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EBSCOhost Film and Television Literature Index with Full Text
Beschreibungen/Notizen
Since the playwright collaborated on the adaptation, one assumes any changes come with his blessing. Rather, one can compare, as Nicolas Bauche has done, the end result to the films of Alfred Hitchcock, who in films like Rope (1948) and Rear Window (1954) was able to make suspenseful movies structured around fixed, limited locations. [...]Diplomatie is based on understatement and nuance, through characters that do not fully reveal their motivations, either to each other or to the audience. The set used in Diplomatie is oversized and luxurious, much larger than a normal stage set for the play might be. [...]it is really not until a second viewing of the film that the viewer can begin to become aware of the total geography of Choltitz’s hotel headquarters. Because of the wide-screen format, varying components and points of view of the set are often in the foreground or background of the shots of the actors.