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Autor(en) / Beteiligte
Titel
Keyframes : popular cinema and cultural studies [electronic resource]
Link zum Volltext
Beschreibungen/Notizen
  • Description based upon print version of record.
  • Includes bibliographic references and index.
  • Book Cover; Title; Contents; List of figures; List of contributors; Acknowledgments; Preface; Introduction; Woman as inter/national sign; Introduction; ~You've been in my life so long I can't remember anything else~: into the labyrinth with Ripley and the Alien; Warrior marks: global womanism's neo-colonial discourse in a multicultural context; ~Daddy, where's the FBI warning?~: constructing the video spectator; Romance and/as tourism: heritage whiteness and the (inter)national imaginary in the new woman's film
  • Race as spectacle, feminism as alibi: representing the civil rights era in the 1990sNew constellations: stars; Introduction; Judy on the net: Judy Garland fandom and ~the gay thing~ revisited; Jackie Chan and the black connection; Stardom and serial fantasies: Thomas Harris's Hannibal; Learning from Bruce Lee: pedagogy and political correctness in martial arts cinema; ~Waas sappening?~: narrative structure and iconography in Born in East L.A.; Moving desires; Introduction; The voice of pornography: tracking the subject through the sonic spaces of gay male moving-image pornography
  • Nostalgia of the new wave: structure in Wong Kar-wai's Happy TogetherMario Lanza and the ~fourth world~; Devouring creation: cannibalism, sodomy, and the scene of analysis in Suddenly, Last Summer; Queer Bollywood, or ~I'm the player, you're the naive one~: patterns of sexual subversion in recent Indian popular cinema; Production notes; Introduction; Cinema studies doesn't matter; or, I know what you did last semester; 12 Monkeys, postmodernism, and the urban: toward a new method; Terminator technology: Hollywood, history, and technology
  • ~Compulsory~ viewing for every citizen: Mr. Smith and the rhetoric of receptionStandardizing professionalism and showmanship: the performance of motion picture projectionists during the early sync-sound era; States of emergency; Index
  • Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies.The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of
  • English
Sprache
Englisch
Identifikatoren
ISBN: 1-280-21717-0, 0-203-16519-5, 1-134-63158-8
OCLC-Nummer: 85804502
Titel-ID: 9925013631106463