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Histories of Australian Rock Art Research

1, 2022

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Human remains from the Pleistocene-Holocene transition of southwest China suggest a complex evolutionary history for East Asians

PloS one, 2012-03, Vol.7 (3), p.e31918-e31918

2012

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The Archaeology of Rock Art in Western Arnhem Land, Australia

1, 2018

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Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak

PloS one, 2023-08, Vol.18 (8), p.e0288902-e0288902

2023

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A Hominin Femur with Archaic Affinities from the Late Pleistocene of Southwest China

PloS one, 2015-12, Vol.10 (12), p.e0143332-e0143332

2015

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Rare Late Pleistocene-early Holocene human mandibles from the Niah Caves (Sarawak, Borneo)

PloS one, 2018-06, Vol.13 (6), p.e0196633-e0196633

2018

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Possible Signatures of Hominin Hybridization from the Early Holocene of Southwest China

Scientific reports, 2015-07, Vol.5 (1), p.12408-12408, Article 12408

2015

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Revisiting Francis Birtles' painted car: exploring a cross-cultural encounter with Aboriginal artist Nayombolmi at Imarlkba Gold Mine, 1929-1930

History Australia, 2021-07, Vol.18 (3), p.469-492

2021

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Ships and Maritime Activities in the North-eastern Indian Ocean: re-analysis of rock art of Tham Phrayanaga (Viking Cave), southern Thailand

The International journal of nautical archaeology, 2017-03, Vol.46 (1), p.108-131

2017

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Australian Pleistocene rock art

Nature human behaviour, 2021-03, Vol.5 (3), p.301

Taçon, Paul S C

2021

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New rock art discoveries in the Kurnool District, Andhra Pradesh, India

Antiquity, 2010-06, Vol.84 (324), p.335-350

2010

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Analysis of the Preserved Amino Acid Bias in Peptide Profiles of Iron Age Teeth from a Tropical Environment Enable Sexing of Individuals Using Amelogenin MRM

Proteomics (Weinheim), 2019-03, Vol.19 (5), p.e1800341-n/a

2019

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CONNECTING TO THE ANCESTORS: WHY ROCK ART IS IMPORTANT FOR INDIGENOUS AUSTRALIANS AND THEIR WELL-BEING

Rock art research, 2019-05, Vol.36 (1), p.5-14

Taçon, Paul S C

2019

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Narlim's Fingerprints: Aboriginal Histories and Rock Art

Journal of Australian studies, 2021-07, Vol.45 (3), p.292-316

2021

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Early Australian Anthropomorphs: Jabiluka's Dynamic Figure Rock Paintings

Cambridge archaeological journal, 2018-02, Vol.28 (1), p.67-83

2018

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The global implications of the early surviving rock art of greater Southeast Asia

Antiquity, 2014-12, Vol.88 (342), p.1050

2014

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'THIS IS MY FATHER'S PAINTING': A FIRST-HAND ACCOUNT OF THE CREATION OF THE MOST ICONIC ROCK ART IN KAKADU NATIONAL PARK

Rock art research, 2019-11, Vol.36 (2), p.199-213

2019

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QUILP'S HORSE: ROCK ART AND ARTIST LIFE-BIOGRAPHY IN WESTERN ARNHEM LAND, AUSTRALIA

Rock art research, 2021-11, Vol.38 (2), p.211-221

2021

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The recent rock drawings of the Lenggong Valley, Perak, Malaysia

Antiquity, 2011-06, Vol.85 (328), p.459

2011

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Exploring Ceremony: The Archaeology of a Men's Meeting House (‘Kod’) on Mabuyag, Western Torres Strait

Cambridge archaeological journal, 2016-11, Vol.26 (4), p.721-740

2016

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"OUR DAD'S PAINTING IS HIDING, IN SECRET PLACE": REVERBERATIONS OF A ROCK PAINTING EPISODE IN KAKADU NATIONAL PARK, AUSTRALIA

Rock art research, 2021-05, Vol.38 (1), p.59-69

2021

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A NEW RECORDING AND INTERPRETATION OF THE ROCK ART OF ANGONO, RIZAL, PHILIPPINES

Rock art research, 2018-05, Vol.35 (1), p.47-61

2018

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Ancient bird stencils discovered in Arnhem Land, Northern Territory, Australia

Antiquity, 2010-06, Vol.84 (324), p.416-427

2010

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PICTURING NAYOMBOLMI: THE MOST PROLIFIC KNOWN ROCK ART ARTIST IN THE WORLD

Rock art research, 2022-11, Vol.39 (2), p.155-167

2022

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FIRST DIRECTLY DATED ROCK ART IN SOUTHEAST ASIA AND THE ARCHAEOLOGICAL IMPLICATIONS

Radiocarbon, 2021-06, Vol.63 (3), p.925-933

2021

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Histories of Australian Rock Art Research

Human remains from the Pleistocene-Holocene transition of southwest China suggest a complex evolutionary history for East Asians

The Archaeology of Rock Art in Western Arnhem Land, Australia

Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak

A Hominin Femur with Archaic Affinities from the Late Pleistocene of Southwest China

Rare Late Pleistocene-early Holocene human mandibles from the Niah Caves (Sarawak, Borneo)

Possible Signatures of Hominin Hybridization from the Early Holocene of Southwest China

Revisiting Francis Birtles' painted car: exploring a cross-cultural encounter with Aboriginal artist Nayombolmi at Imarlkba Gold Mine, 1929-1930

Ships and Maritime Activities in the North-eastern Indian Ocean: re-analysis of rock art of Tham Phrayanaga (Viking Cave), southern Thailand

Australian Pleistocene rock art

New rock art discoveries in the Kurnool District, Andhra Pradesh, India

Analysis of the Preserved Amino Acid Bias in Peptide Profiles of Iron Age Teeth from a Tropical Environment Enable Sexing of Individuals Using Amelogenin MRM

CONNECTING TO THE ANCESTORS: WHY ROCK ART IS IMPORTANT FOR INDIGENOUS AUSTRALIANS AND THEIR WELL-BEING

Narlim's Fingerprints: Aboriginal Histories and Rock Art

Early Australian Anthropomorphs: Jabiluka's Dynamic Figure Rock Paintings

The global implications of the early surviving rock art of greater Southeast Asia

'THIS IS MY FATHER'S PAINTING': A FIRST-HAND ACCOUNT OF THE CREATION OF THE MOST ICONIC ROCK ART IN KAKADU NATIONAL PARK

QUILP'S HORSE: ROCK ART AND ARTIST LIFE-BIOGRAPHY IN WESTERN ARNHEM LAND, AUSTRALIA

The recent rock drawings of the Lenggong Valley, Perak, Malaysia

Exploring Ceremony: The Archaeology of a Men's Meeting House (‘Kod’) on Mabuyag, Western Torres Strait

"OUR DAD'S PAINTING IS HIDING, IN SECRET PLACE": REVERBERATIONS OF A ROCK PAINTING EPISODE IN KAKADU NATIONAL PARK, AUSTRALIA

A NEW RECORDING AND INTERPRETATION OF THE ROCK ART OF ANGONO, RIZAL, PHILIPPINES

Ancient bird stencils discovered in Arnhem Land, Northern Territory, Australia

PICTURING NAYOMBOLMI: THE MOST PROLIFIC KNOWN ROCK ART ARTIST IN THE WORLD

FIRST DIRECTLY DATED ROCK ART IN SOUTHEAST ASIA AND THE ARCHAEOLOGICAL IMPLICATIONS

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