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Sight and sound (London), 2014-12, Vol.24 (12), p.6-7
Ort / Verlag
London: British Film Institute
Erscheinungsjahr
2014
Link zum Volltext
Quelle
Film & Television Literature Index with Full Text (EBSCO)
Beschreibungen/Notizen
Cairns details how Jacques Lagrange's set designs were more than mere adornment for Jacques Tati--they were central to how he constructed his gags. For Tati, as a visual comedian, the space around the gag was a crucial and inseparable part of the gag itself. Ever since his second film as director, the smash hit Mr. Hulot's Holiday (1953), Tati had worked with Lagrange as his production designer. More than just a designer of sets, Lagrange was a designer of gags, since often in Tati's films the two are one and the same.