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The Kindling Breath of Another Mind: Anzia Yezierska's Critique of American Education

Studies in American Jewish literature (1981), 2015-09, Vol.34 (2), p.257-273

Shiffman, Dan

2015

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THE NEW WOMAN OF THE TENEMENTS: ANZIA YEZIERSKA'S "SALOME"

Modern fiction studies, 2010-06, Vol.56 (2), p.233-261

Botshon, Lisa

2010

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"What the College Has Done for Me": Anzia Yezierska and the Problem of Progressive Education

College English, 2012-01, Vol.74 (3), p.215-233

Dayton-Wood, Amy

2012

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"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

Modern fiction studies, 2005-07, Vol.51 (2), p.416-436

Harrison-Kahan, Lori

2005

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The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

Atlantis (Salamanca, Spain), 2023-06, Vol.45 (1), p.37-55

Campos, Rebeca E.

2023

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The Political Dimensions of Desire in Anzia Yezierska's 'The Lost 'Beautifulness'' and Salome of the Tenements

Studies in American fiction, 2007-03, Vol.35 (1), p.43-66

Goldstein, Douglas J

2007

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Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's "Arrogant Beggar"

African American review, 2007-03, Vol.41 (1), p.87-98

Rottenberg, Catherine

2007

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The Three Rs: Reading, (W)riting, and Romance in Class Mobility Narratives by Yezierska, Smedley and Saxton

College literature, 2007-10, Vol.34 (4), p.125-147

Launius, Christie

2007

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Marriage and the Immigrant Narrative: Anzia Yezierska's Salome of the Tenements

Legacy, 2005-06, Vol.22 (2), p.176-186

FRIEDMAN, NATALIE

2005

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The Matter of Identification: Yezierska's Arrogant Beggar and the Gendered Injuries of Class

Studies in American fiction, 2012-09, Vol.39 (2), p.207-241

Merish, Lori

2012

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Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Walt Whitman Quarterly Review, 2004-01, Vol.21 (3), p.155-165

Katz, Wendy R

2004

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From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject

American literature, 2010-06, Vol.82 (2), p.361-388

Mikkelsen, Ann

2010

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From Subjection to Survival: The Artistry of American Women Writers

Freitas, Molly J.

1, 2023

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Administered Identities and Linguistic Assimilation: The Politics of Immigrant English in Anzia Yezierska's Hungry Hearts

American literature, 1997-09, Vol.69 (3), p.595-619

Konzett, Delia Caparoso

1997

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Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Legacy (Amherst, Mass.), 1999-01, Vol.16 (1), p.82-92

Ungar, Cara-Lynn

1999

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Starving for Hunger: The Fiction of Anzia Yezierska

Mosaic (Winnipeg), 2003-03, Vol.36 (1), p.147-160

PASCUAL, NIEVES

2003

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Anzia Yezierska, Immigrant Authority, and the Uses of Affect

Tulsa studies in women's literature, 2000-04, Vol.19 (1), p.81-104

Pavletich, JoAnn

2000

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Education as Liberation: The Case of Anzia Yezierska's "Bread Givers"

Science & society (New York. 1936), 1993-10, Vol.57 (3), p.294-312

Rhodes, Chip

1993

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"This Aggression Will Not Stand": Myth, War, and Ethics in "The Big Lebowski"

SubStance, 2005-01, Vol.34 (2), p.98-117

Comer, Todd A.

2005

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Carol B. Schoen: Anzia Yezierska

Studies in American Jewish literature (1981), 1983-01, Vol.3 (3), p.236-238

Goodman, Charlotte

1983

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LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

The Centennial review, 1997-10, Vol.41 (3), p.635-643

Muir, Lisa

1997

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TO MAKE FOR MYSELF A PERSON: IMMIGRANT IDENTITIES IN ANZIA YEZIERSKA’S BREAD GIVERS

IJASonline, 2015-01 (4), p.26-35

AHERN, KATIE

2015

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ANZIA YEZIERSKA (1881 – 1970)

The Columbia Companion to the Twentieth-Century American Short Story, 2004, p.600

2004

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Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

Modern Fiction Studies, 2004, Vol.50 (2), p.517-519

BELLUSCIO, STEVEN J.

2004

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'Talking story': The evolution of the mother/daughter relationship in 20th century immigrant women's writing (Anzia Yezierska, Maxine Hong Kingston, Amy Tan, Bharati Mukherjee, Ursula Hegi)

Stabile, Patianne D

2007

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The Kindling Breath of Another Mind: Anzia Yezierska's Critique of American Education

THE NEW WOMAN OF THE TENEMENTS: ANZIA YEZIERSKA'S "SALOME"

"What the College Has Done for Me": Anzia Yezierska and the Problem of Progressive Education

"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

The Political Dimensions of Desire in Anzia Yezierska's 'The Lost 'Beautifulness'' and Salome of the Tenements

Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's "Arrogant Beggar"

The Three Rs: Reading, (W)riting, and Romance in Class Mobility Narratives by Yezierska, Smedley and Saxton

Marriage and the Immigrant Narrative: Anzia Yezierska's Salome of the Tenements

The Matter of Identification: Yezierska's Arrogant Beggar and the Gendered Injuries of Class

Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject

From Subjection to Survival: The Artistry of American Women Writers

Administered Identities and Linguistic Assimilation: The Politics of Immigrant English in Anzia Yezierska's Hungry Hearts

Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Starving for Hunger: The Fiction of Anzia Yezierska

Anzia Yezierska, Immigrant Authority, and the Uses of Affect

Education as Liberation: The Case of Anzia Yezierska's "Bread Givers"

"This Aggression Will Not Stand": Myth, War, and Ethics in "The Big Lebowski"

Carol B. Schoen: Anzia Yezierska

LADY LIBERTY'S COLONIZATION AND ANZIA YEZIERSKA'S "BREAD GIVERS"

TO MAKE FOR MYSELF A PERSON: IMMIGRANT IDENTITIES IN ANZIA YEZIERSKA’S BREAD GIVERS

ANZIA YEZIERSKA (1881 – 1970)

Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

'Talking story': The evolution of the mother/daughter relationship in 20th century immigrant women's writing (Anzia Yezierska, Maxine Hong Kingston, Amy Tan, Bharati Mukherjee, Ursula Hegi)

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