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Robert Weimann and Douglas Bruster. Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre

Shakespeare quarterly, 2009-12, Vol.60 (4), p.515-518

Hornback, Robert

2009

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As Above, So Below: Staging the Digby Mary Magdalene

Theatre notebook, 2016-06, Vol.70 (2), p.74-108

Davis, Matthew Evan

2016

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Shakespeare und die Macht der Mimesis: Autorität und Repräsentation im elisabethanischen Theater by Robert Weimann (review)

Comparative drama, 1990, Vol.24 (3), p.270-272

Diller, Hans-Jürgen

1990

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"This is called mortifying of a fox": "Volpone" and How To Get Rich Quick by Dying Slowly

Shakespeare quarterly, 2014-07, Vol.65 (2), p.140-163

Vinter, Maggie

2014

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Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

Shakespeare quarterly, 2011-10, Vol.62 (3), p.309-339

Worthen, W. B.

2011

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Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater

New literary history, 1994-10, Vol.25 (4), p.789-808

Weimann, Robert

1994

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Playing with a Difference: Revisiting "Pen" and "Voice" in Shakespeare's Theater

Shakespeare quarterly, 1999-12, Vol.50 (4), p.415-432

Weimann, Robert

1999

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(Post)Modernity and Representation: Issues of Authority, Power, Performativity

New literary history, 1992-10, Vol.23 (4), p.955-981

Weimann, Robert

1992

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The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

Comparative Drama, 2011, Vol.45 (2), p.156

2011

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A and an in English Plays, 1580—1639

Texas studies in literature and language, 2011-09, Vol.53 (3), p.273-293

Craig, Hugh

2011

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Shakespeare (De)Canonized: Conflicting Uses of "Authority" and "Representation"

New literary history, 1988-10, Vol.20 (1), p.65-81

Weimann, Robert

1988

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Bifold Authority in Shakespeare's Theatre

Shakespeare quarterly, 1988-12, Vol.39 (4), p.401-417

Weimann, Robert

1988

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"Appropriation" and Modern History in Renaissance Prose Narrative

New literary history, 1983-04, Vol.14 (3), p.459-495

Weimann, Robert

1983

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History and the Issue of Authority in Representation: The Elizabethan Theater and the Reformation

New literary history, 1986-04, Vol.17 (3), p.449-476

Weimann, Robert

1986

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Brief Notices: The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

Comparative Drama, 2011, Vol.45 (2), p.156-157

2011

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Robert Weimann, "Authority and Representation in Early Modern Discourse" (Book Review)

MLN; Modern Language Notes, 1998, Vol.113 (5), p.1183

DeLuna, D N

1998

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Graham Bradshaw, Tom Bishop, and David Schalkwyk, eds.: The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

Comparative Drama, 2011, Vol.45 (2), p.156

2011

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An Assessment of Robert Weimann's Post-Marxist Criticism

Shakespeare Quarterly, 1981, Vol.32 (1), p.107-118

Vickers, Brian

1981

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Robert Weimann, "Structure and Society in Literary History: Studies in the History and Theory of Historical Criticism" (Book Review)

The Minnesota Review, 1977, Vol.9, p.153

Leroy, Gaylord

1977

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Shakespeare and the Study of Metaphor

New literary history, 1974-10, Vol.6 (1), p.149-167

Weimann, Robert

1974

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French Structuralism and Literary History: Some Critiques and Reconsiderations

New literary history, 1973-04, Vol.4 (3), p.437-469

Weimann, Robert

1973

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Past Significance and Present Meaning in Literary History

New literary history, 1969-10, Vol.1 (1), p.91-109

Weimann, Robert

1969

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CITY/STAGE/GLOBE: PERFORMANCE AND SPACE IN SHAKESPEARE'S LONDON

Theatre Journal, 2009, Vol.61 (3), p.492-494

KNOWLES, RIC

2009

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Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre

Shakespeare Quarterly, 2009, Vol.60 (4), p.515-518

Hornback, Robert

2009

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Illegitimate Power: Bastards in Renaissance Drama

Shakespeare Quarterly, 1996, Vol.47 (2), p.214-216

Bevington, David

1996

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Robert Weimann and Douglas Bruster. Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre

As Above, So Below: Staging the Digby Mary Magdalene

Shakespeare und die Macht der Mimesis: Autorität und Repräsentation im elisabethanischen Theater by Robert Weimann (review)

"This is called mortifying of a fox": "Volpone" and How To Get Rich Quick by Dying Slowly

Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater

Playing with a Difference: Revisiting "Pen" and "Voice" in Shakespeare's Theater

(Post)Modernity and Representation: Issues of Authority, Power, Performativity

The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

A and an in English Plays, 1580—1639

Shakespeare (De)Canonized: Conflicting Uses of "Authority" and "Representation"

Bifold Authority in Shakespeare's Theatre

"Appropriation" and Modern History in Renaissance Prose Narrative

History and the Issue of Authority in Representation: The Elizabethan Theater and the Reformation

Brief Notices: The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

Robert Weimann, "Authority and Representation in Early Modern Discourse" (Book Review)

Graham Bradshaw, Tom Bishop, and David Schalkwyk, eds.: The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

An Assessment of Robert Weimann's Post-Marxist Criticism

Robert Weimann, "Structure and Society in Literary History: Studies in the History and Theory of Historical Criticism" (Book Review)

Shakespeare and the Study of Metaphor

French Structuralism and Literary History: Some Critiques and Reconsiderations

Past Significance and Present Meaning in Literary History

CITY/STAGE/GLOBE: PERFORMANCE AND SPACE IN SHAKESPEARE'S LONDON

Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre

Illegitimate Power: Bastards in Renaissance Drama

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