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Valéry's Serpent and the Wake's Genesis: Toward a Digital Library of James Joyce

James Joyce quarterly, 2010-04, Vol.47 (3), p.427-443

Hulle, Dirk van

2010

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"The Heritage of Symbolism": Henry Green, Maurice Bowra, and English Modernism in the 1920s

MLN, 2009-12, Vol.124 (5), p.1188-1210

Kohlmann, Benjamin

2009

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Meredith & Ends

ELH, 2009-09, Vol.76 (3), p.547-576

Bartlett, Jami

2009

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Freak Shows on the Page: Defining ‘criminanimality’ in Newgate Fiction (1830-1847)

Cahiers victoriens & édouardiens, 2017-05, Vol.85 (85 Printemps), p.12-12

Malfray, Hubert

2017

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Becoming-evolutionary?: Animal Transformations in Kingsley’s Alton Locke

Cahiers victoriens & édouardiens, 2017-05, Vol.85 (85 Printemps), p.16-16

Moore, Ben

2017

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Learning from Nature: Feminism, Allegory and Ostriches in Olive Schreiner’s The Story of an African Farm (1883)

Cahiers victoriens & édouardiens, 2017-05, Vol.85 (85 Printemps), p.15-15

Saudo-Welby, Nathalie

2017

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From Text, to Myth, to Meme: Penny Dreadful and Adaptation

Cahiers victoriens & édouardiens, 2015-01, Vol.82 (82 Automne), p.9

2015

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The Triptych of Dorian Gray (1890–91): Reading Wilde’s Novel as Three Print Objects

Cahiers victoriens & édouardiens, 2016-01, Vol.84 (84 Automne), p.18-18

Beasley, Brett

2016

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‘How the guineas shone as they came pouring out of the dark leather mouths!’: Shades of Gold in George Eliot’s Silas Marner (1861)

Cahiers victoriens & édouardiens, 2015-01, Vol.81 (81), p.11

Massei-Chamayou, Marie-Laure

2015

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A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel

Cahiers victoriens & édouardiens, 2015-01, Vol.82 (82 Automne), p.14

Raicu, Elena

2015

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Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting

Cahiers victoriens & édouardiens, 2016-01, Vol.84 (84), p.12-12

Gaspari, Fabienne

2016

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Screening A Christmas Carol (Dickens, 1843): Adaptation as Completion

Cahiers victoriens & édouardiens, 2015-01, Vol.82 (82 Automne), p.12

Christol, Florent

2015

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From Dog Alterity to Canine Sublime: A Cross-Century Reading of Victorian Fiction

Cahiers victoriens & édouardiens, 2017-05, Vol.85 (85 Printemps), p.11-11

Letissier, Georges

2017

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‘His Own Nearer Household Gods’: Pagans, Christians, and Marius the Epicurean’s Religious Hermeneutics

Cahiers victoriens & édouardiens, 2014-01, Vol.80 (80 Automne), p.11

Wright, Jude

2014

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Paganism in Tess of the D’Urbervilles and Jude the Obscure: The Possibility of Faith and Ethics in a Darwinian World

Cahiers victoriens & édouardiens, 2014-01, Vol.80 (80 Automne), p.11

Panter, Marie

2014

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Distorted Dreams: Peter Ibbetson from Illustration to Adaptation

Cahiers victoriens & édouardiens, 2015-11, Vol.82 (82 Automne), p.17

Leroy, Maxime

2015

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Eternal City or the Stuff of Nightmares? The Characterisation of Rome in Portrait of a Lady and Middlemarch

Cahiers victoriens & édouardiens, 2012-04, Vol.75 (75 Printemps), p.187-198

Hunt, Hannah

2012

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Elizabeth von Arnim's garden memoirs: cultivating feminism?

Cahiers victoriens & édouardiens, 2013-03, Vol.77 (77 Printemps), p.28

Moine, Fabienne

2013

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Hardy, Galileo and the Art of Transgression

Cahiers victoriens & édouardiens, 2014-06, Vol.79 (79 Printemps), p.2

Bantz-Gaszczak, Nathalie

2014

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Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907)

Cahiers victoriens & édouardiens, 2015-01, Vol.81 (81 Printemps), p.7

Leroy, Maxime

2015

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Deduction and Geography in Conan Doyle’s A Study in Scarlet

Cahiers victoriens & édouardiens, 2015-01, Vol.81 (81 Printemps), p.13

Pichler, Andréas

2015

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Pukka English and the Language of the Other in E. M. Forster’s A Passage to India

Cahiers victoriens & édouardiens, 2013-01, Vol.78 (78 Automne), p.22

Lanone, Catherine

2013

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Translating the French Revolution into English in A Tale of Two Cities

Cahiers victoriens & édouardiens, 2013-01, Vol.78 (78 Automne), p.24

Vanfasse, Nathalie

2013

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Lost Time: Blunt Head Trauma and Accident-Driven Cinema

Discourse (Berkeley, Calif.), 2008-10, Vol.30 (3), p.373-400

Bruckner, René Thoreau

2008

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Valéry's Serpent and the Wake's Genesis: Toward a Digital Library of James Joyce

"The Heritage of Symbolism": Henry Green, Maurice Bowra, and English Modernism in the 1920s

Meredith & Ends

Landscapes/Cityscapes Situational Identity in British Literature and Visual Arts (20th-21st Centuries)

Freak Shows on the Page: Defining ‘criminanimality’ in Newgate Fiction (1830-1847)

Becoming-evolutionary?: Animal Transformations in Kingsley’s Alton Locke

Learning from Nature: Feminism, Allegory and Ostriches in Olive Schreiner’s The Story of an African Farm (1883)

From Text, to Myth, to Meme: Penny Dreadful and Adaptation

The Triptych of Dorian Gray (1890–91): Reading Wilde’s Novel as Three Print Objects

‘How the guineas shone as they came pouring out of the dark leather mouths!’: Shades of Gold in George Eliot’s Silas Marner (1861)

A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel

Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting

Screening A Christmas Carol (Dickens, 1843): Adaptation as Completion

From Dog Alterity to Canine Sublime: A Cross-Century Reading of Victorian Fiction

‘His Own Nearer Household Gods’: Pagans, Christians, and Marius the Epicurean’s Religious Hermeneutics

Paganism in Tess of the D’Urbervilles and Jude the Obscure: The Possibility of Faith and Ethics in a Darwinian World

Distorted Dreams: Peter Ibbetson from Illustration to Adaptation

Eternal City or the Stuff of Nightmares? The Characterisation of Rome in Portrait of a Lady and Middlemarch

Elizabeth von Arnim's garden memoirs: cultivating feminism?

Hardy, Galileo and the Art of Transgression

Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907)

Deduction and Geography in Conan Doyle’s A Study in Scarlet

Pukka English and the Language of the Other in E. M. Forster’s A Passage to India

Translating the French Revolution into English in A Tale of Two Cities

Lost Time: Blunt Head Trauma and Accident-Driven Cinema

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