.34 (1), p.27-55

Kernodle, Tammy L

2014

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Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America

American studies (Lawrence), 2013-07, Vol.52 (4), p.181-204

Kernodle, Tammy L

2013

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“I Wish I Knew How It Would Feel to Be Free”: Nina Simone and the Redefining of the Freedom Song of the 1960s

Journal of the Society for American Music, 2008-08, Vol.2 (3), p.295-317

KERNODLE, TAMMY L.

2008

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Blackness in Opera ed. by Naomi André, Karen M. Bryan, Eric Saylor (review)

Women & music (Washington, D.C.), 2013, Vol.17 (1), p.78-81

Kernodle, Tammy L.

2013

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Work the Works: The Role of African-American Women in the Development of Contemporary Gospel

Black music research journal, 2006-03, Vol.26 (1), p.89-109

Kernodle, Tammy L.

2006

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Arias, Communists, and Conspiracies: The History of Still's Troubled Island

The Musical quarterly, 1999-12, Vol.83 (4), p.487-508

Kernodle, Tammy L.

1999

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Review: It's Been Beautiful: “Soul!” and Black Power Television, by Gayle Wald

Journal of the American Musicological Society, 2017-12, Vol.70 (3), p.873-877

Kernodle, Tammy L.

2017

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Who Hears Here? On Black Music, Pasts and Present. by Guthrie Ramsey, with Tammy Kernodle (foreword) and Shana L. Redmond (afterword). Berkeley: University of California Press, 2022

College music symposium, 2023, Vol.63 (2)

2023

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Staging the Blues: From Tent Shows to Tourism by Paige A. McGinley (review)

American studies (Lawrence), 2016, Vol.54 (4), p.163-164

Kernodle, Tammy L

2016

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Ruth Feldstein, How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement (New York: Oxford University Press, 2013), ISBN 978-0-19-531403-8 (hb)

Twentieth-century music, 2015-09, Vol.12 (2), p.274-279

KERNODLE, TAMMY L.

2015

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Mary Lou Williams: Selected Works for Big Band. Edited by Theodore E. Buehrer. Music of the United States of America, Vol. 25. Recent Researches in American Music, Vol. A74. Middleton, WI: A-R Editions, 2013

Journal of the Society for American Music, 2015-02, Vol.9 (1), p.136-140

Kernodle, Tammy L.

2015

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Big Ears: Listening for Gender in Jazz Studies. Ed. Nichole T. Rustin and Sherrie Tucker. Durham, NC: Duke University Press, 2008

Journal of the Society for American Music, 2013-05, Vol.7 (2), p.206-208

Kernodle, Tammy L.

2013

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Soul on Soul: The Life and Music of Mary Lou Williams By Tammy L. Kernodle. Urbana, IL: University of Illinois Press, 2020, 2nd edition

Journal of the Society for American Music, 2021, Vol.15 (4), p.474-476

Stewart, Lauren Eldridge

2021

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Diggin'You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America

American studies (Lawrence), 2013-01, Vol.52 (4), p.181-204

Kernodle, Tammy L.

2013

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From the President

The bulletin of the Society for American Music, 2021-04, Vol.47 (2), p.2-4

Kernodle, Tammy L

2021

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From the President: Pressing our Way

The bulletin of the Society for American Music, 2020-10, Vol.46 (3), p.6-8

Kernodle, Tammy L

2020

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Prince III, Emmett G., Tammy L. Kernodle, Horace J. Maxile, Jr.: Encyclopedia of African American Music

School Library Journal, 2011, Vol.57 (6), p.71

Collins, Carol Jones

2011

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It’s Been Beautiful: “Soul!” and Black Power Television

Journal of the American Musicological Society, 2017, Vol.70 (3), p.873-877

KERNODLE, TAMMY L.

2017

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STAGING THE BLUES: From Tent Shows to Tourism

American Studies, 2016, Vol.54 (4), p.163-164

Kernodle, Tammy L.

2016

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The Lowens Book Award goes to Allison McCracken's Real Men Don't Sing: Crooning in American Culture

Society for American Music Bulletin, 2017, Vol.43 (2), p.1

Kernodle, Tammy L

2017

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BLACK WOMEN AND MUSIC: More than the Blues

American Studies, 2009, Vol.50 (1/2), p.133-133

Kernodle, Tammy L.

2009

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GREAT GOD A'MIGHTY! THE DIXIE HUMMINGBIRDS: Celebrating the Rise of Soul Gospel Music

American Studies, 2006, Vol.47 (3/4), p.242-243

Kernodle, Tammy L.

2006

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Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography

Journal of the American Musicological Society, 2020, Vol.73 (3), p.711-784

2020

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William Grant Still Bio-Bibliography

The Arkansas Historical Quarterly, 1999, Vol.58 (2), p.206-208

Kernodle, Tammy L.

1999

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Book Reviews: Composers: "Soul on Soul: The Life and Music of Mary Lou Williams," by Tammy L. Kernodle

Notes - Quarterly Journal of the Music Library Association, 2005, Vol.61 (4), p.1019-1021

Komara, Edward M

2005

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Black Women Working Together: Jazz, Gender, and the Politics of Validation

Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America

“I Wish I Knew How It Would Feel to Be Free”: Nina Simone and the Redefining of the Freedom Song of the 1960s

Blackness in Opera ed. by Naomi André, Karen M. Bryan, Eric Saylor (review)

Work the Works: The Role of African-American Women in the Development of Contemporary Gospel

Arias, Communists, and Conspiracies: The History of Still's Troubled Island

Review: It's Been Beautiful: “Soul!” and Black Power Television, by Gayle Wald

Who Hears Here? On Black Music, Pasts and Present. by Guthrie Ramsey, with Tammy Kernodle (foreword) and Shana L. Redmond (afterword). Berkeley: University of California Press, 2022

Staging the Blues: From Tent Shows to Tourism by Paige A. McGinley (review)

Ruth Feldstein, How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement (New York: Oxford University Press, 2013), ISBN 978-0-19-531403-8 (hb)

Mary Lou Williams: Selected Works for Big Band. Edited by Theodore E. Buehrer. Music of the United States of America, Vol. 25. Recent Researches in American Music, Vol. A74. Middleton, WI: A-R Editions, 2013

Big Ears: Listening for Gender in Jazz Studies. Ed. Nichole T. Rustin and Sherrie Tucker. Durham, NC: Duke University Press, 2008

Soul on Soul: The Life and Music of Mary Lou Williams By Tammy L. Kernodle. Urbana, IL: University of Illinois Press, 2020, 2nd edition

Diggin'You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America

From the President

From the President: Pressing our Way

Prince III, Emmett G., Tammy L. Kernodle, Horace J. Maxile, Jr.: Encyclopedia of African American Music

It’s Been Beautiful: “Soul!” and Black Power Television

STAGING THE BLUES: From Tent Shows to Tourism

The Lowens Book Award goes to Allison McCracken's Real Men Don't Sing: Crooning in American Culture

BLACK WOMEN AND MUSIC: More than the Blues

GREAT GOD A'MIGHTY! THE DIXIE HUMMINGBIRDS: Celebrating the Rise of Soul Gospel Music

Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography

William Grant Still Bio-Bibliography

Book Reviews: Composers: "Soul on Soul: The Life and Music of Mary Lou Williams," by Tammy L. Kernodle

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