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Rodenberg, Julius. Grösse und Grenzen der Typographie; Betrachtungen über typographische Grundfragen, wie sie sich in der Buchkunst der letzten siebenzig Jahre widerspiegeln

Library, 1959, p.224

Black, M. H

1959

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Doubleday, Richard B.. Jan Tschichold, designer: the Penguin years

Papers of the Bibliographical Society of America, 2008, Vol.102 (3), p.394

Cinamon, Gerald

2008

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Dodd, Robin. From Gutenberg to opentype: an illustrated history of type from the earliest letterforms to the latest digital fonts

Papers of the Bibliographical Society of America, 2008, Vol.102 (3), p.392

Amert, Kay

2008

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Kosofsky, Scott-Martin. The SP century: Boston's Society of Printers through one hundred years of change

Papers of the Bibliographical Society of America, 2008, Vol.102 (2), p.255

Berger, Sidney E

2008

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Rummonds, Richard-Gabriel. Nineteenth-century printing practices and the iron handpress: with selected readings. Foreword by Saxe, Stephen O.Stephen O. Saxe

Papers of the Bibliographical Society of America, 2007, Vol.101 (1), p.97

Howard-Hill, T. H

2007

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Janssen, Frans A.. Technique and design in the history of printing: 26 essays

Bibliofilía, 2007, Vol.109 (2), p.205

B[arbieri], E[doardo]

2007

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Bright, Betty. No longer innocent: book art in America: 1960-1980

Bibliofilía, 2007, Vol.109 (2), p.209

Gehl, Paul F

2007

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Rummonds, Richard-Gabriel. Printing on the iron handpress. With a foreword by Duncan, HarryHarry Duncan

Papers of the Bibliographical Society of America, 2007, Vol.101 (1), p.97

Howard-Hill, T. H

2007

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Stoicheff, Peter. The future of the page

Journal of the Early Book Society for the Study of Manuscripts and Printing History, 2006, Vol.9, p.200

Morse, Charlotte C

2006

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Stoicheff, Peter. The future of the page

College Literature, 2006, Vol.33 (3), p.216

Jones, Liz

2006

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Ould, Martyn. Stanley Morison & 'John Fell': the writing and printing of Stanley Morison's book John Fell, the University Press and the 'Fell' Types

Papers of the Bibliographical Society of America, 2006, Vol.100 (1), p.149

Amert, Kay

2006

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Stoicheff, Peter. The future of the page

Textual Cultures. Text, Contexts, Interpretation, 2006, Vol.1 (2), p.177

Gambrell, Alice

2006

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Maslen, K. I. D.. Samuel Richardson of London, printer: a study of his printing based on ornament use and business accounts

Scriblerian and the Kit-Cats, 2006, Vol.38 (2), p.310

Taylor, E. Derek

2006

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Stoicheff, Peter. The future of the page

Library, 2005, Vol.6 (4), p.472

Warkentin, Germaine

2005

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Schmidt, Frieder. Internationale Bibliographie zur Papiergeschichte

Papers of the Bibliographical Society of America, 2005, Vol.99 (1), p.166

Bidwell, John

2005

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Ould, Martyn. The Fell revival: describing the casting of the Fell types at the University Press, Oxford, and their use by the Press and others since 1864 (being the year of the revival of their use since their bequest to the University by Bishop John Fell in 1686): including a handlist of some of the books printed in the Fell types since that year

Papers of the Bibliographical Society of America, 2005, Vol.99 (2), p.340

Amert, Kay

2005

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Cave, Roderick. A history of the Golden Cockerel Press, 1920-1960

Papers of the Bibliographical Society of America, 2004, Vol.98 (3), p.367

Peterson, William S

2004

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Curtis, Gerard. Visual words: art and the material book in Victorian England

Dickens Quarterly: a scholarly journal devoted to the study of the life, times, & works of Charles Dickens, 2003, Vol.20 (3), p.209

Hurst, Clive

2003

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Hurst, Christopher. The invisible art: the pursuit of book making

Publishing Research Quarterly, 2003, Vol.19 (2), p.67

Rosenstein, Natalee

2003

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Curtis, Gerard. Visual words: art and the material book in Victorian England

Papers of the Bibliographical Society of America, 2003, Vol.97 (4), p.607

Korey, Marie

2003

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Benton, Megan. Beauty and the book: fine editions and cultural distinction in America

American Literature, 2003, Vol.75 (4), p.875

McGill, Meredith L

2003

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Benton, Megan. Beauty and the book: fine editions and cultural distinction in America

American Studies International, 2002, Vol.40 (1), p.75

David, Elissa

2002

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Johnston, Alastair. Alphabets to order: the literature of nineteenth-century typefounders' specimens

Papers of the Bibliographical Society of America, 2002, Vol.96 (2), p.298

Kelly, Jerry

2002

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Gutjahr, Paul C.. Illuminating letters: typography and literary interpretation

Publishing Research Quarterly, 2002, Vol.18 (1), p.66

Bonn, Thomas L

2002

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Baker, Cathleen A.. By his own labor: the biography of Dard Hunter

Library, 2002, Vol.3 (3), p.333

Honey, Andrew

2002

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Rodenberg, Julius. Grösse und Grenzen der Typographie; Betrachtungen über typographische Grundfragen, wie sie sich in der Buchkunst der letzten siebenzig Jahre widerspiegeln

Doubleday, Richard B.. Jan Tschichold, designer: the Penguin years

Dodd, Robin. From Gutenberg to opentype: an illustrated history of type from the earliest letterforms to the latest digital fonts

Kosofsky, Scott-Martin. The SP century: Boston's Society of Printers through one hundred years of change

Rummonds, Richard-Gabriel. Nineteenth-century printing practices and the iron handpress: with selected readings. Foreword by Saxe, Stephen O.Stephen O. Saxe

Janssen, Frans A.. Technique and design in the history of printing: 26 essays

Bright, Betty. No longer innocent: book art in America: 1960-1980

Rummonds, Richard-Gabriel. Printing on the iron handpress. With a foreword by Duncan, HarryHarry Duncan

Stoicheff, Peter. The future of the page

Stoicheff, Peter. The future of the page

Ould, Martyn. Stanley Morison & 'John Fell': the writing and printing of Stanley Morison's book John Fell, the University Press and the 'Fell' Types

Stoicheff, Peter. The future of the page

Maslen, K. I. D.. Samuel Richardson of London, printer: a study of his printing based on ornament use and business accounts

Stoicheff, Peter. The future of the page

Schmidt, Frieder. Internationale Bibliographie zur Papiergeschichte

Cave, Roderick. A history of the Golden Cockerel Press, 1920-1960

Curtis, Gerard. Visual words: art and the material book in Victorian England

Hurst, Christopher. The invisible art: the pursuit of book making

Curtis, Gerard. Visual words: art and the material book in Victorian England

Benton, Megan. Beauty and the book: fine editions and cultural distinction in America

Benton, Megan. Beauty and the book: fine editions and cultural distinction in America

Johnston, Alastair. Alphabets to order: the literature of nineteenth-century typefounders' specimens

Gutjahr, Paul C.. Illuminating letters: typography and literary interpretation

Baker, Cathleen A.. By his own labor: the biography of Dard Hunter

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