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Robert Weimann and Douglas Bruster. Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre

Shakespeare quarterly, 2009-12, Vol.60 (4), p.515-518

Hornback, Robert

2009

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Henry V/Hamlet/Richard III

Shakespeare bulletin, 2016-10, Vol.34 (3), p.487

Barnes, Jennifer

2016

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Robert Weimann and Douglas Bruster. Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre. Cambridge: Cambridge University Press, 2008. x + 266 pp. index. $99. ISBN: 978–0–521–89532–3

Renaissance quarterly, 2009, Vol.62 (2), p.634-635

Schalkwyk, David

2009

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"A Mistaken Understanding": Dunsinane and New Writing at the RSC

Borrowers and lenders, 2010-04, Vol.V (1), p.3

Linnemann, Emily

2010

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Geoparsing Early Modern English Drama/Shakespeare's Staged Spaces and Playgoers' Perceptions/Performance Reconstruction and Spanish Golden Age Drama

Shakespeare bulletin, 2015-12, Vol.33 (4), p.703

Prince, Kathryn

2015

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REVIEWS

Theatre research international, 2013-07, Vol.38 (2), p.164

Marx, Peter W

2013

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All 'Metatheatre' is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night's Dream, and the Navigation of the Spectrum of Dramatic Representation

Shakespeare bulletin, 2018-04, Vol.36 (1), p.49-67

Leonard, Nathaniel C

2018

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The Dramaturgical Space of Solo Scenes in Fletcher and Shakespeare, Or a Study of the Jailer’s Daughter

Shakespeare bulletin, 2017-04, Vol.35 (1), p.97-118

Wagoner, Michael M.

2017

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Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama

Shakespeare bulletin, 2017-07, Vol.35 (2), p.187-206

Wright, Clare

2017

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Shakespeare und die Macht der Mimesis: Autorität und Repräsentation im elisabethanischen Theater by Robert Weimann (review)

Comparative drama, 1990, Vol.24 (3), p.270-272

Diller, Hans-Jürgen

1990

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As Above, So Below: Staging the Digby Mary Magdalene

Theatre notebook, 2016-06, Vol.70 (2), p.74-108

Davis, Matthew Evan

2016

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"This is called mortifying of a fox": "Volpone" and How To Get Rich Quick by Dying Slowly

Shakespeare quarterly, 2014-07, Vol.65 (2), p.140-163

Vinter, Maggie

2014

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Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater

New literary history, 1994-10, Vol.25 (4), p.789-808

Weimann, Robert

1994

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Playing with a Difference: Revisiting "Pen" and "Voice" in Shakespeare's Theater

Shakespeare quarterly, 1999-12, Vol.50 (4), p.415-432

Weimann, Robert

1999

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Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

Shakespeare quarterly, 2011-10, Vol.62 (3), p.309-339

Worthen, W. B.

2011

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Discourse and Authority: The Renaissance of Robert Weimann

Shakespeare Studies, 1998-01, Vol.26, p.83

DRAKAKIS, JOHN

1998

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Discourse and authority: the renaissance of Robert Weimann: Document View

Shakespeare studies (Columbia), 1998, Vol.26, p.83

Drakakis, John

1998

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(Post)Modernity and Representation: Issues of Authority, Power, Performativity

New literary history, 1992-10, Vol.23 (4), p.955-981

Weimann, Robert

1992

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The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

Comparative Drama, 2011, Vol.45 (2), p.156

2011

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Shakespeare’s Technique of Opening: Strands of Action

Theatre topics, 2013-09, Vol.23 (2), p.209-218

Benabu, Joel

2013

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Performance Practice and Theatrical Privilege: Rethinking Weimann’s Concepts of Locus and Platea

New theatre quarterly, 2006-08, Vol.22 (3), p.283-298

Lin, Erika

2006

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Shakespeare (De)Canonized: Conflicting Uses of "Authority" and "Representation"

New literary history, 1988-10, Vol.20 (1), p.65-81

Weimann, Robert

1988

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Bifold Authority in Shakespeare's Theatre

Shakespeare quarterly, 1988-12, Vol.39 (4), p.401-417

Weimann, Robert

1988

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"Appropriation" and Modern History in Renaissance Prose Narrative

New literary history, 1983-04, Vol.14 (3), p.459-495

Weimann, Robert

1983

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A and an in English Plays, 1580—1639

Texas studies in literature and language, 2011-09, Vol.53 (3), p.273-293

Craig, Hugh

2011

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Robert Weimann and Douglas Bruster. Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre

Henry V/Hamlet/Richard III

Robert Weimann and Douglas Bruster. Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre. Cambridge: Cambridge University Press, 2008. x + 266 pp. index. $99. ISBN: 978–0–521–89532–3

"A Mistaken Understanding": Dunsinane and New Writing at the RSC

Geoparsing Early Modern English Drama/Shakespeare's Staged Spaces and Playgoers' Perceptions/Performance Reconstruction and Spanish Golden Age Drama

REVIEWS

All 'Metatheatre' is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night's Dream, and the Navigation of the Spectrum of Dramatic Representation

The Dramaturgical Space of Solo Scenes in Fletcher and Shakespeare, Or a Study of the Jailer’s Daughter

Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama

Shakespeare und die Macht der Mimesis: Autorität und Repräsentation im elisabethanischen Theater by Robert Weimann (review)

As Above, So Below: Staging the Digby Mary Magdalene

"This is called mortifying of a fox": "Volpone" and How To Get Rich Quick by Dying Slowly

Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater

Playing with a Difference: Revisiting "Pen" and "Voice" in Shakespeare's Theater

Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

Discourse and Authority: The Renaissance of Robert Weimann

Discourse and authority: the renaissance of Robert Weimann: Document View

(Post)Modernity and Representation: Issues of Authority, Power, Performativity

The Shakespearean International Yearbook, vol. 10, Special Section: The Achievement of Robert Weimann

Shakespeare’s Technique of Opening: Strands of Action

Performance Practice and Theatrical Privilege: Rethinking Weimann’s Concepts of Locus and Platea

Shakespeare (De)Canonized: Conflicting Uses of "Authority" and "Representation"

Bifold Authority in Shakespeare's Theatre

"Appropriation" and Modern History in Renaissance Prose Narrative

A and an in English Plays, 1580—1639

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