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Florianópolis: Universidade Federal de Santa Catarina, UFSC Centro de Comunicação e Expressão
Erscheinungsjahr
2012
Link zum Volltext
Quelle
Literature Online (LION)
Beschreibungen/Notizen
A great admirer of Shakespeare and Calderón de la Barca, Tieck envisioned literature as a supranational terrain and an area of convergence of different traditions and perspectives. [...]he absorbed numerous elements from popular culture (fairy tales, legends, superstitions) and merged with the trends of his time, among which the mid eighteenth-century gothic and horror narrative. In Tieck the macabre becomes an expression of questions about the relationship between the subject and on the very notion (based on common sense) that there would be a single reality and independent from the point of view of who observes or describes. Luzes e assombrações The curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea The plowman homeward plods his weary way, And leaves the world to darkness and to me. Entre essas manifestações, o romance gótico é a que desfrutou de maior popularidade e causou impacto mais profundo e duradouro, continuando a proliferar muito além de sua "época áurea" e possuindo descendentes diretos e indiretos nas histórias macabras - de autores como Wilkie Collins, Ambrose Bierce, H. P. Lovecraft, Stephen King -, nos romances policiais e nos muitos influxos que propiciou a gêneros vizinhos, como os contos fantásticos e as narrativas maravilhosas, tais como as escritas por Ludwig Tieck.