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Cover; Half-Title; Title; Copyright; Dedication; Contents; Acknowledgements; 1 Introductory Matter: Structuring Sensibility in Eighteenth-Century Fiction; 2 Body/Language; 3 Feeling/Machines; 4 Public/Health; 5 Concluding Matter: Tear-blotted Texts and Men of Feeling in the 1790s; Afterword; Notes; Bibliography; Index
Analysing texts by Sterne, Smollett, Brooke, and Mackenzie, this book offers a new perspective on a question that literary criticism has struggled with for years: why are many sentimental novels of the 1700s so pervasively and playfully self-conscious, and why is this self-consciousness so often directed toward the materiality of the printed word?