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ON PARADOXES OF THE DANISH TEMPORAL PREPOSITIONS AND THEIR PERCEPTIVE EXPLANATION

Skandinavskai͡a︡ filologii͡a︡ = Scandinavica : mezhvuzovskiĭ sbornik, 2017, Vol.15 (1), p.54-68

Nikulicheva, Dina

2017

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Notes for a Critique of the Political Economy of Art

Život umjetnosti, 2019-01, Vol.104 (1), p.25

Dedić, Nikola

2019

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Images of small plastic as part of the space of Soviet everyday life

Studia Slavica et Balcanica Petropolitana, 2019, Vol.25 (1), p.65-77

Sapanzha, Olga

2019

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Pirot kilim – from veil to Serbian national visual symbol

Studia Slavica et Balcanica Petropolitana, 2019, Vol.25 (1), p.23-37

Tsvetkovich, Marina

2019

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Technique and its phobic images in the everyday consciousness of ordinary Russian people in 1914–1916

Studia Slavica et Balcanica Petropolitana, 2019, Vol.25 (1), p.38-52

Aksenov, Vladislav Benovich

2019

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People and motorcycles: Java as phenomenon of the Soviet motor-culture

Studia Slavica et Balcanica Petropolitana, 2019, Vol.25 (1), p.53-64

Tverdyukova, Elena Dmitrievna

2019

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The Labour of Abstraction: Seven Transitional Theses on Marxism and Accelerationism

Logos (Moscow, Russia), 2018, Vol.28 (2), p.55-64

Pasquinelli, Matteo

2018

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Teleoplexy: Notes on Acceleration

Logos (Moscow, Russia), 2018, Vol.28 (2), p.21-29

Land, Nick

2018

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Physician and miracle worker. The cult of Saint Sampson the Xenodochos and his images in eastern Orthodox medieval painting

Zograf : časopis za srednjovekovnu umetnost, 2015, Vol.2015 (39), p.25-46

Starodubcev, Tatjana

2015

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Global china, (former) Yugoslavia, and socialism

Filozofija i društvo (Zbornik radova), 2023-01, Vol.34 (4), p.613-636

Vangeli, Anastas

2023

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Music festivals as a space for construction of local identities on the example of the manifestation jazz in the garden

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2023-01, Vol.2023 (35), p.37-52

2023

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The Primary Slavic Complex of Liturgical Books of the Byzantine Rite (“Clement’s corpus”) and the Formation of the Macedonian Redaction of Church Slavonic

Slověne, 2016-01, Vol.5 (2), p.198-230

Crvenkovska, Emilija

2016

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The synthronon and locus inferior (αρχιερατικός θρόνος) of the metropolitan of Pozega. Liturgical furniture and wall paintings of the Orahovica Monastery

Zograf : časopis za srednjovekovnu umetnost, 2017, Vol.2017 (41), p.189-212

Radujko, Milan

2017

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The dead body of/in Gennady Gor’s poetry

Filozofija i društvo (Zbornik radova), 2022, Vol.33 (4), p.834-848

Sljivar, Vasilisa

2022

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“Unjust enemy” or “Monster dilemma” revisited. On the conditions and the paradox of a theological fiction1

Filozofija i društvo (Zbornik radova), 2022, Vol.33 (4), p.949-960

Bojanic, Petar

2022

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Conscience in gaslight

Filozofija i društvo (Zbornik radova), 2022, Vol.33 (4), p.826-833

Chernavin, Georgy

2022

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Self-Understanding of the Crisis in the Humanities against the “Invasive” Instrumental Rationality

Anafora, 2020-12, Vol.VII (2), p.341

Lošonc, Alpar

2020

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PAVILION OF THE KINGDOM OF YUGOSLAVIA'S THE 1937 PARIS INTERNATIONAL EXPOSITION - INTERIOR OF NATIONAL PAVILION AND BOSNIAN HOUSE AS AN INSTRUMENT OF PROPAGANDA

Zbornik Matice srpske za likovne umetnosti, 2016-01 (44), p.273

Biljman, Tamara S

2016

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A CONTRIBUTION TO THE STUDY OF THE OPUS OF ARCHITECT DRAGISA BRASOVAN (1887-1965) - newly found projects, accomplishments, and documents

