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"Slipping back into the vernacular": Anzia Yezierska's Vernacular Modernism

Melus, 2011-09, Vol.36 (3), p.187-211

Hefner, Brooks E.

2011

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"All Words, Words, about Words": Linguistic Journey and Transformation in Anzia Yezierska's "The Bread Givers"

Studies in American Jewish literature (1981), 2002-01, Vol.21, p.12-23

ANOLIK, RUTH BIENSTOCK

2002

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The Ultimate Shaygets and the Fiction of Anzia Yezierska

Melus, 1996-07, Vol.21 (2), p.79-88

Shapiro, Ann R.

1996

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Starving for Hunger: The Fiction of Anzia Yezierska

Mosaic (Winnipeg), 2003-03, Vol.36 (1), p.147-160

PASCUAL, NIEVES

2003

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Women Empowerment in the Realms of Institutionalized Religion and Patriarchy: El Saadawi’s Firdaus and Yezierska’s Sara as Examples

International journal of applied linguistics & English literature, 2016, Vol.5 (5), p.1

Shehabat, Abdullah K

2016

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Living in Dirt: Reclaiming the Discourse of Hygiene in the Works of Anzia Yezierska

Studies in American Jewish literature (1981), 2003-01, Vol.22, p.19-35

BERGER, RONIT

2003

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Sweatshop Cinderella

Nashim, 2012-03 (23), p.196

Cohen, Hagit

2012

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The Rabbi's Daughter in and out of the Kitchen: Feminist Literary Negotiations

Nashim : a journal of Jewish women's studies & gender issues, 2002-10, Vol.5 (5), p.83-104

Zierler, Wendy

2002

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Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Melus, 2012-06, Vol.37 (2), p.180-182

Rubinstein, Rachel

2012

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Recollecting, Repeating, and Walking Through: Immigration, Trauma, and Space in Mary Antin's The Promised Land

Melus, 2010-03, Vol.35 (1), p.141-166

Sheffer, Jolie A.

2010

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Living on Writer's Block: Henry Roth and American Literature

Shofar, 2008-04, Vol.26 (3), p.21-32

Kellman, Steven G.

2008

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Eat Your Heart Out: The Fiction of Anzia Yezierska

Studies in American Jewish literature (1981), 1983-01, Vol.3 (3), p.51-61

Golub, Ellen

1983

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THERE’S NO SPACE LIKE HOME: The Representation of Jewish American Life in Abraham Cahan, Anzia Yezierska, Philip Roth, and Cynthia Ozick

The Columbia History of Jews and Judaism in America, 2008, p.433

2008

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SNAPSHOTS OF TWENTIETH-CENTURY WRITERS MARY ANTIN, ZORA NEAL HURSTON, ZITKALA-SA, AND ANZIA YEZIERSKA

The Centennial review, 1997-10, Vol.41 (3), p.547-552

Dominguez, Susan

1997

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Rags to Riches to Suicide: Unhappy Narratives of Upward Mobility: "Martin Eden, Bread Givers, Delia's Song." and "Hunger of Memory"

College literature, 2002-10, Vol.29 (4), p.79-108

Christopher, Renny

2002

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"Un viaje sin retorno": Expanding Definitions of Diasporic Experience in Azriel Bibliowicz's "El rumor del astracán"

Revista hispánica moderna, 2002-12, Vol.55 (2), p.467-480

Goldberg, Paul L.

2002

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Self, Other, and Community: Jewish Women's Autobiography

Nashim : a journal of Jewish women's studies & gender issues, 2004-04, Vol.7 (7), p.116-127

Adelman, Tzvi Howard

2004

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You Say "Canapé," and I Say "Kreplach": Reading the Cultural Culinary Conflicts in Jewish American Writers

Studies in American Jewish literature (1981), 2002-01, Vol.21, p.94-107

LEM, ELLYN

2002

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Art, Gender, and the Jewish Tradition in Yezierska's "Red Ribbon on a White Horse" and Potok's "My Name Is Asher Lev"

Studies in American Jewish literature (1981), 1988-04, Vol.7 (1), p.55-66

REGENBAUM, SHELLY

1988

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The Writer Uprooted: Contemporary Jewish Exile Literature

Shofar, 2009, Vol.28 (1), p.196-198

Omer-Sherman, Ranen

2009

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Telling the Little Secrets: American Jewish Writings since the 1980s

Shofar, 2007, Vol.25 (4), p.173-176

Osborne, Monica

2007

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bibliography of books by and about jewish women

Off Our Backs, 1982, Vol.12 (4), p.9-9

beck, evie

1982

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INTRODUCTION: MODERNISM'S JEWS/JEWISH MODERNISMS

Modern fiction studies, 2005-07, Vol.51 (2), p.249-257

Linett, Maren

2005

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OLD WORLD DREAMS AND PROMISED LAND NIGHTMARES IN EARLY 20TH CENTURY JEWISH-AMERICAN IMMIGRANT NARRATIVES

Scripta Judaica Cracoviensia, 2011-01, Vol.9, p.89

Gasztold, Brygida

2011

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Between Aunt and Niece: Grace Paley and the Jewish American “Swerve”

Prooftexts, 2012-04, Vol.32 (2), p.176-202

2012

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1 – 25 von 73

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"Slipping back into the vernacular": Anzia Yezierska's Vernacular Modernism

"All Words, Words, about Words": Linguistic Journey and Transformation in Anzia Yezierska's "The Bread Givers"

The Ultimate Shaygets and the Fiction of Anzia Yezierska

Starving for Hunger: The Fiction of Anzia Yezierska

Women Empowerment in the Realms of Institutionalized Religion and Patriarchy: El Saadawi’s Firdaus and Yezierska’s Sara as Examples

Living in Dirt: Reclaiming the Discourse of Hygiene in the Works of Anzia Yezierska

Sweatshop Cinderella

The Rabbi's Daughter in and out of the Kitchen: Feminist Literary Negotiations

Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Recollecting, Repeating, and Walking Through: Immigration, Trauma, and Space in Mary Antin's The Promised Land

Living on Writer's Block: Henry Roth and American Literature

Eat Your Heart Out: The Fiction of Anzia Yezierska

THERE’S NO SPACE LIKE HOME: The Representation of Jewish American Life in Abraham Cahan, Anzia Yezierska, Philip Roth, and Cynthia Ozick

SNAPSHOTS OF TWENTIETH-CENTURY WRITERS MARY ANTIN, ZORA NEAL HURSTON, ZITKALA-SA, AND ANZIA YEZIERSKA

Rags to Riches to Suicide: Unhappy Narratives of Upward Mobility: "Martin Eden, Bread Givers, Delia's Song." and "Hunger of Memory"

"Un viaje sin retorno": Expanding Definitions of Diasporic Experience in Azriel Bibliowicz's "El rumor del astracán"

Self, Other, and Community: Jewish Women's Autobiography

You Say "Canapé," and I Say "Kreplach": Reading the Cultural Culinary Conflicts in Jewish American Writers

Art, Gender, and the Jewish Tradition in Yezierska's "Red Ribbon on a White Horse" and Potok's "My Name Is Asher Lev"

The Writer Uprooted: Contemporary Jewish Exile Literature

Telling the Little Secrets: American Jewish Writings since the 1980s

bibliography of books by and about jewish women

INTRODUCTION: MODERNISM'S JEWS/JEWISH MODERNISMS

OLD WORLD DREAMS AND PROMISED LAND NIGHTMARES IN EARLY 20TH CENTURY JEWISH-AMERICAN IMMIGRANT NARRATIVES

Between Aunt and Niece: Grace Paley and the Jewish American “Swerve”

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