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An Ingrained Antipathy » : traduire et adapter le théâtre français en Angleterre, du pillage à la suprématie culturelle (1843-1886)

Revue de littérature comparée, 2021-02, Vol.375 (3), p.283-296

Ramos Gay, Ignacio

2021

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‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893)

Cahiers victoriens & édouardiens, 2017-11, Vol.86 (86 Automne), p.18

Ramos Gay, Ignacio

2017

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Naumachias, the Ancient World and Liquid Theatrical Bodies on the Early 19th Century English Stage

Miranda, 2015-07, Vol.11 (11)

Gay, Ignacio Ramos

2015

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'The French Play in London': Performing, Translating, and Adapting from the French in Victorian Britain

Cahiers Victoriens et Edouardiens, 2017-12, Vol.86 (86 Automne)

2017

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Introduction: Performing, Translating, and Adapting from the French in Victorian Britain

Cahiers victoriens & édouardiens, 2017-11 (86 Automne), p.1-14

Ramos-Gay, Ignacio

2017

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Jorge Semprún, o la literatura contra la memoria = Jorge Semprún or literature against memory

Estudios humanísticos. Filología, 2017-12 (39), p.25-38

Ramos Gay, Ignacio

2017

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"Black blokes who spoke like East-Enders": Nation, race and hooliganism in Cass Pennant's Cass

Journal of postcolonial writing, 2016-01, Vol.52 (1), p.13-25

Ramos Gay, Ignacio

2016

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Animality and Biblical Masculinities in Conflict: Moses and the Golden Calf (Exodus 32)

Men and masculinities, 2020-12, Vol.23 (5), p.814-832

2020

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Gender Perspectives on National and Nation-State Animal Symbolism

Men and masculinities, 2020-12, Vol.23 (5), p.889-907

2020

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Masculinities and Animal Harm

Men and masculinities, 2020-12, Vol.23 (5), p.908-926

2020

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Pit Bulls and Dogfighting as Symbols of Masculinity in Hip Hop Culture

Men and masculinities, 2020-12, Vol.23 (5), p.852-871

2020

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Performing Manhood through Animal Killings? Revisions of Hunting as a Performance of Masculinity in Ernest Hemingway’s Late Writings

Men and masculinities, 2020-12, Vol.23 (5), p.833-851

2020

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Zoomasculinities: At the Intersection Between Animals, Animality, and Masculinity

Men and masculinities, 2020-12, Vol.23 (5), p.807-813

2020

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Performing Centaurs and the Debasement of Masculinity

Men and masculinities, 2020-12, Vol.23 (5), p.872-888

2020

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The Comédie-Française in London (1879) and the Call for an English National Theatre

Revue de littérature comparée, 2013, Vol.1 (345), p.5

Gay, Ignacio Ramos

2013

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‘Hate the world, it’s so romantic: The Function of Song in Recent British Football Hooligan Film (1995-2009)

Atlantis (Salamanca, Spain), 2012-12, Vol.34 (2), p.85-104

Gay, Ignacio Ramos

2012

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“Le bon ange de son maître”: mélodrame animalier et théâtre humanitaire

Nineteenth-century French studies, 2023-05, Vol.51 (3-4), p.210-230

Ramos-Gay, Ignacio

2023

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From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy

Cahiers victoriens & édouardiens, 2010-12 (72 Automne), p.83-98

Gay, Ignacio Ramos

2010

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Female Nudity, Interspecies Sexuality and ‘Horseness’ in Laetitia Dosch's Hate (2018)

Theatre research international, 2022-07, Vol.47 (2), p.160-181

RAMOS-GAY, IGNACIO

2022

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Le singe hors de sa cage » : Mazurier-Jocko au théâtre de la Porte Saint-Martin

Études littéraires, 2023, Vol.51 (3), p.37-54

Ramos-Gay, Ignacio

2023

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From Dumas fils' Étrangère to Wilde's Aventurière: French Theatrical Forerunners of the Wildean Female Dandy

Cahiers victoriens & édouardiens, 2010-10, Vol.72 (72), p.83

Gay, Ignacio Ramos

2010

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Performing Classical Masculinities and Old Age: Josep Maria Pou in Alberto Iglesias and Mario Gas's Sócrates. Juicio y muerte de un ciudadano

Romance quarterly, 2022-07, Vol.69 (3), p.127-143

Ramos-Gay, Ignacio

2022

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Myth and Biblical Imagery in De Profundis

LISA (Caen, France), 2007-12 (Vol. V - n°4), p.182-205

Ramos Gay, Ignacio

2007

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Myth and Biblical Imagery in De Profundis

LISA (Caen, France), 2007-12, Vol.5, p.182-205

Ramos Gay, Ignacio

2007

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Génétique textuelle, censure et sous-texte sexuel dans L’Affaire de la rue de Lourcine

French studies, 2019-10

Ramos Gay, Ignacio

2019

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An Ingrained Antipathy » : traduire et adapter le théâtre français en Angleterre, du pillage à la suprématie culturelle (1843-1886)

‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893)

Naumachias, the Ancient World and Liquid Theatrical Bodies on the Early 19th Century English Stage

'The French Play in London': Performing, Translating, and Adapting from the French in Victorian Britain

Introduction: Performing, Translating, and Adapting from the French in Victorian Britain

Jorge Semprún, o la literatura contra la memoria = Jorge Semprún or literature against memory

"Black blokes who spoke like East-Enders": Nation, race and hooliganism in Cass Pennant's Cass

Animality and Biblical Masculinities in Conflict: Moses and the Golden Calf (Exodus 32)

Gender Perspectives on National and Nation-State Animal Symbolism

Masculinities and Animal Harm

Pit Bulls and Dogfighting as Symbols of Masculinity in Hip Hop Culture

Performing Manhood through Animal Killings? Revisions of Hunting as a Performance of Masculinity in Ernest Hemingway’s Late Writings

Zoomasculinities: At the Intersection Between Animals, Animality, and Masculinity

Performing Centaurs and the Debasement of Masculinity

The Comédie-Française in London (1879) and the Call for an English National Theatre

‘Hate the world, it’s so romantic: The Function of Song in Recent British Football Hooligan Film (1995-2009)

“Le bon ange de son maître”: mélodrame animalier et théâtre humanitaire

From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy

Female Nudity, Interspecies Sexuality and ‘Horseness’ in Laetitia Dosch's Hate (2018)

Le singe hors de sa cage » : Mazurier-Jocko au théâtre de la Porte Saint-Martin

From Dumas fils' Étrangère to Wilde's Aventurière: French Theatrical Forerunners of the Wildean Female Dandy

Performing Classical Masculinities and Old Age: Josep Maria Pou in Alberto Iglesias and Mario Gas's Sócrates. Juicio y muerte de un ciudadano

Myth and Biblical Imagery in De Profundis

Myth and Biblical Imagery in De Profundis

Génétique textuelle, censure et sous-texte sexuel dans L’Affaire de la rue de Lourcine

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