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Flesh as the Missing Link: Cross-cultural Reflections on Robert Weimann's Concept of the Divided Authority in Performative Texts

Liminalities, 2020-01, Vol.16 (1), p.1-9

Mukbopadhyay, Anway

2020

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Shakespeare 1971: proceedings of the World Shakespeare Congress, Vancouver, August 1971

Shakespeare 1971, 1972

1, 1972

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All 'Metatheatre' is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night's Dream, and the Navigation of the Spectrum of Dramatic Representation

Shakespeare bulletin, 2018-04, Vol.36 (1), p.49-67

Leonard, Nathaniel C

2018

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"A Mistaken Understanding": Dunsinane and New Writing at the RSC

Borrowers and lenders, 2010-04, Vol.V (1)

Linnemann, Emily

2010

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REVIEWS

Theatre research international, 2013-07, Vol.38 (2), p.164

Marx, Peter W

2013

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As Above, So Below: Staging the Digby Mary Magdalene

Theatre notebook, 2016-06, Vol.70 (2), p.74-108

Davis, Matthew Evan

2016

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Editorial

Journal of early modern studies, 2013-01 (2), p.11

2013

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Shakespeare’s Technique of Opening: Strands of Action

Theatre topics, 2013-09, Vol.23 (2), p.209-218

Benabu, Joel

2013

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Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

Shakespeare quarterly, 2011-10, Vol.62 (3), p.309-339

Worthen, W. B.

2011

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Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater

New literary history, 1994-10, Vol.25 (4), p.789-808

Weimann, Robert

1994

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Discourse and Authority: The Renaissance of Robert Weimann

Shakespeare Studies, 1998-01, Vol.26, p.83

DRAKAKIS, JOHN

1998

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The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

Comparative Drama, 2011, Vol.45 (2), p.156

2011

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Performance Practice and Theatrical Privilege: Rethinking Weimann’s Concepts of Locus and Platea

New theatre quarterly, 2006-08, Vol.22 (3), p.283-298

Lin, Erika

2006

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A and an in English Plays, 1580—1639

Texas studies in literature and language, 2011-09, Vol.53 (3), p.273-293

Craig, Hugh

2011

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Bifold Authority in Shakespeare's Theatre

Shakespeare quarterly, 1988-12, Vol.39 (4), p.401-417

Weimann, Robert

1988

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"THE MOST VALUED THINGS HAVE MOST ALLOYS": THOMAS OTWAYS'S VENICE PRESERV'D

Restoration and 18th century theatre research, 2007-07, Vol.22 (1/2), p.99

Eriksson, Åke

2007

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Playing with a difference: Revisting "pen" and "voice" in Shakespeare's Theater

Shakespeare quarterly, 1999-12, Vol.50 (4), p.415

Weimann, Robert

1999

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Mingling Vice and "Worthiness" in King John

Shakespeare studies (Columbia), 1999-01, Vol.27, p.109-109

WEIMANN, ROBERT

1999

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Shakespeare performed: A stage where every man must play a part?

Shakespeare quarterly, 1999-04, Vol.50 (1), p.74

Potter, Lois

1999

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Book Review -- Shakespeare und Die Macht der Mimesis. Autoritaet und Repraesentation im Elisabethanischen Theater by Robert Weimann

Theatre Journal, 1991, Vol.43 (1), p.133

Puschmann-Nalez, Barbara

1991

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Reviews -- Shakespeare und die Macht der Mimesis. Autoritat und Reprasentation im elisabethanischen Theater (Shakespeare and the Power of Mimesis: Authority and Representation in the Elizabethan Theater) by Robert Weimann

Clio, 1991, Vol.21 (1), p.83

Sorge, Thomas

1991

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The Mirror and the Labyrinth: The Further Ordeals of Character and Mimesis

Style, 1993-09, Vol.27 (3), p.452-471

States, Bert O.

1993

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Book Reviews: Site Unscene: The Offstage in English Renaissance Drama

Theatre Survey, 2019, Vol.60 (2), p.293-295

Bozio, Andrew

2019

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Book Review: Shakespeare and the Materiality of Performance

Theatre Research International, 2014, Vol.39 (3), p.250

Di Salvo, Gina

2014

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"HOW I MAY COMPARE / THIS PRISON WHERE I LIVE UNTO THE WORLD": SHAKESPEARE IN A CHANGI PRISON

A.U.M.L.A., 2001-05 (95), p.13

Kelly, Philippa

2001

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Flesh as the Missing Link: Cross-cultural Reflections on Robert Weimann's Concept of the Divided Authority in Performative Texts

Shakespeare 1971: proceedings of the World Shakespeare Congress, Vancouver, August 1971

All 'Metatheatre' is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night's Dream, and the Navigation of the Spectrum of Dramatic Representation

"A Mistaken Understanding": Dunsinane and New Writing at the RSC

REVIEWS

As Above, So Below: Staging the Digby Mary Magdalene

Editorial

Shakespeare’s Technique of Opening: Strands of Action

Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater

Discourse and Authority: The Renaissance of Robert Weimann

The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

Performance Practice and Theatrical Privilege: Rethinking Weimann’s Concepts of Locus and Platea

A and an in English Plays, 1580—1639

Bifold Authority in Shakespeare's Theatre

"THE MOST VALUED THINGS HAVE MOST ALLOYS": THOMAS OTWAYS'S VENICE PRESERV'D

Playing with a difference: Revisting "pen" and "voice" in Shakespeare's Theater

Mingling Vice and "Worthiness" in King John

Shakespeare performed: A stage where every man must play a part?

Book Review -- Shakespeare und Die Macht der Mimesis. Autoritaet und Repraesentation im Elisabethanischen Theater by Robert Weimann

Reviews -- Shakespeare und die Macht der Mimesis. Autoritat und Reprasentation im elisabethanischen Theater (Shakespeare and the Power of Mimesis: Authority and Representation in the Elizabethan Theater) by Robert Weimann

The Mirror and the Labyrinth: The Further Ordeals of Character and Mimesis

Book Reviews: Site Unscene: The Offstage in English Renaissance Drama

Book Review: Shakespeare and the Materiality of Performance

"HOW I MAY COMPARE / THIS PRISON WHERE I LIVE UNTO THE WORLD": SHAKESPEARE IN A CHANGI PRISON

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