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The Historical Background of Accompanying -- The Historical Background of Coaching -- The Mechanics of Musical Instruments -- Phonetics and Diction in Singing -- Italian Phonetics and Diction -- French Phonetics and Diction -- Spanish Phonetics and Diction -- German Phonetics and Diction -- Elements of Musical Style -- Program-Building -- The Art of Accompanying and Coaching.
IN WRITING a book for which there is no precedent (the tistic achievements. But, alas, there has not been such last textbooks about accompanying were written during a genius in the realm of music during the twentieth the age of thorough bass or shortly thereafter - the century. The creative musical genius of our space age eighteenth and early nineteenth centuries - and dealt has yet to be discovered, if he has been born. exclusively with the problems timely then) one must Our time has perfected technique to such a degree make one's own rules and set one's own standards. This that it could not help but create perfect technicianfreedom makes the task somewhat easier, if, on the one artists. Our leading creative artists master technique hand, one looks to the past: there is no generally apto the point of being able to shift from one style to proved model to be followed and to be compared with another without difficulty. Take Stravinsky and Picasso, one's work; but, on the other hand, the task is hard befor instance: they have gone back and forth through as cause one's responsibility to present and future generamany periods of style as they wished. Only with a stutions of accompanists and coaches is great.