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Jan Tschichold and the Language of Modernism

Visible language, 1996, Vol.30 (3), p.314

Storkerson, Peter

1996

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Editorial

ReCALL (Cambridge, England), 2019-01, Vol.31 (1), p.1-2

Boulton, Alex

2019

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Dictionaries vs concordancers: actual practice of the two different tools in EFL writing

Computer assisted language learning, 2015-07, Vol.28 (4), p.341-363

2015

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Fonts of potential: areas for typographic research in political communication

International journal of communication (Online), 2016-01, p.4570

Billard, Thomas J

2016

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The Latino-ness of type: making design identities socially significant

Social semiotics, 2015-03, Vol.25 (2), p.142-150

Londoño, Johana

2015

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What Is a Book? Kant and the Law of the Letter

Critical inquiry, 2023-06, Vol.49 (4), p.605-625

2023

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Social Public Purchasing: Addressing a Critical Void in Public Purchasing Research

Public administration review, 2022-09, Vol.82 (5), p.818-834

2022

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On the recognitions of asemic poetry as language

Semiotica, 2024-05, Vol.2024 (257), p.81-101

Betancourt, Michael

2024

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Franz Roh's "Nach-Expressionismus" and the "Weltanschauung" of the Weimar Republic

German studies review, 2017-05, Vol.40 (2), p.267-288

Hemingway, Andrew

2017

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Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse

Critical inquiry, 2004-09, Vol.31 (1), p.49-84

Liu, Alan

2004

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What drives the learning benefits of moving text? A theoretical discussion for learning implications of kinetic typography

Humanities & social sciences communications, 2023-12, Vol.10 (1), p.169-7, Article 169

2023

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The language of the street

Applied linguistics review, 2013-03, Vol.4 (1), p.43-81

Cook, Vivian

2013

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At the crossroads of Marxism and structuralism in modern Polish literary theory (1918–1939): The case of Warsaw and Vilnius student circles

Thesis eleven, 2020-08, Vol.159 (1), p.64-77

Ulicka, Danuta

2020

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Project Decisions in Magazine Design

Advances in Ergonomics in Design, p.462-472

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Polish Futurism Revisited: Anatol Stern and his Post-War Poetry Recording

The Modern language review, 2016-01, Vol.111 (1), p.208-226

Kremer, Aleksandra

2016

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Eric Gill: Cut in Stone

Visual communication quarterly, 2008-04, Vol.15 (1-2), p.44-49

Holmes, Nigel

2008

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The Money: New Typography in Everybody's Pockets

The Bauhaus and Public Relations, 2014, p.120-136

Heise, Nele

1, 2014

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Rejuvenation and Regen(d)eration: "Der Steinachfilm," Sex Glands, and Weimar-Era Visual and Literary Culture

German studies review, 2015-02, Vol.38 (1), p.35-62

Makela, Maria

2015

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The Propaganda: Graphic Design and the Printing/Advertising Workshops

The Bauhaus and Public Relations, 2014, p.105-119

Rössler, Patrick

1, 2014

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The New Visuality of Writing

Shifts toward Image-Centricity in Contemporary Multimodal Practices, 2020, p.64-85

1, 2020

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Designing the Holy Bible: Arguing the Text Through the Form

Visual communication quarterly, 2008-04, Vol.15 (1-2), p.17-30

Watkins, Patsy

2008

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Deconstruction and Graphic Design: History Meets Theory

Visible language, 1994-10, Vol.28 (4), p.345-365

1994

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Collecting Paper: Die Brücke, the Bourgeois Interior, and the Architecture of Knowledge

Information Beyond Borders, 2014

2014

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Narrative Problems of Graphic Design History

Visible language, 1994-07, Vol.28 (3), p.233-243

Margolin, Victor

1994

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Paul Renner: The Art of Typography

Journal of Communication, 2000, Vol.50 (3), p.196-198

Thompson, George E

2000

Volltextzugriff (PDF)

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Jan Tschichold and the Language of Modernism

Editorial

Dictionaries vs concordancers: actual practice of the two different tools in EFL writing

Fonts of potential: areas for typographic research in political communication

The Latino-ness of type: making design identities socially significant

What Is a Book? Kant and the Law of the Letter

Social Public Purchasing: Addressing a Critical Void in Public Purchasing Research

On the recognitions of asemic poetry as language

Franz Roh's "Nach-Expressionismus" and the "Weltanschauung" of the Weimar Republic

Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse

What drives the learning benefits of moving text? A theoretical discussion for learning implications of kinetic typography

The language of the street

At the crossroads of Marxism and structuralism in modern Polish literary theory (1918–1939): The case of Warsaw and Vilnius student circles

Project Decisions in Magazine Design

Polish Futurism Revisited: Anatol Stern and his Post-War Poetry Recording

Eric Gill: Cut in Stone

The Money: New Typography in Everybody's Pockets

Rejuvenation and Regen(d)eration: "Der Steinachfilm," Sex Glands, and Weimar-Era Visual and Literary Culture

The Propaganda: Graphic Design and the Printing/Advertising Workshops

The New Visuality of Writing

Designing the Holy Bible: Arguing the Text Through the Form

Deconstruction and Graphic Design: History Meets Theory

Collecting Paper: Die Brücke, the Bourgeois Interior, and the Architecture of Knowledge

Narrative Problems of Graphic Design History

Paul Renner: The Art of Typography

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