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Over the course of the eighteenth century, normative and systematic classification increasingly give way to a new understanding of history and historical emergence, an awareness that lead philosophers to reconceptualize the relationship between the general rule and the individual literary phenomenon, between ahistorical invariance and historical variation. The zealous reception of Shakespeare in 18th century Germany, emerging surprisingly late and at a time when European theater and already abandoned Renaissance spectacle for more more refined aesthetic sensibilities, must be understood against the backdrop of this turn towards intrapoetic autonomy.