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Greenberg followed this revisionist path in his investigation of the evolution of sonata form by showing how the analysis of a large body of works may provide new insights into the evolution of common-practice style and musical form in systems-theoretical terms. Zohar Eitan and Neta Maimon (Tel Aviv University) reported on a series of cognitive experiments investigating cross-modal correspondences between tonal stability and several non-auditory domains (such as visual brightness, physical size and spatial location), showing that participants reliably associate tonally stable notes with brighter, happier and spatially higher visual stimuli. Participants agreed that the relevance of traditional scholarship notwithstanding, the powerful combination of computers and large bodies of works – enabling researchers to test various hypotheses on a vast amount of music in a short amount of time – will require scholars to adopt and adapt these means in order to find new scholarly pathways. [...]participants highlighted their sense of being part of a community