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If data could talk back: Anzia Yezierska, Paul de Kruif and thousands of pages of 'research'

International journal of epidemiology, 2013-02, Vol.42 (1), p.1-6

Smith, George Davey

2013

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If data could talk back: Anzia Yezierska, Paul de Kruif and thousands of pages of 'research'

International journal of epidemiology, 2013-06, Vol.42 (3), p.918-918

Smith, G. D.

2013

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'My One Story Is Hunger': Il languore metafisico delle protagoniste di Anzia Yezierska

Altre Modernità, 2015, Vol.13, p.1

Porro, Simona

2015

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One Thousand Pages of Research

International journal of epidemiology, 2013-02, Vol.42 (1), p.62-64

Yezierska, A.

2013

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"What the College Has Done for Me": Anzia Yezierska and the Problem of Progressive Education

College English, 2012-01, Vol.74 (3), p.215-233

Dayton-Wood, Amy

2012

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ANZIA YEZIERSKA AND THE IDENTITY CRISIS IN JEWISH- AMERICAN LITERATURE

Acta Marisiensis. Philologia, 2022, Vol.4 (4), p.50-55

Ștefanovici, Smaranda

2022

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La búsqueda de la expresión propia: El retrato de Estados Unidos por Anzia Yezierska como un país falsamente dorado

Atlantis (Salamanca, Spain), 2023-06, Vol.45 (1), p.37

Campos, Rebeca E

2023

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The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

Atlantis (Salamanca, Spain), 2023-06, Vol.45 (1), p.37-55

Campos, Rebeca E.

2023

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Philanthropic classism: americanization as a controversial rite of passage in Anzia Yezierska’s fiction

Revista de estudios Norteamericanos, 2019 (23), p.71-93

E. Campos, Rebeca

2019

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“My One Story is Hunger”: il languore metafisico delle protagoniste di Anzia Yezierska

Altre Modernità, 2015-05 (13), p.1-14

Porro, Simona

2015

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Charity institutions as networks of power: how Anzia Yezierska's characters resist philanthropic surveillance

Journal of English studies (Logroño), 2017, Vol.15 (15), p.31-52

Campos, Rebeca E.

2017

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Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Walt Whitman Quarterly Review, 2004-01, Vol.21 (3), p.155-165

Katz, Wendy R

2004

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Fashion as a Means of Overcoming Liminality: The Construction of an American Woman's "Self" in Anzia Yezierska's Bread Givers and Margaret Dilloway's How to Be an American Housewife

Americana (Hollywood, Calif.), 2017-04, Vol.16 (1)

Todd, Diane M

2017

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The Benefits of Using Anzia Yezierska's Immigrant Narratives in the Developmental Writing Classroom

Teaching American literature, 2010, Vol.3 (3-4), p.1

Bannett, Nina

2010

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Education as Liberation: The Case of Anzia Yezierska's "Bread Givers"

Science & society (New York. 1936), 1993-10, Vol.57 (3), p.294-312

Rhodes, Chip

1993

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Carol B. Schoen: Anzia Yezierska

Studies in American Jewish literature (1981), 1983-01, Vol.3 (3), p.236-238

Goodman, Charlotte

1983

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Untying the imaginary tongue: Whitman and the 'Americanization' of Anzia Yezierska

Walt Whitman quarterly review, 2004, Vol.21 (3), p.155

Katz, Wendy R

2004

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Women Empowerment in the Realms of Institutionalized Religion and Patriarchy: El Saadawi’s Firdaus and Yezierska’s Sara as Examples

International journal of applied linguistics & English literature, 2016, Vol.5 (5), p.1

Shehabat, Abdullah K

2016

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The rebirth of Anzia Yezierska

Judaism, 1993-09, Vol.42 (4), p.414

Zierler, Wendy

1993

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Gender Trouble in The Long Day

Americana (Hollywood, Calif.), 2015-04, Vol.14 (1)

Strong, Melissa J

2015

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Reviews

Journal of American studies, 2013-08, Vol.47 (3), p.857

LUTENSKI, EMILY

2013

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Immigrant Jewish Identity and the Female Voice: Anzia Yezierska and Grace Paley

Journal of the short story in English, 1999, Vol.32, p.57

Stone, Carole

1999

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Economies of Teaching: Class, Money, and Identity in Anzia Yezierska's "Breadgivers"

Journal of thought, 2001-12, Vol.36 (4), p.33-44

2001

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Immigrant Jewish identity and the female voice: Anzia Yezierska and Grace Paley

Journal of the short story in English, 1999

Stone, Carole

1999

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FROM HOLLYWOOD TO HESTER STREET: GHETTO FILM, MELODRAMA, AND THE IMAGE OF THE ASSIMILATED JEW IN HUNGRY HEARTS

Journal of film and video, 1998-12, Vol.50 (4), p.18-33

KONZETT, DELIA CAPAROSO

1998

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If data could talk back: Anzia Yezierska, Paul de Kruif and thousands of pages of 'research'

If data could talk back: Anzia Yezierska, Paul de Kruif and thousands of pages of 'research'

'My One Story Is Hunger': Il languore metafisico delle protagoniste di Anzia Yezierska

One Thousand Pages of Research

"What the College Has Done for Me": Anzia Yezierska and the Problem of Progressive Education

ANZIA YEZIERSKA AND THE IDENTITY CRISIS IN JEWISH- AMERICAN LITERATURE

La búsqueda de la expresión propia: El retrato de Estados Unidos por Anzia Yezierska como un país falsamente dorado

The Quest for Self-Expression: Anzia Yezierska’s Portrayal of America as a Fake Golden Country

Philanthropic classism: americanization as a controversial rite of passage in Anzia Yezierska’s fiction

“My One Story is Hunger”: il languore metafisico delle protagoniste di Anzia Yezierska

Charity institutions as networks of power: how Anzia Yezierska's characters resist philanthropic surveillance

Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Fashion as a Means of Overcoming Liminality: The Construction of an American Woman's "Self" in Anzia Yezierska's Bread Givers and Margaret Dilloway's How to Be an American Housewife

The Benefits of Using Anzia Yezierska's Immigrant Narratives in the Developmental Writing Classroom

Education as Liberation: The Case of Anzia Yezierska's "Bread Givers"

Carol B. Schoen: Anzia Yezierska

Untying the imaginary tongue: Whitman and the 'Americanization' of Anzia Yezierska

Women Empowerment in the Realms of Institutionalized Religion and Patriarchy: El Saadawi’s Firdaus and Yezierska’s Sara as Examples

The rebirth of Anzia Yezierska

Gender Trouble in The Long Day

Reviews

Immigrant Jewish Identity and the Female Voice: Anzia Yezierska and Grace Paley

Economies of Teaching: Class, Money, and Identity in Anzia Yezierska's "Breadgivers"

Immigrant Jewish identity and the female voice: Anzia Yezierska and Grace Paley

FROM HOLLYWOOD TO HESTER STREET: GHETTO FILM, MELODRAMA, AND THE IMAGE OF THE ASSIMILATED JEW IN HUNGRY HEARTS

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