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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

Melus, 2023-04, Vol.47 (4), p.198-219

Dayton, Amy E

2023

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The American Haskalah: Sanctifying Education in Mary Antin’s The Promised Land, Abraham Cahan’s The Rise of David Levinsky, and Anzia Yezierska’s Bread Givers

Melus, 2024-02, Vol.49 (1), p.53-75

Reznick, Ohad

2024

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"Slipping back into the vernacular": Anzia Yezierska's Vernacular Modernism

Melus, 2011-09, Vol.36 (3), p.187-211

Hefner, Brooks E.

2011

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The Making of an American: Counternarration in Louis Adamic's Laughing in the Jungle and Anzia Yezierska's Bread Givers

Melus, 2010-03, Vol.35 (1), p.99-118

Piper, Kevin

2010

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“The Love of Colour in Me”: Anzia Yezierska’s Bread Givers and the Space of White Racial Manufacture

Melus, 2009-09, Vol.34 (3), p.93-114

Simpson, Tyrone R.

2009

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Reading Material: Contextualizing Clothing in the Work of Anzia Yezierska

Melus, 1998-07, Vol.23 (2), p.157-172

1998

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Of Repression, Assertion, and the Speakerly Dress: Anzia Yezierska’s Salome of the Tenements

Melus, 2000-03, Vol.25 (1), p.129-145

Okonkwo, Christopher N.

2000

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The Ultimate Shaygets and the Fiction of Anzia Yezierska

Melus, 1996-07, Vol.21 (2), p.79-88

Shapiro, Ann R.

1996

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Cultural Mediation and the Immigrant's Daughter Anzia Yezierska's Bread Givers

Melus, 1991-10, Vol.17 (3), p.33-41

Wilentz, Gay

1991

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Anzia Yezierska and the Popular Periodical Debate Over the Jews

Melus, 2000-03, Vol.25 (1), p.105-127

Ebest, Ron

2000

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Spectacle Ethnography and Immigrant Resistance: Sui Sin Far and Anzia Yezierska

Melus, 2002-03, Vol.27 (1), p.25-52

Jirousek, Lori

2002

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Anzia Yezierska: New Light on the “Sweatshop Cinderella”

Melus, 1980-10, Vol.7 (3), p.3-11

Schoen, Carol

1980

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Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Melus, 2012-06, Vol.37 (2), p.180-182

Rubinstein, Rachel

2012

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Recollecting, Repeating, and Walking Through: Immigration, Trauma, and Space in Mary Antin's The Promised Land

Melus, 2010-03, Vol.35 (1), p.141-166

Sheffer, Jolie A.

2010

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Editor's notes

Melus, 2000-04, Vol.25 (1), p.1

Makowsky, Veronica

2000

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BREAD GIVERS. By Anzia Yezierska (Book Review)

Melus, 1976, Vol.3 (4), p.16

Avery, Evelyn

1976

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Disease, Deformity, and Defiance: Writing the Language of Immigration Law and the Eugenics Movement on the Immigrant Body

Melus, 2003-03, Vol.28 (1), p.105-121

Dwyer, June

2003

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Literary Reformers: Crossing Class and Ethnic Boundaries in Jewish Women’s Fiction of the 1920s

Melus, 2000-03, Vol.25 (1), p.81-104

Batker, Carol

2000

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“Who is the Nation?” —or, “Did Cleopatra Have Red Hair?”: A Patriotic Discourse on Diversity, Nationality, and Race

Melus, 1998-12, Vol.23 (4), p.3-23

Bukowczyk, John J.

1998

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Bread Givers

MELUS, 1976, Vol.3 (4), p.16-16

Avery, Evelyn

1976

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Ethnic Passages: Literary Immigrants in Twentieth-Century America

MELUS, 1996, Vol.21 (2), p.182-184

Dawahare, Anthony

1996

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Editor's Introduction: White and Not-Quite-White

Melus, 2011-09, Vol.36 (3), p.5-12

2011

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Writing Immigrant Aid: The Settlement House and the Problem of Representation

Melus, 2012-06, Vol.37 (2), p.83-107

Fisher, Laura R.

2012

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Place-Based Learning in Three Bildungsromane: To Kill a Mockingbird; Roll of Thunder, Hear My Cry; and Under the Feet of Jesus

Melus, 2021-09, Vol.46 (2), p.131-152

Horwitz, Jennifer

2021

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The Limits of Language: Literacy, Morality, and Transformation in Mary Antin's The Promised Land

Melus, 2009-12, Vol.34 (4), p.81-98

Dayton-Wood, Amy E.

2009

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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

The American Haskalah: Sanctifying Education in Mary Antin’s The Promised Land, Abraham Cahan’s The Rise of David Levinsky, and Anzia Yezierska’s Bread Givers

"Slipping back into the vernacular": Anzia Yezierska's Vernacular Modernism

The Making of an American: Counternarration in Louis Adamic's Laughing in the Jungle and Anzia Yezierska's Bread Givers

“The Love of Colour in Me”: Anzia Yezierska’s Bread Givers and the Space of White Racial Manufacture

Reading Material: Contextualizing Clothing in the Work of Anzia Yezierska

Of Repression, Assertion, and the Speakerly Dress: Anzia Yezierska’s Salome of the Tenements

The Ultimate Shaygets and the Fiction of Anzia Yezierska

Cultural Mediation and the Immigrant's Daughter Anzia Yezierska's Bread Givers

Anzia Yezierska and the Popular Periodical Debate Over the Jews

Spectacle Ethnography and Immigrant Resistance: Sui Sin Far and Anzia Yezierska

Anzia Yezierska: New Light on the “Sweatshop Cinderella”

Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Recollecting, Repeating, and Walking Through: Immigration, Trauma, and Space in Mary Antin's The Promised Land

Editor's notes

BREAD GIVERS. By Anzia Yezierska (Book Review)

Disease, Deformity, and Defiance: Writing the Language of Immigration Law and the Eugenics Movement on the Immigrant Body

Literary Reformers: Crossing Class and Ethnic Boundaries in Jewish Women’s Fiction of the 1920s

“Who is the Nation?” —or, “Did Cleopatra Have Red Hair?”: A Patriotic Discourse on Diversity, Nationality, and Race

Bread Givers

Ethnic Passages: Literary Immigrants in Twentieth-Century America

Editor's Introduction: White and Not-Quite-White

Writing Immigrant Aid: The Settlement House and the Problem of Representation

Place-Based Learning in Three Bildungsromane: To Kill a Mockingbird; Roll of Thunder, Hear My Cry; and Under the Feet of Jesus

The Limits of Language: Literacy, Morality, and Transformation in Mary Antin's The Promised Land

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