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ad lib: To Be, Or To Seem To Be...?

The American music teacher, 2014-04, Vol.63 (5), p.64-64

Berr, Bruce

2014

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When the bat sings: The trills and chirps of bats can be as complex and meaningful as bird song–and may be a closer analog for human speech

Science (American Association for the Advancement of Science), 2014-06, Vol.344 (6190), p.1334-1337

Morell, Virginia

2014

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Connecting world youth with tobacco brands: YouTube and the internet policy vacuum on Web 2.0

Tobacco control, 2010-10, Vol.19 (5), p.361-366

2010

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Assessing a Collaborative Online Environment for Music Composition

Educational technology & society, 2015-07, Vol.18 (3), p.49-63

Biasutti, Michele

2015

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Protein-rich food does not affect singing behaviour and song quality in adult zebra finches, Taeniopygia guttata

Current science (Bangalore), 2016-11, Vol.111 (10), p.1693-1696

2016

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Spiritual Needs in Health Care Settings: A Qualitative Meta-Synthesis of Clients' Perspectives

Social work (New York), 2011-10, Vol.56 (4), p.306-316

2011

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“The Music Between Us”: Ethel Smyth, Emmeline Pankhurst, and “Possession”

Feminist studies, 2015, Vol.41 (2), p.335-370

Lumsden, Rachel

2015

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On the Analytical Tradition of Schoenberg's Erwartung (Op. 17)

Indiana theory review, 2017-10, Vol.34 (1-2), p.73-104

Knight, Russell

2017

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Intimations of Heroism in a Pastoral Milieu: On the Opening Section of theSiegfried Idyll

Indiana theory review, 2016-10, Vol.32 (1-2), p.199-215

Mark Anson-Cartwright

2016

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Messiah: Freshness in a New Order

The Choral journal, 2014-05, Vol.54 (10), p.67-68

Sharp, Tim

2014

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1 + 1 = 1: Measuring Time's Distance in Tōru Takemitsu'sNostalghia: In Memory of Andrei Tarkovskij

Music and the moving image, 2016-10, Vol.9 (3), p.3-18

Kunio Hara

2016

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Some Secular Uses of the Chorale

International journal of musicology, 2016-01, Vol.2, p.123-138

Edgecombe, Rodney Stenning

2016

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Uplift, Gender, and Scott Joplin'sTreemonisha

Black music research journal, 2015-10, Vol.35 (1), p.41-69

Lumsden, Rachel

2015

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Beethovenà la moujik: Russianness and Learned Style in the “Razumovsky” String Quartets

Journal of the American Musicological Society, 2014-04, Vol.67 (1), p.77-124

Ferraguto, Mark

2014

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St Albans Cathedral: John McCabe's 'Esperanza'

Tempo (London), 2012-01, Vol.66 (259), p.67-68

Barlow, Jill

2012

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Ornamental and Motivic Integration in Chopin's Op. 9 Nocturnes

Indiana theory review, 2017-10, Vol.34 (1-2), p.23-49

Gran, Jacob

2017

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The Jazz Solo as Virtuous Act

The Journal of aesthetics and art criticism, 2016, Vol.74 (1), p.61-74

LOVE, STEFAN CARIS

2016

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Baroque Forms and Cyclic Partitioning in Hindemith's "Apparebit repentina dies"

The Choral journal, 2014-11, Vol.55 (4), p.16-27

Lundergan, Edward

2014

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Creating Musical Variation

Science (American Association for the Advancement of Science), 2008-04, Vol.320 (5872), p.62-63

Dabby, Diana S.

2008

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Mapping Life through Poetry: A Conversation with Bruno Montané Krebs

World literature today, 2014-12, Vol.88 (6), p.14-16

Bruno Montané Krebs

2014

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Teaching Stravinsky from the Wennerstrom Anthology

Indiana theory review, 2017-07, Vol.33 (1-2), p.69-76

Hatten, Robert S

2017

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Politics of Organizational Adornment: Lessons from Las Vegas and Beyond

American sociological review, 2012-02, Vol.77 (1), p.99-119

Sallaz, Jeffrey J.

2012

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Primary versus secondary musical parameters and the classification of melodic motives

Musicae scientiae, 2009-03, Vol.13 (1_suppl), p.139-179

2009

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Information Structure and the Syntax-Phonology Interface

Linguistic inquiry, 2000-10, Vol.31 (4), p.649-689

Steedman, Mark

2000

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"Il teatro e la vita non son la stessa cosa?" Self-References and Their Cultural Context in Leoncavallo's "Pagliacci"

Italica (New York, N.Y.), 2017-03, Vol.94 (1), p.31-51

Kuhn, Bernhard

2017

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ad lib: To Be, Or To Seem To Be...?

When the bat sings: The trills and chirps of bats can be as complex and meaningful as bird song–and may be a closer analog for human speech

Connecting world youth with tobacco brands: YouTube and the internet policy vacuum on Web 2.0

Assessing a Collaborative Online Environment for Music Composition

Protein-rich food does not affect singing behaviour and song quality in adult zebra finches, Taeniopygia guttata

Spiritual Needs in Health Care Settings: A Qualitative Meta-Synthesis of Clients' Perspectives

“The Music Between Us”: Ethel Smyth, Emmeline Pankhurst, and “Possession”

On the Analytical Tradition of Schoenberg's Erwartung (Op. 17)

Intimations of Heroism in a Pastoral Milieu: On the Opening Section of theSiegfried Idyll

Messiah: Freshness in a New Order

1 + 1 = 1: Measuring Time's Distance in Tōru Takemitsu'sNostalghia: In Memory of Andrei Tarkovskij

Some Secular Uses of the Chorale

Uplift, Gender, and Scott Joplin'sTreemonisha

Beethovenà la moujik: Russianness and Learned Style in the “Razumovsky” String Quartets

St Albans Cathedral: John McCabe's 'Esperanza'

Ornamental and Motivic Integration in Chopin's Op. 9 Nocturnes

The Jazz Solo as Virtuous Act

Baroque Forms and Cyclic Partitioning in Hindemith's "Apparebit repentina dies"

Creating Musical Variation

Mapping Life through Poetry: A Conversation with Bruno Montané Krebs

Teaching Stravinsky from the Wennerstrom Anthology

Politics of Organizational Adornment: Lessons from Las Vegas and Beyond

Primary versus secondary musical parameters and the classification of melodic motives

Information Structure and the Syntax-Phonology Interface

"Il teatro e la vita non son la stessa cosa?" Self-References and Their Cultural Context in Leoncavallo's "Pagliacci"

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