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The Storyville Exodus Revisited, or Why Louis Armstrong Didn’t Leave in November 1917, Like the Movie Said He Did
Ist Teil von
The Southern quarterly, 2015, Vol.52 (2), p.10-33
Ort / Verlag
Hattiesburg: The University of Southern Mississippi, College of Arts and Sciences
Erscheinungsjahr
2015
Link zum Volltext
Quelle
Literature Online (LION)
Beschreibungen/Notizen
(17) Rose's characterization was more firmly grounded in historical research but was still intentionally impressionistic and "nostalgic," stressing the positive aspects of the experiment by concluding that "legal recognition of the 'evils' incorporated therein could reduce both their incidence and their virulence to the point at which sensible city officials could keep them from becoming a moral and financial drain on the community" (Rose ix, 39). On the contrary, during those years the gradual acceptance of jazz by African American, Creole, and even white social elites allowed New Orleans jazz musicians to expand their field of operations to include dances at Carnival parties and debutante balls, engagements in hotels and upscale restaurants, greater access to riverboat jobs, and local- ly-made recordings.