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Pricing and output decisions
ACCOUNTANCY AGE BOOKS., MODERN FINANCE SERIES.
1974
Signatur: QBA1505




The compleat psalmodist : or the organist's, parish-clerk's and psalm-singer's companion. Containing I. A new and compleat introduction to the grounds of music, both Theoretical and Practical, as well Vocal as Instrumental, teaching all the Rudiments of Music in a plain, familiar, and concise Method; with proper and necessary Directions, shewing how to pitch a Tune concert-pitch, or on its proper Key: Also the Art of Composition, made easy by plain and practical Rules, shewing the Nature of common Cords and natural Sixes; also of taking in Discords, with proper Examples, plainly demonstrating how they are to be prepared, accompanied, and resolved, according to thorough-bass Rules: Likewise of Fuges, and the Contrivance of a Canon. To which is added a new musical Dictionary, properly digested in alphabetical Order, explaining, almost to the meanest Capacity, all such Terms and Characters as generally occur in Music, derived from various Languages. II. A set of services, commonly called Chanting-Tunes; together with five-and-thirty excellent Anthems, composed of Solo's, Fuges, and Chorusses, several of them being now frequently performed in the Cathedral-Church of St. Paul, London, his Majesty's Chapel Royal at St. James's, and at Westminster-Abbey, with the greatest Applause. III. A set of grave and solemn psalm-tunes, both ancient and modern, containing near one Hundred different Tunes, properly adapted to the most select Portions of the Psalms of David, some of them being originally composed for the Cathedral-Church of St. Peter, in the City of Rome, in Italy; with a great many new Tunes, composed by some of the most eminent Masters that ever existed. IV. A set of divine hymns, suited to the Feasts and Fasts of the Church of England; with several Canons of two, three, and four Parts in one. The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voice++ [Elektronische Ressource]
1761







Church music reformed : or the art of psalmody universally explained unto all people. Containing, I. A new introduction to the grounds of music, teaching all the Rudiments thereof, in such a plain, familiar, and concise Method, as will enable most People, with a very little Trouble, to learn to sing the psalm-tunes correctly by Notes, according to Music, without the Help of a Master; also necessary Directions for pitching the tunes in their proper Keys; and a new Musical Dictionary. To which is prefixed a prefatory Discourse on the present Use of psal-mody; of the bad Performance of it in the Churches of London and Westminster, &c. Also of the new ludicrous Melodies composed by obsure Country Teachers of psalmody, which are daily creeping into Country Churches, with Reasons for laying those Tunes wholly aside, and for substituting a "set of proper Tunes, as have been best approved of by the best Masters of the last and present Age, with proper Hints for the general Improvement of Psalmody in public Worship, by one regular and uniform Manner of performing it in all Churches alike. II. Select portions of the psalms of David, properly adapted to a Set of grave and solemn psalm-tunes, both ancient and modern, being those Tunes which are now of common Use in most Churches, and were originally set forth by Authority, and are proper to be sung in all Churches and Chapels, &c. and of all the People together, with three excellent Hymns, for the three grand Festivals of Christmas, Easter, and Whitsuntide. The psalm-tunes are set in two parts, treble and bass, and figured for the Organ or Harpsichord, and are principally published for the Use of all Organists, Parish Clerks, Charity Children, and all other Lovers or Practisers of Church Music whatever. By John Arnold, Philo-Musicae, Author of the Complete Psalmodist, &c [Elektronische Ressource]
1765

Financial accounting
2. ed., [Nachdr.], 1996
Signatur: QCE1711(2)









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