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Paris and the Musical: The City of Light on Stage and Screen

Jubin, Olaf

1, 2021

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British Musical Theatre Since 1950 by Robert Gordon, Olaf Jubin, Millie Taylor (review)

Theatre notebook, 2017, Vol.71 (2), p.134-135

Chandler, Clare

2017

Volltextzugriff (PDF)

Follies, National Theatre, London, 25 February 2019

Studies in musical theatre, 2019-06, Vol.13 (2), p.205-207

Jubin, Olaf

2019

Volltextzugriff (PDF)

Twenty-First Century Musicals: From Stage to Screen

Rodosthenous, George

1st edition., 2018

Volltextzugriff (PDF)

Chronik der Institute Sektion für Publizistik und Kommunikation der Ruhr-Universität Bochum (RUB)

Publizistik, 1998-06, Vol.43 (2), p.190-194

Jubin, Olaf

1998

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‘Telling the tale’: Adaptation as interpretation

Studies in musical theatre, 2015-03, Vol.9 (1), p.3-11

2015

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The hills are alive with … My Songs, My Dreams? The Sound of Music in Germany and Austria

Studies in musical theatre, 2013-06, Vol.7 (2), p.135-156

Jubin, Olaf

2013

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There’s no escaping nostalgia: The 1987 London version of Follies

Studies in musical theatre, 2012-09, Vol.6 (2), p.199-212

Jubin, Olaf

2012

Volltextzugriff (PDF)

Experts without expertise? Findings of a comparative study of American, British and German-language reviews of musicals by Stephen Sondheim and Andrew Lloyd Webber

Studies in musical theatre, 2010-12, Vol.4 (2), p.185-197

Jubin, Olaf

2010

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Reviews

Studies in musical theatre, 2013-03, Vol.7 (1), p.113-121

2013

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From That's Entertainment! to That's Entertainment? globalization and the consumption of the Hollywood musical in Germany and Austria

Studies in musical theatre, 2009-12, Vol.3 (3), p.235-251

Jubin, Olaf

2009

Volltextzugriff (PDF)

Global musical hits beyond American shores

Milestones in Musical Theatre, 2023, Vol.1, p.118-135

1, 2023

Volltextzugriff (PDF)

“I’d Do Anything” or Export Strategies for a Culturally Specific Product: Dubbing, Subtitling, and Cutting the Hollywood Musical for the German-Austrian Market

The Oxford Handbook of the Hollywood Musical, 2022

2022

Volltextzugriff (PDF)

Art, artifice and artificiality: The various versions of the Musical Gigi

Paris and the Musical, 2021, p.282-303

Jubin, Olaf

1, 2021

Volltextzugriff (PDF)

Introduction

Paris and the Musical, 2021, p.1-18

Jubin, Olaf

1, 2021

Volltextzugriff (PDF)

The Hunchback of Notre Dame (1996): Too Far ‘Out There’? Olaf Jubin

The Disney Musical on Stage and Screen, 2017

Rodosthenous, George

2017

Volltextzugriff (PDF)

Conclusion

Paris and the Musical, 2021, p.359-365

Jubin, Olaf

1, 2021

Volltextzugriff (PDF)

Besprechungen: „The Oxford Handbook of the British Musical“ Ed. von Robert Gordon und Olaf Jubin

Die Musikforschung, 2018, Vol.71 (1), p.89

Baumhof, Sarah

2018

Volltextzugriff (PDF)

Chronik der Institute. Sektion f<">ur Publizistik und Kommunikation der Ruhr-Universit<">at Bochum (RUB)

Publizistik, 1998-01, Vol.43, p.190

Jubin, Olaf

1998

Volltextzugriff (PDF)

'Valuable things that I hadn't thought to explore': Interpreting Into the Woods on stage

Sondheim and Lapine's Into the Woods, 2018, p.51-62

Jubin, Olaf

1, 2018

Volltextzugriff (PDF)

Nice is different than good: Rob Marshall's 2014 movie adaptation

Sondheim and Lapine's Into the Woods, 2018, p.63-74

Jubin, Olaf

1, 2018

Volltextzugriff (PDF)

Introduction or 'Once upon a time': A fairy tale musical like no other

Sondheim and Lapine's Into the Woods, 2018, p.1-6

Jubin, Olaf

1, 2018

Volltextzugriff (PDF)

'You're back again only different than before': The show's place in Sondheim's oeuvre

Sondheim and Lapine's Into the Woods, 2018, p.7-11

Jubin, Olaf

1, 2018

Volltextzugriff (PDF)

There are rights and wrongs and in-betweens: Selfish aims giving way to considerate cooperation

Sondheim and Lapine's Into the Woods, 2018, p.12-50

Jubin, Olaf

1, 2018

Volltextzugriff (PDF)

The Trouble with ‘Little Girls’: Annie on the big (and small) screen

Twenty-First Century Musicals, 2018, Vol.1, p.196-211

1, 2018

Volltextzugriff (PDF)

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Paris and the Musical: The City of Light on Stage and Screen

British Musical Theatre Since 1950 by Robert Gordon, Olaf Jubin, Millie Taylor (review)

Follies, National Theatre, London, 25 February 2019

Twenty-First Century Musicals: From Stage to Screen

Chronik der Institute Sektion für Publizistik und Kommunikation der Ruhr-Universität Bochum (RUB)

‘Telling the tale’: Adaptation as interpretation

The hills are alive with … My Songs, My Dreams? The Sound of Music in Germany and Austria

There’s no escaping nostalgia: The 1987 London version of Follies

Experts without expertise? Findings of a comparative study of American, British and German-language reviews of musicals by Stephen Sondheim and Andrew Lloyd Webber

Reviews

From That's Entertainment! to That's Entertainment? globalization and the consumption of the Hollywood musical in Germany and Austria

Global musical hits beyond American shores

“I’d Do Anything” or Export Strategies for a Culturally Specific Product: Dubbing, Subtitling, and Cutting the Hollywood Musical for the German-Austrian Market

Art, artifice and artificiality: The various versions of the Musical Gigi

Introduction

The Hunchback of Notre Dame (1996): Too Far ‘Out There’? Olaf Jubin

Conclusion

Besprechungen: „The Oxford Handbook of the British Musical“ Ed. von Robert Gordon und Olaf Jubin

Chronik der Institute. Sektion f<">ur Publizistik und Kommunikation der Ruhr-Universit<">at Bochum (RUB)

'Valuable things that I hadn't thought to explore': Interpreting Into the Woods on stage

Nice is different than good: Rob Marshall's 2014 movie adaptation

Introduction or 'Once upon a time': A fairy tale musical like no other

'You're back again only different than before': The show's place in Sondheim's oeuvre

There are rights and wrongs and in-betweens: Selfish aims giving way to considerate cooperation

The Trouble with ‘Little Girls’: Annie on the big (and small) screen

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