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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

Melus, 2023-04

Dayton, Amy E

2023

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Philanthropic classism: americanization as a controversial rite of passage in Anzia Yezierska’s fiction

Revista de estudios Norteamericanos, 2019 (23), p.71-93

E. Campos, Rebeca

2019

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The Making of an American: Counternarration in Louis Adamic's Laughing in the Jungle and Anzia Yezierska's Bread Givers

Melus, 2010-03, Vol.35 (1), p.99-118

Piper, Kevin

2010

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Yezierska, Anzia, 1880-1970

ProQuest Author Pages, 2018

2018

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Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Walt Whitman Quarterly Review, 2004-01, Vol.21 (3), p.155-165

Katz, Wendy R

2004

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Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation; Rereading the Harlem Renaissance: Race, Class,and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West

American Literature, 2003-09, Vol.75 (3), p.661-663

Wagner-Martin, Linda

2003

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Anzia Yezierska (1881 - 1970)

2000

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No Place in Time: The Hebraic Myth in Late-Nineteenth Century American Literature by Sharon B. Oster (review)

American Jewish History, 2021, Vol.105 (1), p.305-307

Cappell, Ezra

2021

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Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Legacy (Amherst, Mass.), 1999-01, Vol.16 (1), p.82-92

Ungar, Cara-Lynn

1999

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The Salome Ensemble: Rose Pastor Stokes, Anzio Yezierska, Sonya Levin, and Jetta Goudal by Alan Robert Ginsbergt (review)

American Jewish history, 2017, Vol.101 (2), p.311-313

Vapnek, Lara

2017

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Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska

Journal of modern literature, 2006-03, Vol.29 (2), p.19-32

Jirousek, Lori

2006

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Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's

African American review, 2007-01, p.87-98

Rottenberg, Catherine

2007

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Anzia Yezierska (1881 –1970)

The Columbia Companion to the Twentieth-Century American Short Story, 2015, p.600-604

2015

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"This Aggression Will Not Stand": Myth, War, and Ethics in "The Big Lebowski"

SubStance, 2005-01, Vol.34 (2), p.98-117

Comer, Todd A.

2005

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Anzia Yezierska: A Writer's Life, and: The Rise of Socialist Fiction 1880-1914 (review)

Modern fiction studies, 1988-12, Vol.34 (4), p.742-743

Purdy, Strother B

1988

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Yezierska, Anzia, 1880-1970

ProQuest Biographies, 2006

2006

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Anzia Yezierska and the Marketing of the Jewish Immigrant in 1920s Hollywood

Journal of narrative theory, 2000-10, Vol.30 (3), p.287-312

Botshon, Lisa

2000

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Anzia Yezierska (1881-1970)

The Columbia Companion to the 20th Century American Short Story, 2001

Kessler-Harris, Alice

2001

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Editor's Introduction: 'It Must Change'

Journal of modern literature, 2003-06, Vol.26 (3), p.v-v

O'Hara, Daniel T

2003

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Reviews

Journal of American studies, 2013-08, Vol.47 (3), p.857

LUTENSKI, EMILY

2013

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ANZIA YEZIERSKA (1881 – 1970)

The Columbia Companion to the Twentieth-Century American Short Story, 2004, p.600

2004

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Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

Modern Fiction Studies, 2004, Vol.50 (2), p.517-519

BELLUSCIO, STEVEN J.

2004

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Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Melus, 2012-06, Vol.37 (2), p.180-182

Rubinstein, Rachel

2012

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Affective Narratives: Harlem and the Lower East Side

Journal of American studies, 2010-11, Vol.44 (4), p.777-793

ROTTENBERG, CATHERINE

2010

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Against the Unspeakable: Complicity, the Holocaust, and Slavery in America, and: Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature (review)

Callaloo, 2011, Vol.34 (1), p.219-224

Harrison-Kahan, Lori

2011

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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

Philanthropic classism: americanization as a controversial rite of passage in Anzia Yezierska’s fiction

The Making of an American: Counternarration in Louis Adamic's Laughing in the Jungle and Anzia Yezierska's Bread Givers

Yezierska, Anzia, 1880-1970

Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska

Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation; Rereading the Harlem Renaissance: Race, Class,and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West

Anzia Yezierska (1881 - 1970)

No Place in Time: The Hebraic Myth in Late-Nineteenth Century American Literature by Sharon B. Oster (review)

Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

The Salome Ensemble: Rose Pastor Stokes, Anzio Yezierska, Sonya Levin, and Jetta Goudal by Alan Robert Ginsbergt (review)

Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska

Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's

Anzia Yezierska (1881 –1970)

"This Aggression Will Not Stand": Myth, War, and Ethics in "The Big Lebowski"

Anzia Yezierska: A Writer's Life, and: The Rise of Socialist Fiction 1880-1914 (review)

Yezierska, Anzia, 1880-1970

Anzia Yezierska and the Marketing of the Jewish Immigrant in 1920s Hollywood

Anzia Yezierska (1881-1970)

Editor's Introduction: 'It Must Change'

Reviews

ANZIA YEZIERSKA (1881 – 1970)

Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation

Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Affective Narratives: Harlem and the Lower East Side

Against the Unspeakable: Complicity, the Holocaust, and Slavery in America, and: Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature (review)

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