Details

Autor(en) / Beteiligte

• Tauber, Alfred I[Herausgeber]

Titel

The Elusive Synthesis: Aesthetics and Science

Ist Teil von

• Boston Studies in the Philosophy of Science : 182

Ort / Verlag

Dordrecht : Springer Netherlands

Erscheinungsjahr

1997

Link zum Volltext

• Volltext

Beschreibungen/Notizen

• The Aesthetic Construction of Darwin�́�s Theory -- The Sciences and Arts Share a Common Creative Aesthetic -- Beautiful Experiments in the Life Sciences -- Abstract Painting and Astronomical Image Processing -- Looking at Embryos: The Visual and Conceptual Aesthetics of Emerging Form -- Form and Function in the Molecularization of Biology -- Scientists�́� Aesthetic Preferences Among Theories: Conservative Factors in Revolutionary Crises -- Objectivity: False Leads from T. S. Kuhn on the Role of the Aesthetic in the Sciences -- Kant and the Aesthetic-Expressive Vision of Mathematics -- Physics as an Art: The German Tradition and the Symbolic Turn in Philosophy, History of Art and Natural Science in the 1920s -- Intersections of Art and Science to Create Aesthetic Perception: The Problem of Postmodernism -- The Art of Displaying Science: Museum Exhibitions -- From Descartes�́� Dream to Husserl�́�s Nightmare -- Name Index
• The tension between art and science may be traced back to the Greeks. What became "natural philosophy" and later "science" has traditionally been posed as a fundamental alternative to poetry and art. It is a theme that has commanded central attention in Western thought, as it captures the ancient conflict of Apollo and Dionysus over what deserves to order our thought and serve as the aspiration of our cultural efforts. The modern schi sm between art and science was again clearly articulated in the Romantic period and seemingly grew to a crescendo fifty years aga as a result of the debate concerning atomic power. The discussion has not abated in the physical sciences, and in fact has dramatically expanded most prominently into the domains of ecology and medicine. Issues concerning the role of science in modern society, although heavily political, must be regarded at heart as deeply embedded in our cultural values. Although each generation addresses them anew, the philosophical problems which lay at the foundation of these fundamental concerns always appear fresh and difficult. This anthology of original essays considers how science might have a greater commonality with art than was perhaps realized in a more positivist era. The contributors are concerned with how the aesthetic participates in science, both as a factor in constructing theory and influencing practice. The collec℗Ư tion is thus no less than a spectrum of how Beauty and Science might be regarded through the same prism