Details

Autor(en) / Beteiligte

• Irvine, Dean J[Herausgeber]
• Vautour, Bart[Herausgeber]
• Lent, Vanessa[Herausgeber]

Titel

Making Canada new : editing, modernism, and new media

Ort / Verlag

Toronto ; Buffalo ; London : University of Toronto Press

Erscheinungsjahr

[2017]

Link zu anderen Inhalten

• Inhaltsverzeichnis

Beschreibungen/Notizen

• Unpacking my digital library : programs, modernisms, magazines / Sean Latham -- Archival problems, future possibilities : reconceptualizing the digital database in Canada / Marc André Fortin -- Editing modules, collecting editions : the present and future of small-scale digital critical editions / Melissa Dalgleish -- The HypeRoy Project : new perspectives on Gabrielle Roy's manuscripts and unpublished texts / Sophie Marcotte -- Reading the personal library, rereading F.R. Scott / J.A. Weingarten -- BaronessElsa : an autobiographical manifesto / Tanya E. Clement -- Editing the Wilfred Watson and Sheila Watson Archives : scholarly editions, digital p̂rojects / Paul Hjartarson, Harvey Quamen, Kristin Fast, and EMiC UA -- Annotating Malcolm Lowry's In ballast to the white sea / Patrick A. McCarthy and Chris Ackerley -- Editing a legend : George Whalley / Michael John DiSanto -- Canadian manifestos : between poetics and polemics / Andrea Hasenbank and EMiC UA -- Selecting modernist poetry in Canada : readers' editions and editorial practice / Peter Webb -- When out in front gets left behind : Sol Allen's They have bodies and Canada's archived avant garde / Gregory Betts -- Bringing the text to life : editing th god of gods / Kailin Wright -- Landscapes of reception : historicizing the travails of the New Brunswick literary modernists / Tony Tremblay -- Modernism, antimodernism, and Hugh MacLennan's novels of the 1930s / Colin Hill
• "A significant and fruitful connection between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars, and digital modernisms. In doing so, the contributors reveal that renovating modernisms does not need to depend on the fabrication of new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others--whether old or new, print or digital--that will instigate a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of popular forms of literary scholarship with less frequented forms, such as bibliography, textual studies and editing. Divided into three sections, Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print edition."--