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The critical silence regarding JewishAmerican films (i.e., those centering on Jewish issues) and Jewish-American screen characters is even more surprising when we recall that men like Samuel Goldwyn, David O. Selznick, Louis B. Mayer, Irving Thalberg, Harry Cohn, Carl Laemmle, B. P. Schulberg, and Jack Warner long dominated the movie business. [...] nowhere is Zangwill's message more evident than in the lives of those Jewish immigrants who harnessed the power of the moving image and guided the film industry's evolution from its seedy infancy as vaudeville chaser to pre-eminence as the century's most popular art form.