Zbornik Matice srpske za likovne umetnosti, 2016-01 (44), p.347

2016

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REPRESENTATION OF POWER IN A SMALL FORMAT: THE EQUESTRIAN SCULPTURE OF KING LOUIS XIV FROM THE STATE ART COLLECTION OF THE ROYAL COMPOUND IN BELGRADE

Zbornik Matice srpske za likovne umetnosti, 2016-01 (44), p.85

2016

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Pictures, titles, personifications

Filozofija i društvo (Zbornik radova), 2021, Vol.32 (4), p.739-750

Cipranic, Milos

2021

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Holding random collections collectively responsible: An introduction

Filozofija i društvo (Zbornik radova), 2017, Vol.28 (4), p.997-1034

Schmid, Hans

2017

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THE ETHICS AND POLITICS OF CARE IN TIMES OF CRISES

Filozofija i društvo (Zbornik radova), 2022-01, Vol.33 (4), p.934-946

2022

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CREDIT, DEBT AND MONEY AS SOCIAL INSTITUTIONS OF TRUST

Filozofija i društvo (Zbornik radova), 2023-01, Vol.34 (2), p.273-288

Perunovic, Andrea

2023

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THE IMPORTANCE OF INTERDEPENDENCE AND RESPONSIBLE EPISTEMIC BEHAVIOR IN CRISES

Filozofija i društvo (Zbornik radova), 2023-01, Vol.34 (2), p.337-347

Smiljanic, Nikolina

2023

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ON PARADOXES OF THE DANISH TEMPORAL PREPOSITIONS AND THEIR PERCEPTIVE EXPLANATION

Notes for a Critique of the Political Economy of Art

Images of small plastic as part of the space of Soviet everyday life

Pirot kilim – from veil to Serbian national visual symbol

Technique and its phobic images in the everyday consciousness of ordinary Russian people in 1914–1916

People and motorcycles: Java as phenomenon of the Soviet motor-culture

The Labour of Abstraction: Seven Transitional Theses on Marxism and Accelerationism

Teleoplexy: Notes on Acceleration

Physician and miracle worker. The cult of Saint Sampson the Xenodochos and his images in eastern Orthodox medieval painting

Global china, (former) Yugoslavia, and socialism

Music festivals as a space for construction of local identities on the example of the manifestation jazz in the garden

The Primary Slavic Complex of Liturgical Books of the Byzantine Rite (“Clement’s corpus”) and the Formation of the Macedonian Redaction of Church Slavonic

The synthronon and locus inferior (αρχιερατικός θρόνος) of the metropolitan of Pozega. Liturgical furniture and wall paintings of the Orahovica Monastery

The dead body of/in Gennady Gor’s poetry

“Unjust enemy” or “Monster dilemma” revisited. On the conditions and the paradox of a theological fiction1

Conscience in gaslight

Self-Understanding of the Crisis in the Humanities against the “Invasive” Instrumental Rationality

PAVILION OF THE KINGDOM OF YUGOSLAVIA'S THE 1937 PARIS INTERNATIONAL EXPOSITION - INTERIOR OF NATIONAL PAVILION AND BOSNIAN HOUSE AS AN INSTRUMENT OF PROPAGANDA

A CONTRIBUTION TO THE STUDY OF THE OPUS OF ARCHITECT DRAGISA BRASOVAN (1887-1965) - newly found projects, accomplishments, and documents

REPRESENTATION OF POWER IN A SMALL FORMAT: THE EQUESTRIAN SCULPTURE OF KING LOUIS XIV FROM THE STATE ART COLLECTION OF THE ROYAL COMPOUND IN BELGRADE

Pictures, titles, personifications

Holding random collections collectively responsible: An introduction

THE ETHICS AND POLITICS OF CARE IN TIMES OF CRISES

CREDIT, DEBT AND MONEY AS SOCIAL INSTITUTIONS OF TRUST

THE IMPORTANCE OF INTERDEPENDENCE AND RESPONSIBLE EPISTEMIC BEHAVIOR IN CRISES

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