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The Cambridge history of musical performance

First published, 2012

Signatur: KHH1946

Shakespeare and the authority of performance

Worthen, William B

1997

Signatur: DXQ1473

Acts and apparitions : discourses on the real in performance practice and theory, 1990 - 2010

Tomlin, Liz

2013

Signatur: KME1713

Great Shakespeare actors : Burbage to Branagh

Wells, Stanley

2015

Signatur: DXQ2267

Staging in Shakespeare's theatres

Oxford Shakespeare topics

Reprint, 2003

Signatur: DXQ1863

How plays work : reading and performance

Meisel, Martin

2007

Signatur: BPVG1360

Tragedy in Athens : performance space and theatrical meaning

Wiles, David

1997

Signatur: GTST1022

The Cambridge companion to singing

Cambridge companions to music : Topics

Potter, John[Herausgeber]

Repr, 2001

Signatur: KHW1666

Logic of experimentation : reshaping music performance in and through artistic research

Orpheus Institute series

Assis, Paulo <<de>>

2018

Link zum Volltext
JSTOR - Open Access E-Books (ZDB-39-JOA)
Kostenfrei

Shakespeare in the theatre : an anthology of criticism

Wells, Stanley[Herausgeber]

1997

Signatur: DXQ1596

Essays on twentieth-century German drama and theater : an American reception 1977 - 1999

New German American studies : 19 (Alle Bände)

Rennert, Hellmut H[Herausgeber]

2004

Signatur: CIRQ1307

Powers of divergence : an experimental approach to music performance

Orpheus Institute series

D'Errico, Lucia

2018

Link zum Volltext
JSTOR - Open Access E-Books (ZDB-39-JOA)
Kostenfrei

Studies in the performance of late mediaeval music

First published, 1983

Signatur: KIR1398

New perspectives on music and gesture

SEMPRE studies in the psychology of music

Gritten, Anthony[Herausgeber]

2011

Signatur: KHQ3024

Liveness in modern music : musicians, technology, and the perception of performance

Routledge research in music : 5 (Alle Bände)

Sanden, Paul

[2017]

Signatur: KHB1711

Moliere on stage : what's so funny?

Anthem studies in theatre and performance

Goldsby, Robert W

2012

Signatur: FAVR1091

Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts

Musik und Klangkultur : 12

1. Aufl, [2015]

Link zum Volltext
De Gruyter E-Books EBA bis 31.12.2026 (ZDB-23-DGG-eba)

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The Cambridge history of musical performance

Shakespeare and the authority of performance

Acts and apparitions : discourses on the real in performance practice and theory, 1990 - 2010

Great Shakespeare actors : Burbage to Branagh

Staging in Shakespeare's theatres

How plays work : reading and performance

Tragedy in Athens : performance space and theatrical meaning

The Cambridge companion to singing

Logic of experimentation : reshaping music performance in and through artistic research

Shakespeare in the theatre : an anthology of criticism

Essays on twentieth-century German drama and theater : an American reception 1977 - 1999

Powers of divergence : an experimental approach to music performance

Studies in the performance of late mediaeval music

New perspectives on music and gesture

Liveness in modern music : musicians, technology, and the perception of performance

Moliere on stage : what's so funny?

Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts

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