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Return of the Monstrous-Feminine: Feminist New Wave Cinema

Creed, Barbara

1st, 2022

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Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis

1st, 2020

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Apes and Elephants: In Search of Sensation in the Tropical Imaginary

Etropic, 2016-08, Vol.12 (2)

Creed, Barbara

2016

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The Monstrous-Feminine: Film, Feminism, Psychoanalysis

Creed, Barbara

2, 2024

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Animal Deaths on Screen: Film and Ethics

Relations (Online), 2014-06 (2.1), p.15-31

Creed, Barbara

2014

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Animals, images, anthropocentrism

NECSUS, 2015-04, Vol.4 (1), p.95-105

2015

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Nenette: Film theory, animals, and boredom

NECSUS, 2013-01, Vol.2 (1), p.35-50

Creed, Barbara

2013

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Tropical Malady: Film & the Question of the Uncanny Human-Animal

Etropic, 2011-12, Vol.10

Creed, Barbara

2011

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The Monstrous-Feminine, Then and Now: Barbara Creed in Conversation with Nicholas Chare

Re-reading the Monstrous-Feminine, 2020, p.95-105

1, 2020

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Seemingly subject: a review of 'media matrix: sexing the new reality' by Barbara Creed

Sexualities, evolution & gender, 2004-04, Vol.6 (1), p.59-63

Durber, Dean

2004

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The End of the Everyday: Transformation, Sexuality and the Uncanny

Continuum (Mount Lawley, W.A.), 2005-12, Vol.19 (4), p.483-494

Creed, Barbara

2005

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A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film

Continuum (Mount Lawley, W.A.), 2006-03, Vol.20 (1), p.45-60

Creed, Barbara

2006

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“Low down Dirty Rat”: Popular and Moral Responses to Possums and Rats in Melbourne

Relations (Online), 2014-11 (2.2), p.59-77

2014

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Animal Extinction, Film and the Death Drive

Animals, Plants and Afterimages, 2022, p.303-315

2022

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Brown Girl Creed 2

Tampa review, 2021, Vol.61 (1), p.22-23

Reyes, Barbara Jane

2021

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Films, gestures, species

Journal for cultural research, 2015-01, Vol.19 (1), p.43-55

Creed, Barbara

2015

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"Orgasmology": What Does the Orgasm Want?

Feminist formations, 2016-07, Vol.28 (2), p.144-151

Creed, Barbara

2016

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Barbara Creed, Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne: Melbourne University Press, 2009. 256 pp. ISBN 978—0—522—85709—2 (pbk)

Journal of visual culture, 2010-08, Vol.9 (2), p.252-254

Freake, Suzy K.

2010

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Memory, History and Modernity: Screening Ceremonies of the Civilising Mission

Third text, 2012-11, Vol.26 (6), p.757-766

2012

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Figuring the uncanny: Review article. [Brassington, Pat. Pat Brassington (2006); Creed, Barbara. Phallic Panic: Film, Horror and the Primal Uncanny (2005).]

Australian feminist studies, 2007-11, Vol.22 (54), p.409-411

Marita Bullock

2007

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Hitchcock: Art, Cinema and... Suspense: the aesthetics of shock in painting and film

Art and Australia, 2000-12, Vol.38 (2), p.226-228

Creed, Barbara

2000

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Memory, history and modernity

Third text, 2012-11, Vol.26 (6), p.757-766

2012

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The cyberstar: digital pleasures and the end of the Unconscious

Screen (London), 2000-04, Vol.41 (1), p.79-86

Creed, Barbara

2000

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Between attraction and anxiety: Scarlett Johansson, female knowledge and the mind–body split in Lucy

Science fiction film and television, 2018-04, Vol.11 (1), p.21-28

Stevens, Kirsten

2018

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Increasing Accessibility to Academic Library Services with Alt Text, Color Contrast, Captioning, and Transcripts in YouTube Tutorials

Kansas Library Association College and University Libraries Section proceedings, 2022-11, Vol.12 (1)

2022

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Return of the Monstrous-Feminine: Feminist New Wave Cinema

Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis

Apes and Elephants: In Search of Sensation in the Tropical Imaginary

The Monstrous-Feminine: Film, Feminism, Psychoanalysis

Animal Deaths on Screen: Film and Ethics

Animals, images, anthropocentrism

Nenette: Film theory, animals, and boredom

Tropical Malady: Film & the Question of the Uncanny Human-Animal

The Monstrous-Feminine, Then and Now: Barbara Creed in Conversation with Nicholas Chare

Seemingly subject: a review of 'media matrix: sexing the new reality' by Barbara Creed

The End of the Everyday: Transformation, Sexuality and the Uncanny

A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film

“Low down Dirty Rat”: Popular and Moral Responses to Possums and Rats in Melbourne

Animal Extinction, Film and the Death Drive

Brown Girl Creed 2

Films, gestures, species

"Orgasmology": What Does the Orgasm Want?

Barbara Creed, Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne: Melbourne University Press, 2009. 256 pp. ISBN 978—0—522—85709—2 (pbk)

Memory, History and Modernity: Screening Ceremonies of the Civilising Mission

Figuring the uncanny: Review article. [Brassington, Pat. Pat Brassington (2006); Creed, Barbara. Phallic Panic: Film, Horror and the Primal Uncanny (2005).]

Hitchcock: Art, Cinema and... Suspense: the aesthetics of shock in painting and film

Memory, history and modernity

The cyberstar: digital pleasures and the end of the Unconscious

Between attraction and anxiety: Scarlett Johansson, female knowledge and the mind–body split in Lucy

Increasing Accessibility to Academic Library Services with Alt Text, Color Contrast, Captioning, and Transcripts in YouTube Tutorials

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