Details

Autor(en) / Beteiligte

• Damkjær, M

Titel

Time, Domesticity and Print Culture in Nineteenth-Century Britain [electronic resource]

Auflage

1st ed. 2016

Ort / Verlag

London : Palgrave Macmillan UK

Erscheinungsjahr

2016

Beschreibungen/Notizen

• Description based upon print version of record.
• Includes bibliographical references and index.
• Cover; Title Page ; Copyright Page ; Table of Contents ; List of Illustrations; Acknowledgements; Introduction: Timetabling and its Failures; 1 Repetition: Making Domestic Time in Bleak House and the 'Bleak House Advertiser'; 2 Interruption: The Periodical Press and the Drive for Realism; 3 Division into Parts: Elizabeth Gaskell's North and South and the Serial Instalment; 4 Decomposition: Mrs Beeton and the Non-Linear Text; Coda: Scrapbooking and the Reconfiguration of Domestic Time; Notes; Bibliography; Index
• Time, Domesticity and Print Culture combines literary criticism with innovative readings of texts' material form. The author argues that the way writing was transmitted – as monthly instalments or periodical articles – contributed to its representative power. The study's focus is domestic time; it shows that writers in the nineteenth century were anxious to describe the middle-class home as a temporal entity and not just a spatial one. In order to describe temporal practices such as repetitive housework, interruption and everyday processes, writers had to negotiate not just narrative, but also the printed page and the serial instalment. This book traces a spectrum from literary fiction – Bleak House by Dickens and North and South by Gaskell – to less linear forms like periodical writing, Isabella Beeton's cookery book and the private album, in order to argue that print culture was saturated with domestic temporality.
• English