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The New Historicism and Other Old-Fashioned Topics

Brook Thomas

2021

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REAL: The Yearbook of Research in English and American Literature

2020

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The New Historicism and Other Old-Fashioned Topics

Thomas, Brook

1, 2021

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All 'Metatheatre' is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night's Dream, and the Navigation of the Spectrum of Dramatic Representation

Shakespeare bulletin, 2018-04, Vol.36 (1), p.49-67

Leonard, Nathaniel C

2018

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Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama

Shakespeare bulletin, 2017-07, Vol.35 (2), p.187-206

Wright, Clare

2017

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Editorial

Journal of early modern studies, 2013-01 (2), p.11

2013

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Revisionary Interventions into the Americanist Canon

1, 1994

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Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater

New literary history, 1994-10, Vol.25 (4), p.789-808

Weimann, Robert

1994

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Performance Practice and Theatrical Privilege: Rethinking Weimann’s Concepts of Locus and Platea

New theatre quarterly, 2006-08, Vol.22 (3), p.283-298

Lin, Erika

2006

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Bifold Authority in Shakespeare's Theatre

Shakespeare quarterly, 1988-12, Vol.39 (4), p.401-417

Weimann, Robert

1988

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Shakespeare in the World of Communism and Socialism

1, 2013

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Playing with a difference: Revisting "pen" and "voice" in Shakespeare's Theater

Shakespeare quarterly, 1999-12, Vol.50 (4), p.415

Weimann, Robert

1999

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Mingling Vice and "Worthiness" in King John

Shakespeare studies (Columbia), 1999-01, Vol.27, p.109-109

WEIMANN, ROBERT

1999

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Representation and Performance: The Uses of Authority in Shakespeare's Theater

PMLA : Publications of the Modern Language Association of America, 1992-05, Vol.107 (3), p.497-510

Weimann, Robert

1992

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"HOW I MAY COMPARE / THIS PRISON WHERE I LIVE UNTO THE WORLD": SHAKESPEARE IN A CHANGI PRISON

A.U.M.L.A., 2001-05 (95), p.13

Kelly, Philippa

2001

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Alternative Shakespeares

Weimann, With a new afterword by Robert

2nd Edition, 2002

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Prologues to Shakespeare's Theatre: Performance and Liminality in Early Modern Drama

Australasian Drama Studies, 2006 (48), p.248

de Reuck, Jenny

2006

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Reception theory: School of Constance

The Cambridge History of Literary Criticism, 1995, Vol.8, p.319-346

1995

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APPROPRIATING THE WORD: JUDE THE OBSCURE AS SUBVERSIVE APOCRYPHA

Victorian review, 1993-12, Vol.19 (2), p.48-66

NEMESVARI, RICHARD

1993

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The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe by John Parker (review)

Christianity & Literature, 2010, Vol.59 (2), p.344-347

Cox, John D

2010

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Shakespeare's Metamorphosis

Shakespeare (London, England), 2017-10, Vol.13 (4), p.318-332

Jowett, John

2017

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The Circulation of Power in Medieval Biblical Drama: Theaters of Authority

Sturges, Robert S

1, 2015

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The Politics of Fairylore in Early Modern English Literature

Renaissance quarterly, 2000-06, Vol.53 (2), p.449-473

Swann, Marjorie

2000

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"Verie Devout Asses": The Stupid Puritan Clown

Renaissance and Reformation, 2004, Vol.28 (3), p.95

Hornback, Robert

2004

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"Hush-a-Bye Baby": Death and Violence in the Lullaby

Raritan, 1998-07, Vol.18 (1), p.93

Warner, Marina

1998

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The New Historicism and Other Old-Fashioned Topics

REAL: The Yearbook of Research in English and American Literature

The New Historicism and Other Old-Fashioned Topics

All 'Metatheatre' is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night's Dream, and the Navigation of the Spectrum of Dramatic Representation

Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama

Editorial

Revisionary Interventions into the Americanist Canon

Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater

Performance Practice and Theatrical Privilege: Rethinking Weimann’s Concepts of Locus and Platea

Bifold Authority in Shakespeare's Theatre

Shakespeare in the World of Communism and Socialism

Playing with a difference: Revisting "pen" and "voice" in Shakespeare's Theater

Mingling Vice and "Worthiness" in King John

Representation and Performance: The Uses of Authority in Shakespeare's Theater

"HOW I MAY COMPARE / THIS PRISON WHERE I LIVE UNTO THE WORLD": SHAKESPEARE IN A CHANGI PRISON

Alternative Shakespeares

Prologues to Shakespeare's Theatre: Performance and Liminality in Early Modern Drama

Reception theory: School of Constance

APPROPRIATING THE WORD: JUDE THE OBSCURE AS SUBVERSIVE APOCRYPHA

The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe by John Parker (review)

Shakespeare's Metamorphosis

The Circulation of Power in Medieval Biblical Drama: Theaters of Authority

The Politics of Fairylore in Early Modern English Literature

"Verie Devout Asses": The Stupid Puritan Clown

"Hush-a-Bye Baby": Death and Violence in the Lullaby

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